It'd be a charity to him, an' a savin' of money for him, to take 'em out an' shoot 'em both. You bet you don't see the Porchugeeze with horses like them. An' it ain't a case of bein' proud, or puttin' on side, to have good horses. It's brass tacks an' business. It pays. That's the game. Old horses eat more in young ones to keep in condition an' they can't do the same amount of work. But you bet it costs just as much to shoe them. An' his is scrub on top of it. Every minute he has them horses he's losin' money. You oughta see the way they work an' figure horses in the city."
They slept soundly, and, after an early breakfast, prepared to start.
"I'd like to give you a couple of days' work," the old man regretted, at parting, "but I can't see it. The ranch just about keeps me and the old woman, now that the children are gone. An' then it don't always. Seems times have been bad for a long spell now. Ain't never been the same since Grover Cleveland."
Early in the afternoon, on the outskirts of San Jose, Saxon called a halt.
"I'm going right in there and talk," she declared, "unless they set the dogs on me. That's the prettiest place yet, isn't it?"
Billy, who was always visioning hills and spacious ranges for his horses, mumbled unenthusiastic assent.
"And the vegetables! Look at them! And the flowers growing along the borders! That beats tomato plants in wrapping paper."
"Don't see the sense of it," Billy objected. "Where's the money come in from flowers that take up the ground that good vegetables might be growin' on?"
"And that's what I'm going to find out." She pointed to a woman, stooped to the ground and working with a trowel; in front of the tiny bungalow. "I don't know what she's like, but at the worst she can only be mean. See! She's looking at us now. Drop your load alongside of mine, and come on in."
Billy slung the blankets from his shoulder to the ground, but elected to wait. As Saxon went up the narrow, flower-bordered walk, she noted two men at work among the vegetables--one an old Chinese, the other old and of some dark-eyed foreign breed. Here were neatness, efficiency, and intensive cultivation with a vengeance--even her untrained eye could see that. The woman stood up and turned from her flowers, and Saxon saw that she was middle-aged, slender, and simply but nicely dressed. She wore glasses, and Saxon's reading of her face was that it was kind but nervous looking.
"I don't want anything to-day," she said, before Saxon could speak, administering the rebuff with a pleasant smile.
Saxon groaned inwardly over the black-covered telescope basket.
Evidently the woman had seen her put it down.
"We're not peddling," she explained quickly.
"Oh, I am sorry for the mistake."
This time the woman's smile was even pleasanter, and she waited for Saxon to state her errand.
Nothing loath, Saxon took it at a plunge.
"We're looking for land. We want to be farmers, you know, and before we get the land we want to find out what kind of land we want. And seeing your pretty place has just filled me up with questions. You see, we don't know anything about farming. We've lived in the city all our life, and now we've given it up and are going to live in the country and be happy."
She paused. The woman's face seemed to grow quizzical, though the pleasantness did not abate.
"But how do you know you will be happy in the country?" she asked.
"I don't know. All I do know is that poor people can't be happy in the city where they have labor troubles all the time. If they can't be happy in the country, then there's no happiness anywhere, and that doesn't seem fair, does it?"
"It is sound reasoning, my dear, as far as it goes. But you must remember that there are many poor people in the country and many unhappy people."
"You look neither poor nor unhappy," Saxon challenged.
"You ARE a dear."
Saxon saw the pleased flush in the other's face, which lingered as she went on.
"But still, I may be peculiarly qualified to live and succeed in the country. As you say yourself, you've spent your life in the city. You don't know the first thing about the country. It might even break your heart."
Saxon's mind went back to the terrible months in the Pine street cottage.
"I know already that the city will break my heart. Maybe the country will, too, but just the same it's my only chance, don't you see. It's that or nothing. Besides, our folks before us were all of the country. It seems the more natural way. And better, here I am, which proves that 'way down inside I must want the country, must, as you call it, be peculiarly qualified for the country, or else I wouldn't be here."
The other nodded approval, and looked at her with growing interest.
"That young man--" she began.
"Is my husband. He was a teamster until the big strike came. My name is Roberts, Saxon Roberts, and my husband is William Roberts."
"And I am Mrs. Mortimer," the other said, with a bow of acknowledgment. "I am a widow. And now, if you will ask your husband in, I shall try to answer some of your many questions.
Tell him to put the bundles inside the gate.... And now what are all the questions you are filled with?"
"Oh, all kinds. How does it pay? How did you manage it all? How much did the land cost? Did you build that beautiful house? How much do you pay the men1 How did you learn all the different kinds of things, and which grew best and which paid best? What is the best way to sell them? How do you sell them?" Saxon paused and laughed. "Oh, I haven't begun yet. Why do you have flowers on the borders everywhere? I looked over the Portuguese farms around San Leandro, but they never mixed flowers and vegetables."
Mrs. Mortimer held up her hand. "Let me answer the last first.
It is the key to almost everything."
But Billy arrived, and the explanation was deferred until after his introduction.
"The flowers caught your eyes, didn't they, my dear?" Mrs.
