Twice that evening Billy left the house to find out if Henderson was dead yet. In the morning the papers gave little hope, and the evening papers published his death. Otto Frank lay in jail without bail. The Tribune demanded a quick trial and summary execution, calling on the prospective jury manfully to do its duty and dwelling at length on the moral effect that would be so produced upon the lawless working class. It went further, emphasising the salutary effect machine guns would have on the mob that had taken the fair city of Oakland by the throat.
And all such occurrences struck at Saxon personally. Practically alone in the world, save for Billy, it was her life, and his, and their mutual love-life, that was menaced. From the moment he left the house to the moment of his return she knew no peace of mind.
Rough work was afoot, of which he told her nothing, and she knew he was playing his part in it. On more than one occasion she noticed fresh-broken skin on his knuckles. At such times he was remarkably taciturn, and would sit in brooding silence or go almost immediately to bed. She was afraid to have this habit of reticence grow on him, and bravely she bid for his confidence.
She climbed into his lap and inside his arms, one of her arms around his neck, and with the free hand she caressed his hair back from the forehead and smoothed out tbe moody brows.
"Now listen to me, Billy Boy," she began lightly. "You haven't been playing fair, and I won't have it. No!" She pressed his lips shut with her fingers. "I'm doing the talking now, and because you haven't been doing your share of the talking for some time.
You remember we agreed at the start to always talk things over. I was the first to break this, when I sold my fancy work to Mrs.
Higgins without speaking to you about it. And I was very sorry. I am still sorry. And I've never done it since. Now it's your turn.
You're not talking things over with me. You are doing things you don't tell me about.
"Billy, you're dearer to me than anything else in the world. You know that. We're sharing each other's lives, only, just now, there's something you're not sharing. Every time your knuckles are sore, there's something you don't share. If you can't trust me, you can't trust anybody. And, besides, I love you so that no matter what you do I'll go on loving you just the same."
Billy gazed at her with fond incredulity.
"Don't be a pincher," she teased. "Remember, I stand for whatever you do."
"And you won't buck against me?" he queried.
"How can I? I'm not your boss, Billy. I wouldn't boss you for anything in the world. And if you'd let me boss you, I wouldn't love you half as much."
He digested this slowly, and finally nodded.
"An' you won't be mad?"
"With you? You've never seen me mad yet. Now come on and be generous and tell me how you hurt your knuckles. It's fresh to-day. Anybody can see that."
"All right. I'll tell you how it happened." He stopped and giggled with genuine boyish glee at some recollection. "It's like this. You won't be mad, now? We gotta do these sort of things to hold our own. Well, here's the show, a regular movin' picture except for file talkin'. Here's a big rube comin' along, hayseed stickin' out all over, hands like hams an' feet like Mississippi gunboats. He'd make half as much again as me in size an' he's young, too. Only he ain't lookin' for trouble, an' he's as innocent as ... well, he's the innocentest scab that ever come down the pike an' bumped into a couple of pickets. Not a regular strike-breaker, you see, just a big rube that's read the bosses' ads an' come a-humpin' to town for the big wages.
"An' here's Bud Strothers an' me comin' along. We always go in pairs that way, an' sometimes bigger bunches. I flag the rube.
'Hello,' says I, 'lookin' for a job?' 'You bet,' says he. 'Can you drive?' 'Yep.' 'Four horses!' 'Show me to 'em,' says he. 'No josh, now,' says I; 'you're sure wantin' to drive?' 'That's what I come to town for,' he says. 'You're the man we're lookin' for,' says I. 'Come along, an' we'll have you busy in no time.'
"You see, Saxon, we can't pull it off there, because there's Tom Scanlon--you know, the red-headed cop only a couple of blocks away an' pipin' us off though not recognizin' us. So away we go, the three of us, Bud an' me leadin' that boob to take our jobs away from us I guess nit. We turn into the alley back of Campwell's grocery. Nobody in sight. Bud stops short, and the rube an' me stop.
" 'I don't think he wants to drive,' Bud says, considerin'. An' the rube says quick, 'You betcher life I do.' 'You're dead sure you want that job?' I says. Yes, he's dead sure. Nothin's goin' to keep him away from that job. Why, that job's what he come to town for, an' we can't lead him to it too quick.
" 'Well, my friend,' says I, 'it's my sad duty to inform you that you've made a mistake.' 'How's that?' he says. 'Go on,' I says;
