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第7章 Viking Dublin: Trial Pieces

I

It could be a jaw-bone

or a rib or a portion cut

from something sturdier:

anyhow, a small outline

was incised, a cage

or trellis to conjure in.

Like a child's tongue

following the toils

of his calligraphy,

like an eel swallowed

in a basket of eels,

the line amazes itself,

eluding the hand

that fed it,

a bill in flight,

a swimming nostril.

II

These are trial pieces,

the craft's mystery

improvised on bone:

foliage, bestiaries,

interlacings elaborate

as the netted routes

of ancestry and trade.

That have to be

magnified on display

so that the nostril

is a migrant prow

sniffing the Liffey,

swanning it up to the ford,

dissembling itself

in antler combs, bone pins,

coins, weights, scale-pans.

III

Like a long sword

sheathed in its moisting

burial clays,

the keel stuck fast

in the slip of the bank,

its clinker-built hull

spined and plosive

as Dublin.

And now we reach in

for shards of the vertebrae,

the ribs of hurdle,

the mother-wet caches –

and for this trial piece

incised by a child,

a longship, a buoyant

migrant line.

IV

That enters my longhand,

turns cursive, unscarfing

a zoomorphic wake,

a worm of thought

I follow into the mud.

I am Hamlet the Dane,

skull-handler, parablist,

smeller of rot

in the state, infused

with its poisons,

pinioned by ghosts

and affections,

murders and pieties,

coming to consciousness

by jumping in graves,

dithering, blathering.

V

Come fly with me,

come sniff the wind

with the expertise

of the Vikings –

neighbourly, scoretaking

killers, haggers

and hagglers, gombeen-men,

hoarders of grudges and gain.

With a butcher's aplomb

they spread out your lungs

and made you warm wings

for your shoulders.

Old fathers, be with us.

Old cunning assessors

of feuds and of sites

for ambush or town.

VI

'Did you ever hear tell,'

said Jimmy Farrell,

'of the skulls they have

in the city of Dublin?

White skulls and black skulls

and yellow skulls, and some

with full teeth, and some

haven't only but one,'

and compounded history

in the pan of 'an old Dane,

maybe, was drowned

in the Flood.'

My words lick around

cobbled quays, go hunting

lightly as pampooties

over the skull-capped ground.

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