So there we were at the Red Drum, a tableful of beers a few that is and all the gangs cutting in and out, paying a dollar quarter at the door, the little hip-pretending weazel there taking tickets, Paddy Cordavan floating in as prophesied (a big tall blond brakeman type subterranean from Eastern Washington cowboy-looking in jeans coming in to a wild generation party all smoky and mad and I yelled "Paddy Cordavan?" and "Yeah?" and he'd come over)-all sitting together, interesting groups at various tables, Julien, Roxanne (a woman of 25 prophesying the future style of America with short almost crewcut but with curls black snaky hair, snaky walk, pale pale junkey anemic face and we say junkey when once Dostoevsky would have said what? if not ascetic or saintly? but not in the least? but the cold pale booster face of the cold blue girl and wearing a man's white shirt but with the cuffs undone untied at the buttons so I remember her leaning over talking to someone after having slinked across the floor with flowing propelled shoulders, bending to talk with her hand holding a short butt and the neat little flick she was giving it to knock ashes but repeatedly with long long fingernails an inch long and also orient and snakelike)-groups of all kinds, and Ross Wallenstein, the crowd, and up on the stand Bird Parker with solemn eyes who'd been busted fairly recently and had now returned to a kind of bop dead Frisco but had just discovered or been told about the Red Drum, the great new generation gang wailing and gathering there, so here he was on the stand, examining them with his eyes as he blew his now-settled-down-into-regulated-design "crazy" notes-the booming drums, the high ceiling-Adam for my sake dutifully cutting out at about 11 o'clock so he could go to bed and get to work in the morning, after a brief cutout with Paddy and myself for a quick ten-cent beer at roaring Pantera's, where Paddy and I in our first talk and laughter together pulled wrists-now Mardou cut out with me, glee eyed, between sets, for quick beers, but at her insistence at the Mask instead where they were fifteen cents, but she had a few pennies herself and we went there and began earnestly talking and getting hightingled on the beer and now it was the beginning-returning to the Red Drum for sets, to hear Bird, whom I saw distinctly digging Mardou several times also myself directly into my eye looking to search if really I was that great writer I thought myself to be as if he knew my thoughts and ambitions or remembered me from other night clubs and other coasts, other Chicagos-not a challenging look but the king and founder of the bop generation at least the sound of it in digging his audience digging the eyes, the secret eyes him-watching, as he just pursed his lips and let great lungs and immortal fingers work, his eyes separate and interested and humane, the kindest jazz musician there could be while being and therefore naturally the greatest-watching Mardou and me in the infancy of our love and probably wondering why, or knowing it wouldn't last, or seeing who it was would be hurt, as now, obviously, but not quite yet, it was Mardou whose eyes were shining in my direction, though I could not have known and now do not definitely know-except the one fact, on the way home, the session over the beer in the Mask drunk we went home on the Third Street bus sadly through night and throb knock neons and when I suddenly leaned over her to shout something further (in her secret self as later confessed) her heart leapt to smell the "sweetness of my breath" (quote) and suddenly she almost loved me-I not knowing this, as we found the Russian dark sad door of Heavenly Lane a great iron gate rasping on the sidewalk to the pull, the insides of smelling garbage cans sad-leaning together, fish heads, cats, and then the Lane itself, my first view of it (the long history and hugeness of it in my soul, as in 1951 cutting along with my sketchbook on a wild October evening when I was discovering my own writing soul at last I saw the subterranean Victor who'd come to Big Sur once on a motorcycle, was reputed to have gone to Alaska on same, with little subterranean chick Dorie Kiehl, there he was in striding Jesus coat heading north to Heavenly Lane to his pad and I followed him awhile, wondering about Heavenly Lane and all the long talks I'd been having for years with people like Mac Jones about the mystery, the silence of the subterraneans, "urban Thoreaus" Mac called them, as from Alfred Kazin in New York New School lectures back East commenting on all the students being interested in Whitman from a sexual revolution standpoint and in Thoreau from a contemplative mystic and antimaterialistic as if existentialist or whatever standpoint, the Pierre-of-Melville goof and wonder of it, the dark little beat burlap dresses, the stories you'd heard about great tenormen shooting junk by broken windows and starting at their horns, or great young poets with bears lying high in Rouault-like saintly obscurities, Heavenly Lane the famous Heavenly Lane where they'd all at one time or another the bat subterraneans lived, like Alfred and his little sickly wife something straight out of Dostoevsky's Petersburg slums you'd think but really the American lost bearded idealistic-the whole thing in any case), seeing it for the first time, but with Mardou, the wash hung over the court, actually the back courtyard of a big 20-family tenement with bay windows, the wash hung out and in the afternoon the great symphony of Italian mothers, children, fathers BeFinneganing and yelling from stepladders, smells, cats mewing, Mexicans, the music from all the radios whether bolero of Mexican or Italian tenor of spaghetti eaters or loud suddenly turned-up KPFA symphonies of Vivaldi harpsichord intellectuals performances boom blam the tremendous sound of it which I then came to hear all the summer wrapt in the arms of my love-walking in there now, and going up the narrow musty stairs like in a hovel, and her door.
Plotting I demanded we dance-previously she'd been hungry so I'd suggested and we'd actually gone and bought egg foo young at Jackson and Kearny and now she heated this (later confession she'd hated it though it's one of my favorite dishes and typical of my later behavior I was already forcing down her throat that which she in subterranean sorrow wanted to endure alone if at all ever), ah.-Dancing, I had put the light out, so, in the dark, dancing, I kissed her-it was giddy, whirling to the dance, the beginning, the usual beginning of lovers kissing standing up in a dark room the room being the woman's the man all designs-ending up later in wild dances she on my lap or thigh as I danced her around bent back for balance and she around my neck her arms that came to warm. so much the me that then was only hot-
And soon enough I'd learn she had no belief and had had no place to get it from-Negro mother dead for birth of her-unknown Cherokee-halfbreed father a hobo who'd come throwing torn shoes across gray plains of fall in black sombrero and pink scarf squatting by hotdog fires casting Tokay empties into the night "Yaa Calexico!"
Quick to plunge, bite, put the light out, hide my face in shame, make love to her tremendously because of lack of love for a year almost and the need pushing me down-our little agreements in the dark, the really should-not-be-tolds-for it was she who later said "Men are so crazy, they want the essence, the woman is the essence, there it is right in their hands but they rush off erecting big abstract constructions."-"You mean they should just stay home with the essence, that is lie under a tree all day with the woman but Mardou that's an old idea of mine, a lovely idea, I never heard it better expressed and never dreamed."-"Instead they rush off and have big wars and consider women as prizes instead of human beings, well man I may be in the middle of all this shit but I certainly don't want any part of it" (in her sweet cultured hip tones of new generation).-And so having had the essence of her love now I erect big word constructions and thereby betray it really-telling tales of every gossip sheet the washline of the world-and hers, ours, in all the two months of our love (I thought) only once-washed as she being a lonely subterranean spent mooningdays and would go to the laundry with them but suddenly it's dank late afternoon and too late and the sheets are gray, lovely to me-because soft.-But I cannot in this confession betray the innermosts, the thighs, what the thighs contain-and yet why write?-the thighs contain the essence-yet tho there I should stay and from there I came and'll eventually return, still I have to rush off and construct construct-for nothing-for Baudelaire poems-
Never did she use the word love, even that first moment after our wild dance when I carried her still on my lap and hanging clear to the bed and slowly dumped her, suffered to find her, which she loved, and being unsexual in her entire life (except for the first 15-year-old conjugality which for some reason consummated her and never since) (0 the pain of telling these secrets which are so necessary to tell, or why write or live) now "casus in eventu est" but glad to have me losing my mind in the slight way egomaniacally I might on a few beers.-Lying then in the dark, soft, tentacled, waiting, till sleep-so in the morning I wake from the scream of beermares and see beside me the Negro woman with parted lips sleeping, and little bits of white pillow stuffing in her black hair, feel almost revulsion, realize what a beast I am for feeling anything near it, grape little sweet-body naked on the restless sheets of the nightbefore excitement, the noise in Heavenly Lane sneaking in through the gray window, a gray doomsday in August so I feel like leaving at once to get "back to my work" the chimera of not the chimera but the orderly advancing sense of work and duty which I had worked up and developed at home (in South City) humble as it is, the comforts there too, the solitude which I wanted and now can't stand.-I got up and began to dress, apologize, she lay like a little mummy in the sheet and cast the serious brown eyes on me, like eyes of Indian watchfulness in a wood, like with the brown lashes suddenly rising with black lashes to reveal sudden fantastic whites of eye with the brown glittering iris center, the seriousness of her face accentuated by the slightly Mongoloid as if of a boxer nose and the cheeks puffed a little from sleep, like the face on a beautiful porphyry mask found long ago and Aztecan.-"But why do you have to rush off so fast, as though almost hysterical or worried?"-"Well I do I have work to do and I have to straighten out-hangover-" and she barely awake, so I sneak out with a few words in fact when she lapses almost into sleep and I don't see her again for a few days-
The adolescent cocksman having made his conquest barely broods at home the loss of the love of the conquered lass, the blacklash lovely-no confession there.-It was on a morning when I slept at Adam's that I saw her again, I was going to rise, do some typing and coffee drinking in the kitchen all day since at that time work, work was my dominant thought, not love-not the pain which impels me to write this even while I don't want to, the pain which won't be eased by the writing of this but heightened, but which will be redeemed, and if only it were a dignified pain and could be placed somewhere other than in this black gutter of shame and loss and noisemaking folly in the night and poor sweat on my brow-Adam rising to go to work, I too, washing, mumbling talk, when the phone rang and it was Mardou, who was going to her therapist, but needed a dime for the bus, living around the corner, "Okay come on over but quick I'm going to work or I'll leave the dime with Leo."-"O is he there?"-"Yes."-In my mind man-thoughts of doing it again and actually looking forward to seeing her suddenly, as if I'd felt she was displeased with our first night (no reason to feel that, previous to the balling she'd lain on my chest eating the egg foo young and dug me with glittering glee eyes) (that tonight my enemy devour?) the thought of which makes me drop my greasy hot brow into a tired hand-0 love, fled me-or do telepathies cross sympathetically in the night?-Such ca-co?thes him befalls-that the cold lover of lust will earn the warm bleed of spirit-so she came in, 8 A.M., Adam went to work and we were alone and immediately she curled up in my lap, at my invite, in the big stuffed chair and we began to talk, she began to tell her story and I turned on (in the gray day) the dim red bulblight and thus began our true love-
She had to tell me everything-no doubt just the other day she'd already told her whole story to Adam and he'd listened tweaking his beard with a dream in his far-off eye to look attentive and loverman in the bleak eternity, nodding-now with me she was starting all over again but as if (as I thought) to a brother of Adam's a greater lover and bigger, more awful listener and worrier.-There we were in all gray San Francisco of the gray West, you could almost smell rain in the air and far across the land, over the mountains beyond Oakland and out beyond Donner and Truckee was the great desert of Nevada, the wastes leading to Utah, to Colorado, to the cold cold come fall plains where I kept imagining that Cherokee-halfbreed hobo father of hers lying bellydown on a flatcar with the wind furling back his rags and black hat, his brown sad face facing all that land and desolation.-At other moments I imagined him instead working as a picker around Indio and on a hot night he's sitting on a chair on the sidewalk among the joking shirtsleeved men, and he spits and they say, "Hey Hawk Taw, tell us that story agin about the time you stole a taxicab and drove it clear to Manitoba, Canada-d'jever hear him tell that one, Cy?"-I saw the vision of her father, he's standing straight up, proudly, handsome, in the bleak dim red light of America on a corner, nobody knows his name, nobody cares-
Her own little stories about flipping and her minor fugues, cutting across boundaries of the city, and smoking too much marijuana, which held so much terror for her (in the light of my own absorptions concerning her father the founder of her flesh and predecessor terror-ee of her terrors and knower of much greater flips and madness than she in psychoanalytic-induced anxieties could ever even summon up to just imagine), formed just the background for thoughts about the Negroes and Indians and America in general but with all the overtones of 'new generation' and other historical concerns in which she was now swirled just like all of us in the Wig and Europe Sadness of us all, the innocent seriousness with which she told her story and I'd listened to so often and myself told-wide eyed hugging in heaven together-hipsters of America in the 1950's sitting in a dim room-the clash of the streets beyond the window's bare soft sill.-Concern for her father, because I'd been out there and sat down on the ground and seen the rail the steel of America covering the ground filled with the bones of old Indians and Original Americans.-In the cold gray fall in Colorado and Wyoming I'd worked on the land and watched Indian hoboes come suddenly out of brush by the track and move slowly, hawk lipped, rill-jawed and wrinkled, into the great shadow of the light bearing burdenbags and junk talking quietly to one another and so distant from the absorptions of the field hands, even the Negroes of Cheyenne and Denver streets, the Japs, the general minority Armenians and Mexicans of the whole West that to look at a three-or-foursome of Indians crossing a field and a railroad track is to the senses like something unbelievable as a dream-you think, "They must be Indians-ain't a soul looking at 'em-they're goin' that way-nobody notices-doesn't matter much which way they go-reservation? What have they got in those brown paper bags?" and only with a great amount of effort you realize "But they were the inhabitors of this land and under these huge skies they were the worriers and keeners and protectors of wives in whole nations gathered around tents-now the rail that runs over their forefathers' bones leads them onward pointing into infinity, wraiths of humanity treading lightly the surface of the ground so deeply suppurated with the stock of their suffering you only have to dig a foot down to find a baby's hand.-The hotshot passenger train with grashing diesel balls by, browm, browm, the Indians just look up-I see them vanishing like spots-" and sitting in the redbulb room in San Francisco now with sweet Mardou I think, "And this is your father I saw in the gray waste, swallowed by night-from his juices came your lips, your eyes full of suffering and sorrow, and we're not to know his name or name his destiny?"-Her little brown hand is curled in mine, her fingernails are paler than her skin, on her toes too and with her shoes off she has one foot curled in between my thighs for warmth and we talk, we begin our romance on the deeper level of love and histories of respect and shame.-For the greatest key to courage is shame and the blurfaces in the passing train see nothing out on the plain but figures of hoboes rolling out of sight-
"I remember one Sunday, Mike and Rita were over, we had some very strong tea-they said it had volcanic ash in it and it was the strongest they'd ever had."-"Came from L. A.?"-"From Mexico-some guys had driven down in the station wagon and pooled their money, or Tijuana or something, I dunno-Rita was flipping at the time-when we were practically stoned she rose very dramatically and stood there in the middle of the room man saying she felt her nerves burning thru her bones-To see her flip right before my eyes-I got nervous and had some kind of idea about Mike, he kept looking at me like he wanted to kill me-he has such a funny look anyway-I got out of the house and walked along and didn't know which way to go, my mind kept turning into the several directions that I was thinking of going but my body kept walking straight along Columbus altho I felt the sensation of each of the directions I mentally and emotionally turned into, amazed at all the possible directions you can take with different motives that come in, like it can make you a different person-I've often thought of this since childhood, of suppose instead of going up Columbus as I usually did I'd turn into Filbert would something happen that at the time is insignificant enough but would be like enough to influence my whole life in the end?-What's in store for me in the direction I don't take?-and all that, so if this had not been such a constant preoccupation that accompanied me in my solitude which I played upon in as many different ways as possible I wouldn't bother now except but seeing the horrible roads this pure supposing goes to it took me to frights, if I wasn't so damned persistent-" and so on deep into the day, a long confusing story only pieces of which and imperfectly I remember, just the mass of the misery in connective form-
Flips in gloomy afternoons in Julien's room and Julien sitting paying no attention to her but staring in the gray moth void stirring only occasionally to close the window or change his knee crossings, eyes round staring in a meditation so long and so mysterious and as I say so Christlike really outwardly lamby it was enough to drive anybody crazy I'd say to live there even one day with Julien or Wallenstein (same type) or Mike Murphy (same type), the subterraneans their gloomy longthoughts enduring.-And the meekened girl waiting in a dark corner, as I remembered so well the time I was at Big Sur and Victor arrived on his literally homemade motorcycle with little Dorie Kiehl, there was a party in Patsy's cottage, beer, candlelight, radio, talk, yet for the first hour the newcomers in their funny ragged clothes and he with that beard and she with those somber serious eyes had sat practically out of sight behind the candlelight shadows so no one could see them and since they said nothing whatever but just (if not listened) meditated, gloomed, endured, finally I even forgot they were there-and later that night they slept in a pup tent in the field in the foggy dew of Pacific Coast Starry Night and with the same humble silence mentioned nothing in the morn-Victor so much in my mind always the central exaggerator of subterranean hip generation tendencies to silence, bohemian mystery, drugs, beard, semi-holiness and, as I came to find later, insurpassable nastiness (like George Sanders in The Moon and Sixpence)-so Mardou a healthy girl in her own right and from the windy open ready for love now hid in a musty corner waiting for Julien to speak.-Occasionally in the general "incest" she'd been slyly silently by some consenting arrangement or secret statesmanship shifted or probably just "Hey Ross you take Mardou home tonight I wanta make it with Rita for a change,"-and staying at Ross's for a week, smoking the volcanic ash, she was flipping-(the tense anxiety of improper sex additionally, the premature ejaculations of these anemic maquereaux leaving her suspended in tension and wonder).- "I was just an innocent chick when I met them, independent and like well not happy or anything but feeling that I had something to do, I wanted to go to night school, I had several jobs at my trade, binding in Olstad's and small places down around Harrison, the art teacher the old gal at school was saying I could become a great sculptress and I was living with various roommates and buying clothes and making it"-(sucking in her little lip, and that slick 'cuk' in the throat of drawing in breath quickly in sadness and as if with a cold, like in the throats of great drinkers, but she not a drinker but saddener of self) (supreme, dark)-(twining warm arm farther around me) "and he's lying there saying whatsamatter and I can't understand-." She can't understand suddenly what has happened because she's lost her mind, her usual recognition of self, and feels the eerie buzz of mystery, she really does not know who she is and what for and where she is, she looks out the window and this city San Francisco is the big bleak bare stage of some giant joke being perpetrated on her.- "With my back turned I didn't know what Ross was thinking-even doing."-She had no clothes on, she'd risen out of his satisfied sheets to stand in the wash of gray gloomtime thinking what to do, where to go.-And the longer she stood there finger-in-mouth and the more the man said, "What's the matter ba-by" (finally he stopped asking and just let her stand there) the more she could feel the pressure from inside towards bursting and explosion coming on, finally she took a giant step forward with a gulp of fear-everything was clear: danger in the air-it was writ in the shadows, in the gloomy dust behind the drawing table in the corner, in the garbage bags, the gray drain of day seeping down the wall and into the window-in the hollow eyes of people-she ran out of the room.- "What'd he say?"
"Nothing-he didn't move but was just with his head off the pillow when I glanced back in closing the door-I had no clothes on in the alley, it didn't disturb me, I was so intent on this realization of everything I knew I was an innocent child."-"The naked babe, wow."-(And to myself: "My God, this girl, Adam's right she's crazy, like I'd do that, I'd flip like I did on Benzedrine with Honey in 1945 and thought she wanted to use my body for the gang car and the wrecking and flames but I'd certainly never run out into the streets of San Francisco naked tho I might have maybe if I really felt there was need for action, yah") and I looked at her wondering if she, was she telling the truth.-She was in the alley, wondering who she was, night, a thin drizzle of mist, silence of sleeping Frisco, the B-0 boats in the bay, the shroud over the bay of great clawmouth fogs, the aureola of funny eerie light being sent up in the middle by the Arcade Hood Droops of the Pillar-templed Alcatraz-her heart thumping in the stillness, the cool dark peace.-Up on a wood fence, waiting-to see if some idea from outside would be sent telling her what to do next and full of import and omen because it had to be right and just once-"One slip in the wrong direction…," her direction kick, should she jump down on one side of fence or other, endless space reaching out in four directions, bleak-hatted men going to work in glistening streets uncaring of the naked girl hiding in the mist or if they'd been there and seen her would in a circle stand not touching her just waiting for the cop-authorities to come and cart her away and all their uninterested weary eyes flat with blank shame watching every part of her body-the naked babe.-The longer she hangs on the fence the less power she'll have finally to really get down and decide, and upstairs Ross Wallenstein doesn't even move from that junk-high bed, thinking her in the hall huddling, or he's gone to sleep anyhow in his own skin and bone.-The rainy night blooping all over, kissing everywhere men women and cities in one wash of sad poetry, with honey lines of high-shelved Angels trumpet-blowing up above the final Orient-shroud Pacific-huge songs of Paradise, an end to fear below.-She squats on the fence, the thin drizzle making beads on her brown shoulders, stars in her hair, her wild now-Indian eyes now staring into the Black with a little fog emanating from her brown mouth, the misery like ice crystals on the blankets on the ponies of her Indian ancestors, the drizzle on the village long ago and the poorsmoke crawling out of the underground and when a mournful mother pounded acorns and made mush in hopeless millenniums-the song of the Asia hunting gang clanking down the final Alaskan rib of earth to New World Howls (in their eyes and in Mardou's eyes now the eventual Kingdom of Inca Maya and vast Azteca shining of gold snake and temples as noble as Greek, Egypt, the long sleek crack jaws and flattened noses of Mongolian geniuses creating arts in temple rooms and the leap of their jaws to speak, till the Cortez Spaniards, the Pizarro weary old-world sissified pantalooned Dutch bums came smashing canebrake in savannahs to find shining cities of Indian Eyes high, landscaped, boulevarded, ritualled, heralded, beflagged in that selfsame New World Sun the beating heart held up to it)-her heart beating in the Frisco rain, on the fence, facing last facts, ready to go run down the land now and go back and fold in again where she was and where was all-consoling herself with visions of truth-coming down off the fence, on tiptoe moving ahead, finding a hall, shuddering, sneaking-
