登陆注册
10466600000003

第3章

The judge sent the cook to the police station the next day although he protested, knowing from the same accumulated wisdom of the ages that had led him to plead before the intruders that this was not a sensible idea.

Always bad luck, the police, for if they were being paid off by the robbers, they would do nothing, and if, on the other hand, they were not, then it would be worse, for the boys who had come the evening before would take their revenge. They had guns now, which they might clean of rust, fill with bullets and … shoot! One way or the other, the police would try to extract a bribe. He thought of the 250 rupees from the sale to Uncle Potty of his own meticulously brewed chhang, which so successfully rendered the aging bachelor into flat-on-the-floor drunkenness. Last night he had hidden the money in a pocket of his extra shirt, but that didn't seem safe enough. He tied it up high on a beam of his mud and bamboo hut at the bottom of the judge's property, but then, seeing the mice running up and down the rafters, he worried they would eat it. Finally he put it in a tin and hid it in the garage, under the car that never went anywhere anymore. He thought of his son, Biju.

They at Cho Oyu needed a young man on their side.

In his trembling message, brought forward as if by the motion of his wringing hands, he tried to emphasize how he was just the messenger. He himself had nothing to do with anything and thought it was not worth it to bother the police; he would sooner ignore the robbery and, in fact, the whole conflict and anything else that might give offence. He was a powerless man, barely enough learning to read and write, had worked like a donkey all his life, hoped only to avoid trouble, lived on only to see his son.

Unfortunately the policemen seemed perturbed and questioned him harshly while also making their scorn for him clear. As a servant, he was far beneath them, but the robbery of guns from a retired member of the judiciary could not be ignored and they were forced to inform the superintendent.

That very afternoon the police arrived at Cho Oyu in a line of toad-colored jeeps that appeared through the moving static of a small anxious sleet. They left their opened umbrellas in a row on the veranda, but the wind undid them and they began to wheel about—mostly black ones that leaked a black dye, but also a pink, synthetic made-in-Taiwan one, abloom with flowers.

They interviewed the judge and wrote out a report to confirm a complaint of robbery and trespassing. "Any threats made, sir?"

"They asked him to set the table and bring the tea," said the cook in complete seriousness.

The policemen began to laugh.

The judge's mouth was a straight grim line: "Go sit in the kitchen. Bar bar karta rehta hai."

The police dusted the surfaces with fingerprint-lifting powder and placed a melamine biscuit jar with greasy pakora thumbprints in a plastic bag.

They measured the footprints coming up the steps of the veranda and uncovered proof of several assorted sizes of feet: "One very big one, sir, in a Bata gym shoe."

Mostly, because the judge's residence had long been a matter of curiosity in the bazaar, they, like the gun robbers, took the opportunity to have a good nosy look around.

And, like the robbers, they were not impressed by what they saw. They surveyed the downfall of wealth with satisfaction, and one of the policemen kicked a shaky apparatus of pipes leading from the jhora stream, bandaged here and there with sopping rags. He shone his torch into the toilet tank and discovered the flushing contraption had been fixed with rubber bands and bamboo splints.

"What evidence are you going to find in the toilet?" asked Sai, following him around, feeling ashamed.

The house had been built long ago by a Scotsman, passionate reader of the accounts of that period: The Indian Alps and How We Crossed Them, by a Lady Pioneer. Land of the Lama. The Phantom Rickshaw. My Mercara Home. Black Panther of Singrauli. His true spirit had called to him, then, informed him that it, too, was wild and brave, and refused to be denied the right to adventure. As always, the price for such romance had been high and paid for by others. Porters had carried boulders from the riverbed—legs growing bandy, ribs curving into caves, backs into U's, faces being bent slowly to look always at the ground—up to this site chosen for a view that could raise the human heart to spiritual heights. Then the piping arrived, the tiling and tubing, the fancy wrought-iron gates to hang like lace between the banks, the dressmaker's dummy, which the police now stomped up to the attic and discovered—bom bom, the vigor of their movements causing the last remaining Meissen cup to gnash like a tooth on its saucer. A thousand deceased spiders lay scattered like dead blossoms on the attic floor, and above them, on the underside of the tin sieve roof, dodging drips, their offspring stared at the police as they did at their own ancestors—with a giant, saucer-sized lack of sympathy.

The police collected their umbrellas and went tramping across to the cook's hut, extra careful, extra suspicious. Everyone knew it was the servants when it came to robbery, more often than not.

They walked past the garage, car sunk low, nose to the ground, grass through the floor, its last groaning journey made to Darjeeling for the judge to see his only friend, Bose, long forgotten. They passed an oddly well maintained patch behind the water tank, where a saucer of milk and a pile of mithai had been spilled and pocked by the sleet. This weedless corner dated to the time when the cook, defeated by a rotten egg and made desperate, had defecated behind the house instead of at his usual place at the far end of the garden, thereby angering two snakes, mia-mibi, husband and wife, who lived in a hole nearby.

The cook told the policeman of the drama. "I wasn't bitten, but mysteriously my body swelled up to ten times my size. I went to the temple and they told me that I must ask forgiveness of the snakes. So I made a clay cobra and put it behind the water tank, made the area around it clean with cow dung, and did puja. Immediately the swelling went down."

The policemen approved of this. "Pray to them and they will always protect you, they will never bite you."

"Yes," the cook agreed, "they don't bite, the two of them, and they never steal chickens or eggs. In the winter you don't see them much, but otherwise they come out all the time and check if everything is all right. Do a round of the property. We were going to make this part a garden, but we left it to them. They go along the fence all around Cho Oyu and back to their home."

"What kind of snake?"

"Black cobras, thick as that," he said and pointed at the melamine biscuit jar that a policeman was carrying in a plastic bag. "Husband and wife."

But they had not protected them from the robbery … a policeman banished this irreligious thought from his mind, and they skirted the area respectfully, in case the snakes or their offended relatives came after them.

The respect on the policemen's faces collapsed instantly when they arrived at the cook's hut buried under a ferocious tangle of nightshade. Here they felt comfortable unleashing their scorn, and they overturned his narrow bed, left his few belongings in a heap.

It pained Sai's heart to see how little he had: a few clothes hung over a string, a single razor blade and a sliver of cheap brown soap, a Kulu blanket that had once been hers, a cardboard case with metal clasps that had belonged to the judge and now contained the cook's papers, the recommendations that had helped him procure his job with the judge, Biju's letters, papers from a court case fought in his village all the way in Uttar Pradesh over the matter of five mango trees that he had lost to his brother. And, in the sateen elastic pocket inside the case, there was a broken watch that would cost too much to mend, but was still too precious to throw away—he might be able to pawn the parts. They were collected in an envelope and the little wind-up knob skittered out into the grass when the police tore open the seal.

Two photographs hung on the wall—one of himself and his wife on their wedding day, one of Biju dressed to leave home. They were poor-people photographs, of those unable to risk wasting a picture, for while all over the world people were now posing with an abandon never experienced by the human race before, here they were still standing X-ray stiff.

Once, Sai had taken a picture of the cook with Uncle Potty's camera, snuck up on him as he minced an onion, and she had been surprised to see that he felt deeply betrayed. He ran to change into his best clothes, a clean shirt and trousers, then positioned himself before the National Geographies bound in leather, a backdrop he found suitable.

Sai wondered if he had loved his wife.

She had died seventeen years ago, when Biju was five, slipping from a tree while gathering leaves to feed the goat. An accident, they said, and there was nobody to blame—it was just fate in the way fate has of providing the destitute with a greater quota of accidents for which nobody can be blamed. Biju was their only child.

"What a naughty boy," the cook would always exclaim with joy. "But basically his nature was always good. In our village, most of the dogs bite, and some of them have teeth the size of sticks, but when Biju went by no animal would attack him. And no snake would bite him when he'd go out to cut grass for the cow. He has that personality," the cook said, brimming with pride. "He isn't scared of anything at all. Even when he was very small he would pick up mice by the tail, lift frogs by the neck… ." Biju in this picture did not look fearless but appeared frozen, like his parents. He stood between props of a tape player and a Campa Cola bottle, against a painted backdrop of a lake, and on the sides, beyond the painted screen, were brown fields and slivers of the neighbors, an arm and a toe, hair and a grin, a chicken tail frill, though the photographer had tried to shoo the extras out of the frame.

The police spilled all the letters from the case and began to read one of them that dated to three years ago. Biju had just arrived in New York. "Respected Pitaji, no need to worry. Everything is fine. The manager has offered me a full-time waiter position. Uniform and food will be given by them. Angrezi khana only, no Indian food, and the owner is not from India. He is from America itself."

"He works for the Americans," the cook had reported the contents of the letter to everyone in the market.

同类推荐
  • World Hunger
  • Forever, With You (The Inn at Sunset Harbor—Book 3

    Forever, With You (The Inn at Sunset Harbor—Book 3

    "Sophie Love's ability to impart magic to her readers is exquisitely wrought in powerfully evocative phrases and descriptions….This is the perfect romance or beach read, with a difference: its enthusiasm and beautiful descriptions offer an unexpected attention to the complexity of not just evolving love, but evolving psyches. It's a delightful recommendation for romance readers looking for a touch more complexity from their romance reads."--Midwest Book Review (Diane Donovan re For Now and Forever)"A very well written novel, describing the struggle of a woman (Emily) to find her true identity. The author did an amazing job with the creation of the characters and her description of the environment. The romance is there, but not overdosed. Kudos to the author for this amazing start of a series that promises to be very entertaining."--Books and Movies Reviews, Roberto Mattos (re For Now and Forever)
  • Bruised
  • Cause to Dread (An Avery Black Mystery—Book 6)

    Cause to Dread (An Avery Black Mystery—Book 6)

    "A dynamic story line that grips from the first chapter and doesn't let go."--Midwest Book Review, Diane Donovan (regarding Once Gone)From #1 bestselling author Blake Pierce comes a new masterpiece of psychological suspense—the AVERY BLACK SERIES—which continues here with CAUSE TO DREAD (Book #6), also a standalone novel. The series begins with CAUSE TO KILL (Book #1)—a free download with over 200 five star reviews!
  • Who Goes There?

    Who Goes There?

    A distant, remote scientific expedition taking place at the North Pole is invaded by a space alien who has reawakened after lying dormant for centuries after a crash landing. A cunning, intelligent alien who can shape-shift, thereby assuming the personality and form of anything and anyone it destroys. Soon, it is among the men of the expedition, killing each in turn and replacing them by assuming their shape, lulling the scientists one by one into inattention (and trust) and eventually, their destruction. The shape-shifting, transformed alien can pass every effort at detection, and the expedition seems doomed until the scientists discover the secret vulnerability of the alien and are able to destroy it.
热门推荐
  • 娘子,相公hold不住

    娘子,相公hold不住

    “老师,一个男人,跟一个女人,如果睡在了一起,会怀孕吗?”一个五六岁左右,粉嫩可爱的,扎着两个羊角小辫的女孩子,胖乎乎的小手高高的举起来,软软嫩嫩的声音问道。嘴角抽了抽,扯开一抹僵硬的笑容来:“这个……有可能……”汗死,这是一个四五岁的小孩子问的问题吗?夏虫虫无语。女孩若有所思的坐下,半晌,又举起手来,再次问道:“如果是夏虫虫老师和林老师睡觉的话,会怀孕吗?”“噗。”夏虫虫差……
  • 王爷的高冷倾城妃

    王爷的高冷倾城妃

    她,一个高冷的特工。她,一个将军府小姐。她奇葩的穿越到古代。毁容?不存在的。废柴?不存在的。为情自杀?更不可能。她本有一个爱她的母亲和父亲,直到母亲死后才知道这个父亲是为了利益,对她们娘俩没有爱,她的父亲的不管不顾任由别人折磨她。可是现在她来了,她在短短时间内创建了自己的势力,她只想报仇,可却下旨嫁给那个高冷王爷,两个气场同样高冷的人会擦出什么样的火花?
  • 青梅大小姐:竹马影帝很傲娇

    青梅大小姐:竹马影帝很傲娇

    你曾说过人生如戏,全靠演技,而你的一句我爱你究竟有几分真几分假。“为什么你从来不相信我呢,你到底爱不爱我?”当她含着泪对他喊道,他却只是看了她一眼轻轻地,却用足以让她听到的声音说道“我喜欢你,但是喜欢只是喜欢……”
  • 风水无双

    风水无双

    别看那恶名昭著的赤川左将军与当朝宁华侯互相掐架了几十年,其实他们两个私下却是私交甚好,直到某日,左将军于大庭广众之下将其挂到城墙上,两个人之间的关系就开始迅速恶化。终于,在宁华侯机智(厚颜无耻)的计策中,左将军华丽丽的落入法网。
  • 自我升华

    自我升华

    从习惯、学习、阅读、时间等多方面,来说明学习中可能遇到的种种约束与瓶颈,告知读者如何克服,并在学习中得到快乐与自我的升华。
  • The Taming of the Shrew

    The Taming of the Shrew

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 民间养生密码:民间养生大智慧

    民间养生密码:民间养生大智慧

    一代伟人毛泽东同志说过:“战争的伟力之最深厚的根源,存在于民众之中”,现在,我们把这句话用到这里:养生智慧之最深厚的根源,存在于民间。从民间谚语与中医理论的相互论证,从我们惯常的的生活习俗到常用的土方疗法,从少数民族医学的来源与发展、古老而正宗的民间疗法到民间长寿老人的养生之道,以及一年二十四节气的划分与养生要点,都印证着这样一个道理:无论是经典的中医论著,还是“不登大雅之堂”的神奇土方,其根源无不是来自于民间,可以说,民间蕴含着最深厚、最广博的养生智慧。
  • 醒来后我发现我成为了最后一条龙

    醒来后我发现我成为了最后一条龙

    【女扮男装,男主打酱油可看作无cp】 她冥天,灵书大陆上唯一一个突破神级炼器师的人。然而在炼制这个世界上第一件灵器的时候,因天道的误判,她被雷击“身亡”,其灵魂更是直接跑进别人的肚子里了。醒来后才发现,曾经存活的时代竟然成为了历史,而且流传在世的历史事件,有许多处和她记忆中的衔接不上。更可怕的是,她竟然成为了这个世界上最后的一条龙。不仅时刻被人惦记着她的血肉,还被人毁坏她名声,让她受不明真相的吃瓜群众的责备!what?想要小爷的血肉?不好意思,先问过小爷最忠诚的手下再说吧!想要小爷的心去救命定之人?行,只要你下得了这手,就拿去吧!想小爷认输?抱歉,这可不行!
  • 密使

    密使

    21次诺贝尔文学奖提名的传奇大师!马尔克斯、福克纳推崇备至的大师级作家。格雷厄姆·格林的悬疑小说代表作。《纽约时报》称这部小说为“一部华丽的杰作”。在这部书里读懂信任的宝贵。你永远不是孤身一人,因为总有人对你满怀信任。因为内战,D带着秘密使命前往英国,他能否完成使命将左右内战的格局。然而在尚未到达英国前,D就不幸被另一派势力的人发现,围追堵截、诬陷、谋杀接踵而至,甚至他的同伴们也在怀疑他。这个时候,D得到了一位少女的信任和帮助,但敌方却残忍地杀害了少女并栽赃给了D。为了替少女报仇,D发誓,他将从一个猎物变成一个猎人,一个枪手,一个复仇者……
  • 艺术眼系列:卢浮宫原来可以这样看(修订版)

    艺术眼系列:卢浮宫原来可以这样看(修订版)

    本书精选卢浮宫31件馆藏艺术珍品,完全以孩子的视角、孩子的问题、孩子的语言对经典艺术发问,是第一本真正写给孩子看的艺术书!本书分为三个部分,文前介绍了什么是艺术杰作?什么是博物馆?第一部分讲述了卢浮宫的点点滴滴,以及如何能轻松而有效地游览卢浮宫;第二部分是作品赏析,针对三个年龄阶段的孩子设置了不同程度的问答,很容易就找到适合不同年龄孩子的解答;第三部分则是参观卢浮宫的实用建议。