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钓上美人鱼总裁
顾若曦，早婚家族中的妙龄剩女，老妈眼中不可雕的朽木，在第N次相亲失败后，避难独自一人在海边垂鱼，美其名曰：顾若曦钓鱼，愿者上钓！结果，她一个用力将人家的泳裤给钓上来了，后面跟着一脸铁青的超级帅哥，浑身散发传说中美人鱼迷惑众生般的魅力。南宫宇，南宫世家的掌门人，女人眼中的超级钻石王老五，南宫老太太口中没人要的人渣，在第N次躲相亲后，被一个架着一副大框眼镜的女人给当鱼钓上了岸。他还没来得及兴师问罪，那女人倒先发起飙来了，说什么他非礼了她的眼睛，要他赔她的洗眼费，嘿嘿，赔就赔，一个好玩的主意涌上心头，既是老太太有令，这随便带个女人回去不就成了。于是，他以鱼钩为胁将她骗回家中。再次相遇，他发誓必将她强留在身边，她发誓永不与他沾边，他暖昧十足地在她耳边轻语：亲爱的，等着接招吧！，她连蹦带跳地逃离：变态的，别靠近我！
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Burial at Thebes
Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.
