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渊和苍苍
不柒城的回眸，琼浆宴上的笙歌，月姖山烈火中的一笑，纵使千年，还是成了她的心魔。他道：“何苦。”她笑：“是挺苦的。”她曾幻想着有一日能同他一起到渊和瞧上一瞧，指着那处在千年前已化为乌有的地方告诉他那里曾矗立着一座府阁，阁内风景如画，三月有新柳抽芽，清风盈袖。十二月可以踏雪寻梅，赏万籁俱寂。那阁里有戴着官帽的老爷，有仪态端庄的夫人，还有一位瞎了眼的琴师和一位刚刚及笄的姑娘。然而无奈初见不相识，再见不相知。她自始至终都明白，作茧自缚的是她，一厢情愿的是她。历尽千帆后，她始终只有她自己。“叨扰仙君多年，还请见谅。”她终于看开，笑得释怀。“我若不肯见谅呢？”他一本正经的问，却红了自己的脸，红了她的眼。
宅门毒妇：爷的夫人狠嚣张
一朝穿越成宅门毒妇，表妹狠，小姑弱，婆婆慈面藏针。奴才恶，丫鬟刁，夫君冷面无心。董思阮表示穿越后每一天都过的精彩纷呈。斗婆婆，诛小三、小四，踹了夫君和离去。身残志却坚，秉承一颗小强之心，还怕不能顽强生存，活出绚烂的自己乎？且看宅门毒妇如何寻找幸福出路！
一个娃娃两个爹
白天，她是可爱八岁娃娃黑夜，她是妖媚妙龄娇娘是遭受诅咒，还是身患奇症白日的单纯可爱夜晚的婀娜妖娆哪个才是真正的她，哪个才是心中的她午夜化身为狼，爬上美男大床送去处子身，带走腹中宝遇上那个邪魅的男人，是其幸，还是其不幸爱上或恨上，只是一线之间的事大娃娃生小娃娃娃娃成娘亲为爱而重生【娃娃语录】*1*、“古话说：英雄难过美人关，爹爹难过娘亲关，娃娃不是美人不过关！”*2*、“娘亲，你好漂亮，我们私奔吧，不要管那个糟老头子了！”（糟老头子乃其父东方仕南）*3*、“哇，娃娃好可怜，亲爹爹不要，养爹爹不疼…”（某日东方仕南要责罚娃娃时，娃娃猜想自己不是其亲生之女，劲爆开口）【伊月语录】*1*、“把衣服脱了，让我生个宝宝！”（某午夜，伊月潜入一美男房间，冷冷道）*2*、“是男人就快点，不是男人就去给我找个真男人来！”（躺在美男床上，看着眼前一动不动的人，伊月微微眯起好看的水眸）*3*、“宝宝生下了谁要谁拿去，我只是想回家而已。”（十月怀胎后，伊月看着站在眼前的几个性格外表迥异的男人，淡然道）视频地址——http://m.wkkk.net/deux_m.wkkk.net【妖自己的文】【狂女】——穿越女强文【豪门童养媳】——豪门虐恋文【王爷，走着瞧】——温馨穿越文【养个奴隶做老婆】——都市虐恋文【一个娃娃两个爹】——新奇架空文
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Selected Poems, 1930-1988
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to 'what is the word' (1988), describes a lifetime's arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to 'bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through.' Also included are several of Beckett's translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. It is edited by David Wheatley.