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醋君霸爱
她前世的男友是个奶娃娃,于是踹之!一不小心惨遭横死,却来到自己的前世,进入万恶的旧社会,被习礼嬷嬷打得像身上菜瓜,又有一个半夜闯入她闺房的男人强迫逼她承认是他的未婚妻,这是什么日子呀!好容易来了一个帅哥,看得对眼,对他实施长久的勾引对话,却一不小心撞见他和自己姐姐的奸情,不是说穿越女无敌吗?为什么她却这么命苦?未婚夫看她还小,暂时没逼她上床,可是醋意巨大,为了防止她出墙,把墙全加高了三尺!可是,好容易穿越一回,没有遇见其他的无主帅哥,没有去过素有“穿越女崛起吉地”之称的妓院,没有开创惊世骇俗的事业,就这样被订下终身?不,她不甘愿!可惜,没等她出墙,他就先来一个暧昧情感,还有他奶奶也逼他纳妾,好吧,既然你精神有出轨迹象,我也客气!老娘我远走天涯!看谁比较会出墙!走到天涯又如何,还是在他掌握中!厚载啊厚载,我算看明白了,在爱情的世界里,你便是我的克星,任我跑到天涯海角,终究离不开你的掌控!“那是,小人物还想要出墙?借你个梯子你都不一定爬得过去啊——而且,我就在墙的那一边!”他狂妄地仰天大笑。你有高墙筑,我有过墙梯!墙外风光无限好,一枝红杏出墙来……开创穿越笨笨女生出墙新纪元!出墙与反出墙,谍对谍!另,本书极具争议性,好者,大家交相赞叹,不好者,雷得桑陌死的心都有!如果你想看一个完美无弱点的女主,免进,免雷!本书是桑第一部引起这么轩然大波的作品,大家欲进从慎!当然,不进可惜!————————————————————————————————————桑的另外两部完结小说《暴君的逃婚皇后》《祸水》也敬请大家批评指教!哈哈!嘿嘿!狂后废帝
一个俏丽的身影从天而降,一脚踏上龙椅把他逼到靠椅处,嘴角噙着篾笑狂妄的看着他“一年前,你对我说,你要废了我这个皇后。”“……”他皱眉深邃的盯着眼前的她。“一年后,我告诉你,我要废了你这个皇上。”她当众把匕首插入了他胸膛的左边,脸上带着狂傲不羁的笑意。她非她,亦是她。一年前,他当她透明,因为她毫无可取之处一年后,他当她神明,因为她浑身全都是宝一年前,她当他神明,因为他是她的夫君一年后,她当他透明,因为他根本不配她若说她善良,她却杀人从不眨眼若说她残忍,她却从不滥杀无辜若说她可爱,她暧昧眼神动心魄若说她性感,她浅浅梨涡挂嘴角她明明平凡,但却又不平凡无论是因爱,因恨,因情,因仇她亦从来都是有仇必报……因此:你们,休要惹我,让我流泪的人,我一定会让他流血。他说:〖我的目的只有这个天下,为了我的目的,只能让你流泪。〗她说:【所以,你的天下,我要了】他说:〖其实我不想那么强大,我只要陪伴在我爱的人身边,这就够了〗她说:【我只有那么强大,才能够保护我爱的人,这,你不懂。】他说:〖其实……我懂的。〗他说:〖作为皇上,就算有爱的人,那也不能付出全部,因为他背负着整个江山〗她说:【所以,我从始至终,对你不抱有任何期待。】螳螂捕蝉黄雀在后他设计他耍阴谋究竟是谁掉入了谁的圈套究竟最后鹿死谁手谁也意料不到不是小白文,不喜误入此文加入了半价优惠,所以大概需要不到三百潇湘币即可。How It Is
Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond. Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy.