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毒女撩夫:仙君狠倾城
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尊重儿童权利
《尊重儿童权利》初版于1928年,书中包含的儿童权利宣言,是科扎克基于多对儿童的观察和研究所著。科扎克以人的基本权利作为论据,认为:“世上没有小孩,他们都是人”,并且呼吁人们尊重儿童的每一天,尊重儿童的无知和认知世界的努力,尊重他们的失败和泪水,以及他们的财物和物质需求。孩子有权保持他原本的样子。尽管本书完成于80年前,但其所探讨的内容至今仍有启迪价值,而真正实现儿童权利,还有很长的路要走。Sidetracked
If middle school were a race, Joseph Friedman wouldn't even be in last place—he'd be on the sidelines. With an overactive mind and phobias of everything from hard-boiled eggs to gargoyles, he struggles to understand his classes, let alone his fellow classmates. So he spends most of his time avoiding school bully Charlie Kastner and hiding out in the Resource Room, a safe place for misfit kids like him. But then, on the first day of seventh grade, two important things happen. First, his Resource Room teacher encourages (i.e., practically forces) him to join the school track team, and second, he meets Heather, a crazy-fast runner who isn't going to be pushed around by Charlie Kastner or anybody else. With a new friend and a new team, Joseph finds himself off the sidelines and in the race (quite literally) for the first time. Is he a good runner? Well, no, he's terrible. But the funny thing about running is, once you're in the race, anything can happen.凤华天下:倾城太子妃
一个错误,她从九天之上纨绔无情的小殿下变成了人间不受宠的叶家大小姐。没了权势?没关系,她依旧横行。没了身体?没关系,抢个就好。只是这个长相妖孽,性格暴虐的太子殿下,到底是不是九天之上出了名的废物?和心上人一模一样的祭祀大人,又是从哪来的?还有那个性格一言难尽的武林高手,你是武林高手,不是采花高手,啊!喂——你的手。Selected Poems, 1930-1988
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to 'what is the word' (1988), describes a lifetime's arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to 'bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through.' Also included are several of Beckett's translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. It is edited by David Wheatley.