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当英语成为时尚:我与妈妈有个约会
有一种语言,无处不在,它被用来撰写了大多数对人类文明产生过影响的重要文献,它不仅成为全球沟通中被一致认可的明星品牌,更是当今社会深受追捧的时尚.它的名字叫英语。亲梅煮马
某年,话剧表演。她演祝英台,他演马文才!他愣是让马文才逆袭!她指责他胡闹!祝英台该和梁山伯化蝶归去,才算完美!而他说:只有没用的男人,才会让心爱的女人陪着自己死!于是,那年,他们的表演成了全校最大的笑话,她气了他一夏,任他怎样哄骗都不搭理他!……多年后,他学成归国,继承家族企业;而她,混迹商场,成为都市白领一枚。某夜,公司宴会,她是公司职员,他是神秘宾客。他们佯装互不相识。他英俊潇洒,谈笑自若;她插科打诨,应付自如。他说:梅小姐,我们可是在哪儿见过?看着眼熟。她暗想:可不是吗?二十多年前便见过了。彼时,她不是他的青梅,他不是她的竹马,他们只是宾客之谊。后来,大雪漫天,他们被困荒野。他背着她寻找出路。她问:我们是不是要死了?他说:哪能啊,我还没将心爱的女人娶回家,死不了!她问:谁啊?我见过没?他说:见过。她说:那行,如果我们能活着出去,我帮你娶她。他说:不用,你答应就好……Ethiopia Boy
Chris Beckett grew up in 1960s Ethiopia, a country he describes as a 'barefoot empire, home of black-maned lions… old priests decked out like butterflies and blazing young singers of Ethio-jazz'. Ethiopia Boy plunges the reader into praise poems that sing and boast and glory in the colours and textures of this extraordinary country. Here is a world of feasting on spicy kikwot and of famine sucking the water from rivers, of lion buses and a prayer child, where Earth sings greetings to the feet that walk on her. Haunted by the memory of his friend Abebe, the cook's son, Beckett celebrates and laments a lost boyhood in poems of vivid immediacy.