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陆小曼新传:一句诺言,一生一场恋
她是一代才女,在与王赓、徐志摩和翁瑞午的情爱纠葛中,在繁华奢靡歌舞升平的舞台上,她用生命进行着绝艳的演出。也许是上苍的眷顾,陆小曼不仅生得倾国倾城,还多才多艺。用现代的的眼光看陆小曼,她是一个极具勇气、毫不伪饰、敢于追求个人幸福的真女子,而绝不是什么“祸水”。她擅长戏剧,曾与徐志摩合作创作《卞昆冈》五幕话剧。她谙昆曲,也能演皮黄,还写得一手好文章,有深厚的古文功底和扎实的文字修饰能力。她长于油画,还会弹钢琴,被胡适誉为“一道不可不看的风景”。萌妻来袭:大叔一抱好欢喜
被一个狂霸拽的特种兵大叔缠上是何种体验?她不过还是一个纯情的小丫头,居然第一次见面就……她讨厌他,一心只想摆脱他。她有心心念念的男神,而不是这个专制的老司机。她逃,他追。她躲,他捉。“小可可,你闹够了没,乖乖跟我回家!”“你这个暴君,我不要你管!”“封太太,你敢再说一遍吗?”他步步紧逼,一下子将她的小手,举过头顶。“封大叔,你欺负人!”“小可可,我还能再欺负你点,想不想试试?”The Sexual Outlaw
In this angry, eloquent outcry against the oppression of homosexuals, the author of the classic City of Night gives "an explosive non-fiction account, with commentaries, of three days and nights in the sexual underground" of Los Angeles in the 1970s--the "battlefield" of the sexual outlaw. Using the language and techniqus of the film, Rechy deftly intercuts the despairing, joyful, and defiant confessions of a male hustler with the "chorus" of his own subversive reflections on sexual identity and sexual politics, and with stark documentary reports our society directs against homosexuals--"the only minority against whose existence there are laws."