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Death at La Fenice
Death at La Fenice is the first novel in Donna Leon's internationally best-selling Commissario Guido Brunetti series. During intermission at the famed La Fenice opera house in Venice, a notoriously difficult conductor is poisoned, and suspects abound. Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he he calls on his knowledge of Venice, its culture, and its dirty politics. Revenge, corruption, and even Italian cuisine play a role. The novel that started it all, Death at La Fenice is an entrancing mystery, rich in wkkk.net detective writers create so vivid, inclusive and convincing a narrative as Donna Leon, the expatriate American with the Venetian heart… . One of the most exquisite and subtle detective series ever. —The Washington Post杠上花花痞子:今年不出嫁
恭喜你今年桃花盛开,年内可能走上红地毯。夏冰看到这句话,不小心被自己喝着的饮料给噎着了,什么破测试题?这么狗血喷饭的测试结果!桃花,绝对不是她夏冰要的,她每年的生日愿望可是继续保持单身贵族的生活。桃花如预言般降临,夏冰防不胜防……她忍不住呜呼感叹:单身并不难,难的是应付那些千方百计想要结束你单身的人。小心桃花来袭……中西视界融合中的电影审美时空
本书结合西方现代美学和中国古典美学,在辩证吸收苏联蒙太奇理论、巴赞长镜头理论和电影符号学基础上,从电影审美时空角度切入,对电影的生命内核、审美境界的构建、审美体验机制、审美品质等方面进行系统深入的阐释,创造性地建构电影美学新理论。上篇围绕审美时空对中国古典美学、中国禅宗美学、欧洲生命美学、马利坦神学美学、海德格尔美进行细致解读提炼,提出审美四维空间的概念。下篇在批评传统电影美学的基础上,围绕电影审美时空建立电影审美四维时空的概念,对电影审美四维空间的形成、结构、存在机制、品质、各类等进行系统阐述。在中西视界融合中开创电影美学新境。