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渊和苍苍
不柒城的回眸，琼浆宴上的笙歌，月姖山烈火中的一笑，纵使千年，还是成了她的心魔。他道：“何苦。”她笑：“是挺苦的。”她曾幻想着有一日能同他一起到渊和瞧上一瞧，指着那处在千年前已化为乌有的地方告诉他那里曾矗立着一座府阁，阁内风景如画，三月有新柳抽芽，清风盈袖。十二月可以踏雪寻梅，赏万籁俱寂。那阁里有戴着官帽的老爷，有仪态端庄的夫人，还有一位瞎了眼的琴师和一位刚刚及笄的姑娘。然而无奈初见不相识，再见不相知。她自始至终都明白，作茧自缚的是她，一厢情愿的是她。历尽千帆后，她始终只有她自己。“叨扰仙君多年，还请见谅。”她终于看开，笑得释怀。“我若不肯见谅呢？”他一本正经的问，却红了自己的脸，红了她的眼。
契约神宠：天医凤后有点燃
重生刚睁眼饕餮就强行赏她一个乾坤镯，亚尼？这是可以容纳万物包括天地的空间？某女觉得在里面种一块良田挺好！还没使用呢，饕餮儿子又看上她了，强行签了血契。某女风中凌乱中。随便一照面容，啥玩意？以前是人人唾弃的废材丑女？怎么她一重生就变得这么倾国倾城？这个女人又是怎么回事？处处针对？原来是皇太子看上她了，别人姑娘家嫉妒......要不要这么顺风顺水，她可是佣兵喜欢挑战性的东西，这样下去都有些怀疑人生了。（本故事纯属虚构，不喜勿喷）
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隔壁家有个小青梅
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Selected Poems, 1930-1988
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to 'what is the word' (1988), describes a lifetime's arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to 'bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through.' Also included are several of Beckett's translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. It is edited by David Wheatley.
