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红楼别梦之水木缘
无材可去补苍天，枉入红尘若许年。此系身前身后事，倩谁记去做奇传？红楼一梦，道不尽人间悲欢离合事，搵不尽世人悲金悼玉泪。前世的她是灵河岸边，三生石畔的绛珠仙草，袅娜娉婷，一腔缠绵，还泪、报恩。今生的她是姑苏城中晶莹剔透的女子，风流灵巧，却命途多舛，泪恩既尽，此生何去何从？前世的他，是龙王三太子，千年苦修，百世寂寞，却甘愿为了她，削去仙籍，重堕轮回。今世的他，是尊荣的王爷，俊逸倜傥，不拘一格，却执着的为她披荆斩棘、遮风挡雨。似此深情厚恩，妾将何以还？一曲凄绝的葬花吟，柔肠百折，前世注定的缘，今生如何再续？水木相融，痴痴缠缠，如何执手相伴，笑看红尘？大厦将倾，红楼诸芳，又各自有着怎样的命运？机关算尽的宝钗能否如愿以偿成为贾府的宝二奶奶？探春远嫁番邦的又是因为怎样的阴谋？妙玉到底有着怎样的身世、又为何会遁迹空门？"不在梅边在柳边，个中谁拾画婵娟“到底是怎样的故事？凤姐被休，垂死托孤。因父母作孽身堕烟花的巧姐儿如何脱身？覆巢之下，面对亲人的哀哀哭诉，独善其身的李纨能否仗义施援？伪善如袭人、刚烈似晴雯又会面对怎样的未来？续貂之作，还原心中的红楼。诗不成诗，词难为词，只抒胸臆尔。…读罢红楼泪阑干，孰解多情？罥烟眉、含露目，花若怜人花亦愁，徒叹息，痴心一片付谁家？潇湘月冷泪恩断，花明柳暗。别过往，续红丝，莫道流水苦无情，从头看，尘埃落定水木缘。————————————————————————————————————推荐竹子的新文~红楼续梦l之水黛情这里的水溶，不是生于优裕环境的天之骄子，而是木秀于林，历经磨难，啖尽人情冷暖，肩负重任的冷情皇子。逆境，绝望、世态炎凉，没有让他倒下，而是让他一次次的浴血重生，让他傲立不倒，更加强大。这里的黛玉，没有异能，没有强大的背景，她只是生于江南水乡，书香世家走出来的清灵脱俗女子。外柔而内刚，聪颖慧黠，坚强独立，走出木石前盟的重重阴霾，更加清晰的看待世态人心，于泥淖中卓然，不染俗尘。三生三世的等待，茫茫人海中相遇，凝眸时，情归处。他是冷傲的王，无情无爱，等待的只是能够点燃他眼眸的清灵。她是世外仙姝，孤芳自赏，希冀的只是一生一世一双人的承诺。何须后宫三千，今生有你，足矣。前路多艰，惟愿与你携手，不离不弃。
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How It Is
Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond. Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy.
