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Hot Gates and Other Occasional Pieces
This is a dazzling collection of occasional writings by the Nobel Prize-winning novelist on subjects ranging from Thermopylae to the English Channel, and from Coral Island to Jules Verne. "e;A book of occasional essays which afford us many fascinating insights into Golding the man…It is highly individual yet profoundly modest; it has an unusual, slightly angular candour, full of painful knowledge and a beautiful humanity …event the slightest piece bears the mark of his rare, austere mind, his remarkable imagination…Even these occasional essays are enough to remind us that …there is not, at the moment, a writer to touch him"e;. (New Society).No Man's Land
'The work of our best living playwright in its command of the language and its power to erect a coherent structure in a twilight zone of confusion and dismay.' The TimesDo Hirst and Spooner really know each other, or are they performing an elaborate charade? The ambiguity - and the comedy - intensify with the arrival of Briggs and Foster. All four inhabit a no-man's-land between time present and a time remembered, between reality and wkkk.net Man's Land was first presented at the National Theatre at the Old Vic, London, in 1975, revived at the Almeida Theatre, London, with Harold Pinter as Hirst and revived by the National Theatre, directed by Harold Pinter, in 2001.Mediums Rare
Prolific screenwriter and genre novelist Richard Matheson has long maintained an interest in all matters relating to parapsychology, telepathy, ESP and other paranormal activity. His brief and elegantly printed new volume amounts to a lightly fictionalized history as well as quick, evocative episodes of paranormal activity from Greek antiquity all the way through renowned American psychic Edgar Cayce.Most of the episodes in this book depict the famous seers, mediums and performers of the nineteenth-century, whose feats Matheson clearly admires. Margaret and Kate Fox, aged ten and seven, in 1848 convinced their parents and many other Americans that they were in touch with ghosts in a haunted house. (Matheson notes that the adult Margaret recanted, explaining how she herself produced the ghosts' mysterious rapping noises: he believes the recantation fake, arranged by the sisters' enemies.)
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