第20章 A Mistake美丽的错误

It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to 'what is the word' (1988), describes a lifetime's arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to 'bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through.' Also included are several of Beckett's translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. It is edited by David Wheatley.

Originally published in 1969, Seamus Heaney's Door into the Dark continues a furrow so startlingly opened in his first collection, Death of a Naturalist (1966). With the sensuosness and physicality of language that would become the hallmark of his early writing, these poems graphically depict the author's rural upbringing, from the local forge to the banks of Lough Neagh, concluding in the preserving waters of the bogland and a look ahead to his next book, Wintering Out (1972).

Oe introduces Kogito Choko, a writer in his early sixties, as he rekindles a childhood friendship with his estranged brother-in-law, the renowned filmmaker Goro Hanawa. Goro sends Kogito a trunk of tapes he has recorded of reflections about their friendship, but as Kogito is listening one night, he hears something odd. "I'm going to head over to the Other Side now," Goro says, and then Kogito hears a loud thud. After a moment of silence, Goro's voice continues: "But don't worry, I'm not going to stop communicating with you." Moments later, Kogito's wife rushes in; Goro has jumped to his death. With that, Kogito begins a far-ranging search to understand what drove his brother-in-law to suicide. His quest takes him from the forests of southern Japan to the washed-out streets of Berlin, where Kogito confronts the ghosts from his own past and that of his lifelong, but departed, friend.

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

【末世版欺诈游戏】末世降临，方舟启动，诺亚将名单中的人引入方舟。本以为这里是避难的天堂，却没想到这里竟是如同炼狱般的战场。所有名单中的乘客为了争夺活下去的时间不得不进行一场又一场互相争夺的游戏。

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

喜欢她，只是因为她够洒脱、够开朗。喜欢她可以像千金大小姐一样知书达理、出口成章，也可以像太妹一样野蛮无礼、大爆粗口。

全球读者平均3个通宵读完的超级小说。火遍全球的20世纪人类史诗“世纪三部曲”!横扫全球榜单！我亲眼目睹，每一个迈向死亡的生命都在热烈地生长。从充满灰尘和危险的煤矿到闪闪发光的皇室宫殿，从代表着权力的走廊到爱恨纠缠的卧室，来自美国、德国、苏俄、英国和威尔士的五大家族，他们迥然不同又纠葛不断的命运逐渐揭晓，波澜壮阔地展现了一个我们自认为了解，但从未如此真切感受过的20世纪。

黎雀好像出生的时候就和宋尘挂上了钩，似乎所有长辈都认为黎雀是属于宋尘的。以至于宋尘都成了黎雀的心理阴影，可是黎雀明白。她不爱宋尘，她以为宋尘也不爱她。她不是宋尘，做不到按部就班的按照家里的命令娶她。黎雀第一次和家里反目是因为和宋尘的婚事，她不爱宋尘，不会和他结婚生子。“宋尘，我们之间没有爱情。不能因为家里的命令就结合，你懂吧？”当她吐露了自己的真实想法时。宋尘眼睛都红了。“我认为你我本是青梅竹马，自然是两情相悦！你却是这样的想法，不可能……”

这套丛书的特点主要表现在以下几个方面：1通俗性：采用大众语言讲解医学术语，患者及家属能看得懂，并以生活“比喻”帮助了解；2实用性：学以致用，用得上。一人读书，全家受益，成为“家庭小医生”、左邻右舍的“健康小顾问”；3科学性：不仅知其然，还要了解其所以然。通过临床病症的表现，讲基础理论，理论与实际结合。贯彻“一分为二”的两点论讲解、诊断和治疗，避免绝对化不会使群众无所适从；4权威性：这套丛书的作者，都是具有丰富的经验的临床医生，其中多数是某一专科的专家，并介绍了他们所在单位、姓名、联系方式、出诊等时间等，便于联系，又成了就医指南。

再次睁眼，唐恰恰脑袋里想的是：这一次要死出什么新花样呢？还没想好怎么死，一个接一个的熟面孔找上门。“报恩的？”“拿着号码牌，后面排队！”Σ(っ°Д°;)っ唐恰恰：─━_─━?喂，收起你们脸上‘她好不容易重生，不能打死’的表情。众人心声：（若不是被师父威胁不报恩就逐出山门，谁愿意装软萌小白兔来衬托你的阴险毒辣）某男一脸淡然的走了进来，眼角轻佻，仿若花色：“你想不想候嫁人？”“不知道，没想过！”“那你想嫁的时候告诉我。”

人最难相信的是自己，最不容易改变的是自己，最难以战胜和超越的也是自己。每个人都觉得上司的欣赏、同事的尊重和他人的赞美是对自己的价值的认定；在别人的肯定与重视下才觉得人生充满意义，生活享有乐趣。是的，人都是希望自己在他人的心目中是有分量的，在自己所从事的领域有分量。但是很多时候，这个分量并不是别人给你的，而是你自己为自己争取的。如果一个人很自信，或者说很看重自己，在一些事情上能够坚持自己的独到见解，这自然会成为大家心目中的权威和榜样。

她是暗夜中的魔女杀手，一朝穿越，摇身变成若家的嫡七小姐。身为魔女，竟废材，蠢货，无灵根？开什么玩笑！她身兼绝世天赋，左手火焰灼烧，右手空间吞噬，契约空兽伴随，药材法宝手到擒来，傲然屹立苍穹巅峰！渣男渣爹渣姐妹，通通灭个底朝天，谁敢没事招惹她，她全都一击必杀！不过谁能告诉她，这个腹黑的妖孽美男从哪儿来，为何老是杠上她，戏弄她？“问寞绝，你这个骗子！”她咬牙，怒斥道。他却腹黑一笑，眉宇间尽是魅惑的戏谑，“我是骗了你的心还是……你的身，嗯？”