Deprived by this blow of what he no doubt had come to consider his natural means of support, and his sister, fortunately for herself, being well out of his reach, he next fixed upon his brother Michael as his stay-by. Michael, weak, timid, and not perhaps without some remains of boyish affection for a strong, handsome, elder brother, foolishly yielded. The demands, of course, increased, until, in the end, it came almost as a relief when the man's vicious life led to his getting mixed up with a crime of a particularly odious nature.
He was anxious now for his own sake to get away, and Michael, with little enough to spare for himself, provided him with the means, on the solemn understanding that he would never return.
But the worry and misery of it all had left young Michael a broken man. Unable to concentrate his mind any longer upon his profession, his craving was to get away from all his old associations--to make a fresh start in life. It was Ellenby who suggested London and the ship furnishing business, where Michael's small remaining capital would be of service. The name of Hepworth would be valuable in shipping circles, and Ellenby, arguing this consideration, but chiefly with the hope of giving young Michael more interest in the business, had insisted that the firm should be Hepworth and Co.
They had not been started a year before the man returned, as usual demanding more money. Michael, acting under Ellenby's guidance, refused in terms that convinced his brother that the game of bullying was up. He waited a while, and then wrote pathetically that he was ill and starving. If only for the sake of his young wife, would not Michael come and see them?
This was the first they had heard of his marriage. There was just a faint hope that it might have effected a change, and Michael, against Ellenby's advice, decided to go. In a miserable lodging-house in the East End he found the young wife, but not his brother, who did not return till he was on the point of leaving. In the interval the girl seems to have confided her story to Michael.
She had been a singer, engaged at a music-hall in Rotterdam. There Alex Hepworth, calling himself Charlie Martin, had met her and made love to her. When he chose, he could be agreeable enough, and no doubt her youth and beauty had given to his protestations, for the time being, a genuine ring of admiration and desire. It was to escape from her surroundings, more than anything else, that she had consented. She was little more than a child, and anything seemed preferable to the nightly horror to which her life exposed her.
He had never married her. At least, that was her belief at the time. During his first drunken bout he had flung it in her face that the form they had gone through was mere bunkum. Unfortunately for her, this was a lie. He had always been coolly calculating. It was probably with the idea of a safe investment that he had seen to it that the ceremony had been strictly legal.
Her life with him, so soon as the first novelty of her had worn off, had been unspeakable. The band that she wore round her neck was to hide where, in a fit of savagery, because she had refused to earn money for him on the streets, he had tried to cut her throat. Now that she had got back to England she intended to leave him. If he followed and killed her she did not care.
It was for her sake that young Hepworth eventually offered to help his brother again, on the condition that he would go away by himself. To this the other agreed. He seems to have given a short display of remorse. There must have been a grin on his face as he turned away. His cunning eyes had foreseen what was likely to happen. The idea of blackmail was no doubt in his mind from the beginning. With the charge of bigamy as a weapon in his hand, he might rely for the rest of his life upon a steady and increasing income.
Michael saw his brother off as a second-class passenger on a ship bound for the Cape. Of course, there was little chance of his keeping his word, but there was always the chance of his getting himself knocked on the head in some brawl. Anyhow, he would be out of the way for a season, and the girl, Lola, would be left. A month later he married her, and four months after that received a letter from his brother containing messages to Mrs. Martin, "from her loving husband, Charlie," who hoped before long to have the pleasure of seeing her again.
Inquiries through the English Consul in Rotterdam proved that the threat was no mere bluff. The marriage had been legal and binding.
What happened on the night of the murder, was very much as my friend had reconstructed it. Ellenby, reaching the office at his usual time the next morning, had found Hepworth waiting for him. There he had remained in hiding until one morning, with dyed hair and a slight moustache, he had ventured forth.
Had the man's death been brought about by any other means, Ellenby would have counselled his coming forward and facing his trial, as he himself was anxious to do; but, viewed in conjunction with the relief the man's death must have been to both of them, that loaded revolver was too suggestive of premeditation. The isolation of the house, that conveniently near pond, would look as if thought of beforehand. Even if pleading extreme provocation, Michael escaped the rope, a long term of penal servitude would be inevitable.
Nor was it certain that even then the woman would go free. The murdered man would still, by a strange freak, be her husband; the murderer--in the eye of the law--her lover.
Her passionate will had prevailed. Young Hepworth had sailed for America. There he had no difficulty in obtaining employment--of course, under another name--in an architects office; and later had set up for himself. Since the night of the murder they had not seen each other till some three weeks ago.
* * *
I never saw the woman again. My friend, I believe, called on her.
Hepworth had already returned to America, and my friend had succeeded in obtaining for her some sort of a police permit that practically left her free.
Sometimes of an evening I find myself passing through the street.
And always I have the feeling of having blundered into an empty theatre--where the play is ended.
