登陆注册
4246300000005

第5章 POLLY ARRIVES (5)

Polly had never been much to the theatre; and the few plays she had seen were the good old fairy tales, dramatized to suit young beholders,­lively, bright, and full of the harmless nonsense which brings the laugh without the blush. That night she saw one of the new spectacles which have lately become the rage, and run for hundreds of nights, dazzling, exciting, and demoralizing the spectator by every allurement French ingenuity can invent, and American prodigality execute. Never mind what its name was, it was very gorgeous, very vulgar, and very fashionable; so, of course, it was much admired, and every one went to see it. At first, Polly thought she had got into fairy-land, and saw only the sparkling creatures who danced and sung in a world of light and beauty; but, presently, she began to listen to the songs and conversation, and then the illusion vanished; for the lovely phantoms sang negro melodies, talked slang, and were a disgrace to the good old-fashioned elves whom she knew and loved so well.

Our little girl was too innocent to understand half the jokes, and often wondered what people were laughing at; but, as the first enchantment subsided, Polly began to feel uncomfortable, to be sure her mother would n't like to have her there, and to wish she had n't come. Somehow, things seemed to get worse and worse, as the play went on; for our small spectator was being rapidly enlightened by the gossip going on all about her, as well as by her own quick eyes and girlish instincts. When four-and-twenty girls, dressed as jockeys, came prancing on to the stage, cracking their whips, stamping the heels of their topboots, and winking at the audience, Polly did not think it at all funny, but looked disgusted, and was glad when they were gone; but when another set appeared in a costume consisting of gauze wings, and a bit of gold fringe round the waist, poor unfashionable Polly did n't know what to do; for she felt both frightened and indignant, and sat with her eyes on her play-bill, and her cheeks getting hotter and hotter every minute.

"What are you blushing so for?" asked Fanny, as the painted sylphs vanished.

"I 'm so ashamed of those girls," whispered Polly, taking a long breath of relief.

"You little goose,­it 's just the way it was done in Paris, and the dancing is splendid. It seems queer at first; but you 'll get used to it, as I did.""I 'll never come again," said Polly, decidedly; for her innocent nature rebelled against the spectacle, which, as yet, gave her more pain than pleasure. She did not know how easy it was to "get used to it," as Fanny did; and it was well for her that the temptation was not often offered.

She could not explain the feeling; but she was glad when the play was done, and they were safe at home, where kind grandma was waiting to see them comfortably into bed.

"Did you have a good time, dear?" she asked, looking at Polly's feverish cheeks and excited eyes.

"I don't wish to be rude, but I did n't," answered Polly. "Some of it was splendid; but a good deal of it made me want to go under the seat.

People seemed to like it, but I don't think it was proper."As Polly freed her mind, and emphasized her opinion with a decided rap of the boot she had just taken off, Fanny laughed, and said, while she pirouetted about the room, like Mademoiselle Therese, "Polly was shocked, grandma. Her eyes were as big as saucers. her face as red as my sash, and once I thought she was going to cry. Some of it was rather queer;but, of course, it was proper, or all our set would n't go. I heard Mrs.

Smythe Perkins say, 'It was charming; so like dear Paris;' and she has lived abroad; so, of course, she knows what is what.""I don't care if she has. I know it was n't proper for little girls to see, or I should n't have been so ashamed!" cried sturdy Polly, perplexed, but not convinced, even by Mrs. Smythe Perkins.

"I think you are right, my dear; but you have lived in the country, and have n't yet learned that modesty has gone out of fashion." And with a good-night kiss, grandma left Polly to dream dreadfully of dancing in jockey costume, on a great stage; while Tom played a big drum in the orchestra;and the audience all wore the faces of her father and mother, looking sorrowfully at her, with eyes like saucers, and faces as red as Fanny's sash.

同类推荐
  • 医述

    医述

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 明伦汇编官常典王寮部

    明伦汇编官常典王寮部

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说宝藏神大明曼拏罗仪轨经

    佛说宝藏神大明曼拏罗仪轨经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 天台风俗志

    天台风俗志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 脏腑门

    脏腑门

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 最强神之路系统

    最强神之路系统

    叶逸,一个注定不平凡的男人他是整天玩了泡妞的叶家大少他被“成神之路”系统选中必定玩转都市玩转仙界注定此生不平凡!!!
  • 最后一尊魔

    最后一尊魔

    他是天地间最后一尊魔!他的体内存在九个自己!他兼具着魔与神的力量!待他九世归一,便是终极魔神!他叫——魔生!
  • 洪荒之逆命

    洪荒之逆命

    非铜非铁亦非钢,曾在须弥山下藏,不用阴阳颠倒炼,岂无水火淬锋芒?诛仙利,戮仙亡,陷仙四处起红光,绝仙变化无穷妙,大罗神仙血染裳。一个现代人穿越到洪荒世界成为三清之一通天教主,看他如何逆转乾坤,逆天改命!
  • 治世余闻

    治世余闻

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛母经

    佛母经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 俞生有你

    俞生有你

    初相见,她是懵懂入局的职场新人,怀揣梦想,无知亦无畏;他是传闻放荡不羁的纨绔富三代,讥诮地看着每个过路的人;从她入职第一天起,职场上的各种诡计、陷阱、谎言……轮番在她周围上演,得他指点,她一次次化险为夷,以为两人就此并肩商场;原来注定是场梦。多年不见,往事温柔,一幕幕缱绻浮现,她已恨他入骨。
  • 回到宋朝当花农

    回到宋朝当花农

    一个现代爱花女,喜欢种花,天天在网上学习各种花卉知识,苦于没有地啊!没有地!一朝穿越成了地主,哈哈哈,机会来了,看我的吧......只是,只是,怎么回事?新家要变穷?坚决不可以!但是……但是,说好的主角待遇呢,为什么周围这么多学霸能人,还让不让好好当主角了?
  • 世界文学知识大课堂:世界古代文学发展概论

    世界文学知识大课堂:世界古代文学发展概论

    文学是一种社会意识形态,与社会、政治以及哲学、宗教和道德等社会科学具有密切的关系,是在一定的社会经济基础上形成和发展起来的,因此,它能深刻反映一个国家或一个民族特定时期的社会生活面貌。文学的功能是以形象来反映社会生活,是用具体的、生动感人的细节来反映客观世界的。优秀的文学作品能使人产生如临其境、如见其人、如闻其声的感觉,并从思想感情上受到感染、教育和陶冶。文学是语言的艺术,是以语言为工具来塑造艺术形象的,虽然其具有形象的间接性,但它能多方面立体性地展示社会生活,甚至表现社会生活的发展过程,展示人与人之间的错综复杂的社会关系和人物的内心精神世界。
  • 成功者的品格与修养(珍藏版)

    成功者的品格与修养(珍藏版)

    《成功者的品格与修养(珍藏版)》,如何修炼品性,如何完善自己的品格,是每个人都应该学习的,当你品行愈趋于完美时,你也就是愈靠近成功。
  • 九转碎丹录

    九转碎丹录

    金丹都碎了还想修行?却不知萧承巧得神秘功法,碎丹九次可成神!逆天而行,萧承从这条不可能的路上一路走了下去,最终给仙界走出了一个传奇!后人称他——承帝!