成化中，南郊事竣，彻器，失去一金缾，一庖人执事缾所，咸谓其窃之无疑，告捕系狱，拷掠不能堪，竟诬伏。索其赃，无以为对，追之，漫云：「在坛前某地。」如其言觅之，不获，犹系之，将毙焉。俄真盗以缾系金丝鬻于市，市人疑之，闻于官，逮至，则卫士也。云既窃之，遽无以藏，遂瘗于坛前，只捩取系索耳。官与俱去发地，果得之。乃密比庖人漫言之墟相去纔数寸耳，使前发稍广咫尺，则庖人虀粉矣。讯盗之难如此。
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The Penelopiad
Margaret Atwood returns with a shrewd, funny, and insightful retelling of the myth of Odysseus from the point of view of Penelope. Describing her own remarkable vision, the author writes in the foreword, I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself." One of the high points of literary fiction in 2005, this critically acclaimed story found a vast audience and is finally available in paperback.
