THOUGHTS IN PRISON
Part 1
The first night in prison she found it impossible to sleep. The bed was hard beyond any experience of hers, the bed-clothes coarse and insufficient, the cell at once cold and stuffy. The little grating in the door, the sense of constant inspection, worried her. She kept opening her eyes and looking at it. She was fatigued physically and mentally, and neither mind nor body could rest. She became aware that at regular intervals a light flashed upon her face and a bodiless eye regarded her, and this, as the night wore on, became a torment. . . .
Capes came back into her mind. He haunted a state between hectic dreaming and mild delirium, and she found herself talking aloud to him. All through the night an entirely impossible and monumental Capes confronted her, and she argued with him about men and women. She visualized him as in a policeman's uniform and quite impassive. On some insane score she fancied she had to state her case in verse. "We are the music and you are the instrument," she said; "we are verse and you are prose.
"For men have reason, women rhyme A man scores always, all the time."This couplet sprang into her mind from nowhere, and immediately begot an endless series of similar couplets that she began to compose and address to Capes. They came teeming distressfully through her aching brain:
"A man can kick, his skirts don't tear;
A man scores always, everywhere.
"His dress for no man lays a snare;
A man scores always, everywhere.
For hats that fail and hats that flare;
Toppers their universal wear;
A man scores always, everywhere.
"Men's waists are neither here nor there;A man scores always, everywhere.
"A man can manage without hair;
A man scores always, everywhere.
"There are no males at men to stare;
A man scores always, everywhere.
"And children must we women bear--
"Oh, damn!" she cried, as the hundred-and-first couplet or so presented itself in her unwilling brain.
For a time she worried about that compulsory bath and cutaneous diseases.
Then she fell into a fever of remorse for the habit of bad language she had acquired.
"A man can smoke, a man can swear;
A man scores always, everywhere."
She rolled over on her face, and stuffed her fingers in her ears to shut out the rhythm from her mind. She lay still for a long time, and her mind resumed at a more tolerable pace. She found herself talking to Capes in an undertone of rational admission.
"There is something to be said for the lady-like theory after all," she admitted. "Women ought to be gentle and submissive persons, strong only in virtue and in resistance to evil compulsion. My dear--I can call you that here, anyhow--I know that. The Victorians over-did it a little, I admit. Their idea of maidenly innocence was just a blank white--the sort of flat white that doesn't shine. But that doesn't alter the fact that there IS innocence. And I've read, and thought, and guessed, and looked--until MY innocence--it's smirched.
"Smirched! . . .
"You see, dear, one IS passionately anxious for something--what is it? One wants to be CLEAN. You want me to be clean. You would want me to be clean, if you gave me a thought, that is. . .
.
"I wonder if you give me a thought. . . .
"I'm not a good woman. I don't mean I'm not a good woman--I mean that I'm not a GOOD woman. My poor brain is so mixed, dear, Ihardly know what I am saying. I mean I'm not a good specimen of a woman. I've got a streak of male. Things happen to women--proper women--and all they have to do is to take them well.
They've just got to keep white. But I'm always trying to make things happen. And I get myself dirty . . .
"It's all dirt that washes off, dear, but it's dirt.
"The white unaggressive woman who corrects and nurses and serves, and is worshipped and betrayed--the martyr-queen of men, the white mother. . . . You can't do that sort of thing unless you do it over religion, and there's no religion in me--of that sort--worth a rap.
"I'm not gentle. Certainly not a gentlewoman.
"I'm not coarse--no! But I've got no purity of mind--no real purity of mind. A good woman's mind has angels with flaming swords at the portals to keep out fallen thoughts. . . .
"I wonder if there are any good women really.
"I wish I didn't swear. I do swear. It began as a joke. . . .
It developed into a sort of secret and private bad manners. It's got to be at last like tobacco-ash over all my sayings and doings. . . .
" 'Go it, missie,' they said; "kick aht!'
"I swore at that policeman--and disgusted him. Disgusted him!
"For men policemen never blush;
A man in all things scores so much . . .
"Damn! Things are getting plainer. It must be the dawn creeping in.
"Now here hath been dawning another blue day;I'm just a poor woman, please take it away.
"Oh, sleep! Sleep! Sleep! Sleep!"
Part 2
"Now," said Ann Veronica, after the half-hour of exercise, and sitting on the uncomfortable wooden seat without a back that was her perch by day, "it's no good staying here in a sort of maze.
I've got nothing to do for a month but think. I may as well think. I ought to be able to think things out.
"How shall I put the question? What am I? What have I got to do with myself? . . .
"I wonder if many people HAVE thought things out?
"Are we all just seizing hold of phrases and obeying moods?
"It wasn't so with old-fashioned people, they knew right from wrong; they had a clear-cut, religious faith that seemed to explain everything and give a rule for everything. We haven't.
I haven't, anyhow. And it's no good pretending there is one when there isn't. . . . I suppose I believe in God. . . . Never really thought about Him--people don't. . . . I suppose my creed is, 'I believe rather indistinctly in God the Father Almighty, substratum of the evolutionary process, and, in a vein of vague sentimentality that doesn't give a datum for anything at all, in Jesus Christ, His Son.' . . .
"It's no sort of good, Ann Veronica, pretending one does believe when one doesn't. . . .
"And as for praying for faith--this sort of monologue is about as near as any one of my sort ever gets to prayer. Aren't Iasking--asking plainly now? . . .
