董巨以后。山水一派。流种东南。元初赵文敏独臻其妙。黄子久。吴仲圭。倪元镇。王叔明诸家。相继而作。明兴百余年。而有沈启南。唐子畏。文征仲。又将百年而有董华亭。盖江左开天之地。斗牛王气。垂芒散翼。焕为图绘。非偶然者。其风流文采。久而滋长。亦熏习之力使然也。余闻子久居乌目傍小山。饮酒所至。辄画自湖桥抵拂水。放舟两湖。画横卷长数十丈。稿本未经装裱。民家束入竹筒。置复壁中。访求不可得。华亭为抚掌叹息。舣舟湖山间。坐卧累日。语予曰。子久数十丈卷。今饱我腹笥。异时当为公倒囊出之。华亭仙去三十余年。山牕水榭。未尝不追忆斯言也。冬日屏居。渔山吴子视予手临宋元画卷。烘染皱皴。穷工尽意。笔毫水墨。皆负云气。向之慨慕子久。与华亭所手摹心追者。一往攒聚尺幅。如坐镜中。岂不快哉。渔山古淡安雅。如古图画中人物。将子久一派。近在虞山。余深望之。此卷眞迹。皆烟客奉常藏弆。又亲传华亭一灯。密有指授。故渔山妙契若此。烟客跋尾。不欲示人以斲轮之妙。故隐而不书。予聊及之。以信吾熏习之说。有学集卷四十六
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