草堂诗馀，宋无名氏所选，其人当与姜尧章同时。尧章自度腔，无一登入者。其时姜名未盛。以後如吴梦窗、张叔夏，俱奉姜为圭臬，则草堂之选，在梦窗之前矣。中多唐五季北宋人词，南渡後亦有辛稼轩、刘改之、史邦卿、高竹屋、黄叔诸家，以其音节尚未变也。谓之诗馀者，以词起於唐人绝句，如太白之清平调，即以被之乐府。太白忆秦娥、菩萨蛮，皆绝句之变格，为小令之权舆。旗亭画壁赌唱，皆七言断句。後至十国时，遂竞为长短句。自一字两字至七字，以抑扬高下其声，而乐府之体一变。则词实诗之馀，遂名曰诗馀。其分小令、中调、长调者，以当筵作会，以字之多少分调之长短，以应时刻之久暂。［如今京师演剧，分小出中出大出相似。］
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