We "do the Rubens's," as Lady Kicklebury says; we trudge from cathedral to picture-gallery, from church to church. We see the calm old city, with its towers and gables, the bourse, and the vast town-hall; and I have the honor to give Lady Kicklebury my arm during these peregrinations, and to hear a hundred particulars regarding her ladyship's life and family. How Milliken has been recently building at Pigeoncot; how he will have two thousand a year more when his uncle dies; how she had peremptorily to put a stop to the assiduities of that unprincipled young man, Lord Roughhead, whom Lavinia always detested, and who married Miss Brent out of sheer pique. It was a great escape for her darling Lavinia.
Roughhead is a most wild and dissipated young man, one of Kicklebury's Christchurch friends, of whom her son has too many, alas! and she enters into many particulars respecting the conduct of Kicklebury--the unhappy boy's smoking, his love of billiards, his fondness for the turf: she fears he has already injured his income, she fears he is even now playing at Noirbourg; she is going thither to wean him, if possible, from his companions and his gayeties--what may not a mother effect? She only wrote to him the day before they left London to announce that she was marching on him with her family. He is in many respects like his poor father--the same openness and frankness, the same easy disposition: alas!
the same love of pleasure. But she had reformed the father, and will do her utmost to call back her dear misguided boy. She had an advantageous match for him in view--a lady not beautiful in person, it is true, but possessed of every good principle, and a very, very handsome fortune. It was under pretence of flying from this lady that Kicklebury left town. But she knew better.
I say young men will be young men, and sow their wild oats; and think to myself that the invasion of his mamma will be perhaps more surprising than pleasant to young Sir Thomas Kicklebury, and that she possibly talks about herself and her family, and her virtues and her daughters, a little too much: but she WILL make a confidant of me, and all the time we are doing the Rubens's she is talking of the pictures at Kicklebury, of her portrait by Lawrence, pronounced to be his finest work, of Lavinia's talent for drawing, and the expense of Fanny's music-masters; of her house in town (where she hopes to see me); of her parties which were stopped by the illness of her butler. She talks Kicklebury until I am sick. And oh, Miss Fanny, all of this I endure, like an old fool, for an occasional sight of your bright eyes and rosy face!
[Another parenthesis.--"We hope to see you in town, Mr. Titmarsh."Foolish mockery! If all the people whom one has met abroad, and who have said, "We hope to meet you often in town," had but made any the slightest efforts to realize their hopes by sending a simple line of invitation through the penny post, what an enormous dinner acquaintance one would have had! But I mistrust people who say, "We hope to see you in town."]
Lankin comes in at the end of the day, just before dinnertime. He has paced the whole town by himself--church, tower, and fortifications, and Rubens, and all. He is full of Egmont and Alva. He is up to all the history of the siege, when Chassee defended, and the French attacked the place. After dinner we stroll along the quays; and over the quiet cigar in the hotel court, Monsieur Lankin discourses about the Rubens pictures, in a way which shows that the learned Serjeant has an eye for pictorial beauty as well as other beauties in this world, and can rightly admire the vast energy, the prodigal genius, the royal splendor of the King of Antwerp. In the most modest way in the world he has remarked a student making clever sketches at the Museum, and has ordered a couple of copies from him of the famous Vandyke and the wondrous adoration of the Magi, "a greater picture," says he, "than even the cathedral picture; in which opinion those may agree who like." He says he thinks Miss Kicklebury is a pretty little thing;that all my swans are geese; and that as for that old woman, with her airs and graces, she is the most intolerable old nuisance in the world. There is much good judgment, but there is too much sardonic humor about Lankin. He cannot appreciate women properly.
He is spoiled by being an old bachelor, and living in that dingy old Pump Court; where, by the way, he has a cellar fit for a Pontiff. We go to rest; they have given us humble lodgings high up in the building, which we accept like philosophers who travel with but a portmanteau apiece. The Kickleburys have the grand suite, as becomes their dignity. Which, which of those twinkling lights illumines the chamber of Miss Fanny?
Hicks is sitting in the court too, smoking his cigar. He and Lankin met in the fortifications. Lankin says he is a sensible fellow, and seems to know his profession. "Every man can talk well about something," the Serjeant says. "And one man can about everything," says I; at which Lankin blushes; and we take our flaring tallow candles and go to bed. He has us up an hour before the starting time, and we have that period to admire Herr Oberkellner, who swaggers as becomes the Oberkellner of a house frequented by ambassadors; who contradicts us to our faces, and whose own countenance is ornamented with yesterday's beard, of which, or of any part of his clothing, the graceful youth does not appear to have divested himself since last we left him. We recognize, somewhat dingy and faded, the elaborate shirt-front which appeared at yesterday's banquet. Farewell, Herr Oberkellner!
May we never see your handsome countenance, washed or unwashed, shaven or unshorn, again!
