登陆注册
4618700000023

第23章

STUDIES, ETC.

THE academic year begins July 1st, and continues till about June 20th the following year. As soon after this as practicable--depending upon what time the examination is finished--the corps moves into camp, with the exception of the second class, who go on furlough instead.

Between the 20th of August and the 1st of September, the "Seps," or those candidates who were unable to do so in the spring previous, report. Before the 1st they have been examined and the deficient ones dismissed. On the 1st, unless that be Sunday, academic duties begin. The classes are arranged into a number of sections, according to their class rank, as determined at the previous annual examination, or according to rank in some particular study--for instance, for instruction in engineering the first class is arranged according to merit in philosophy, and not according to general merit or class rank. The fourth, or "plebe" class, however, is arranged alphabetically since they as yet have no class rank.

The first class study, during the first term, engineering law, and ordnance and gunnery. They recite on civil engineering from 8 to 11 A.M.

daily, on ordnance and gunnery from 2 to 4 P.M., alternating with law.

The second class have natural and experimental philosophy from 8 to 11 A.M. daily, and chemistry, alternating with riding, from 11 A.M. to 1 P.M.;also drawing in pencil from 2 to 4 P.M. For instruction in this department the class is divided into two as nearly equal parts as practicable, which alternate in attendance at the Drawing Academy.

The third class have pure mathematics, analytical Geometry, descriptive geometry, and the principles of shades, shadows, and perspective, from 8 to 11A.M. daily. They also have French from 11 A.M., till 1 P.M., alternating with Spanish.

The entire class attend drawing daily till November 1st, when it is divided into two equal parts or platoons, which attend drawing and riding on alternate clays. Riding! "Yearling riding!" I must advert to that before I go further. First let me describe it. A platoon of yearlings, twenty, thirty, forty perhaps; as many horses; a spacious riding-hall, with galleries that seat but too many mischievous young ladies, and whose interior is well supplied with tan bark, make up the principal objects in the play.

Nay, I omit the most important characters, the Instructor and the necessary number of enlisted, men.

ACT I.

SCENE I.

Area of barracks. At guard-house door stands an orderly, with drum in hands. In the area a number of cadets, some in every-day attire, others dressed à la cavalier. These à la cavalier fellows are going to take their first lesson in riding. About four-fifths of them were never on a horse in their lives, and hence what dire expectations hover over their ordinarily placid heads! They have heard from the upper classmen what trials the novice experiences in his first efforts, and they do not go to the riding-hall without some dread. Four o'clock and ten minutes. The drum is beaten.

Officer of the Day.--Form your platoon! Right, face!

Call your roll!

Section Marcher.--Bejay! Barnes! Du Furing!

Swikeheimer! Du Flicket, etc.

Platoon (answering to their names).--Here! Here-re-re! ho-o-o! hi-i-i! har-ar-ar! Heer-r!

Section Marcher (facing about salutes).--All are present, sir!

Officer of the Day (returning salute).--March off your platoon, sir!

Section Marcher (facing about).--Left face! forward.

March! (Curtain falls.)

ACT II.

SCENE I.

The riding-hall, a large, spacious, rectangular structure, door on each side and at each end, floor well covered with tan bark, spacious gallery over each side door, staircases outside leading to them. Galleries are occupied, one by ladies, and, perhaps a number of gentlemen, and the other by enlisted men usually. In the centre of the hall are a number of horses, each equipped with a surcingle, blanket, and watering bridle.

A soldier stands at the head of each one of them.

As curtain rises enter platoon by side door, and marches around the left flank of the line of horses and as far forward as necessary.

Section Marcher.--Platoon, halt! left, face!

(Saluting Instructor) All are present, sir!

Instructor (saluting).--The Section Marcher will take his place on the left.

He then gives all necessary instruction.

"To mount the trooper the Instructor first causes him to stand to horse by the command 'Stand to horse!' At this command--" Well, see "Cavalry Tactics."We've got the trooper mounted now. After some further explanation the Instructor forms them into a column of files by the commands:

"By file, by the right (or left) flank. March!"They are now going around the hall at a walk, a slow, snail-like pace, but what figures some of them present! Still all goes on quite well. The Instructor is speaking:

"To trot," says he, "raise the hands" ("yearlings"use both hands) "slightly. This is to apprise the horse that you want his attention. Then lower the hands slightly, and at the same time gently press the horse with the legs until he takes the gait desired. As soon as he does, relax the pressure."A long pause. The occupants of the galleries are looking anxiously on. They know what is coming next.

They have seen these drills over and over again. And so each trooper awaits anxiously the next command.

Alas! It comes! "Trot!"

What peals of laughter from that cruel gallery! But why? Ah! See there that trooper struggling in the tan bark while a soldier pursues his steed. He is not hurt. He gets up, brushes away the tan bark, remounts and starts off again. But there, he's off again! He's continually falling off or jumping off purposely (?). What confusion! There comes one at a full gallop, sticking on as best he can; but there, the poor fellow is off. The horses are running away.

The troopers are dropping off everywhere in the hall.

同类推荐
  • 立斋外科发挥

    立斋外科发挥

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 玉泉子

    玉泉子

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 息除中夭陀罗尼经

    息除中夭陀罗尼经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 傅青主男科重编考释

    傅青主男科重编考释

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • History of Animals

    History of Animals

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • THE GOLF COURSE MYSTERY

    THE GOLF COURSE MYSTERY

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 医术名流列传

    医术名流列传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 繁星灿絮尽

    繁星灿絮尽

    我一直以为真正的世界就是我所存在的世界。在这个世界上渺小的我会努力拼搏,会百折不挠,但是我终究是平凡的。如果哪天我真的死去了,就像大海少了一滴水,无波无涟。事实告诉我,不要妄自菲薄,不要轻视自己的重要性。也许你就像那蝴蝶,历史的走向也许就是因为你。
  • 我不许你这样叫我

    我不许你这样叫我

    《我不许你这样叫我》讲述的是都市中年轻人的情感、奋斗、追求等一系列的故事。现代社会,男女之间的相互暧昧、大龄剩女的不断增多、80后年轻人的艰难奋斗逐步升温,在这种暧昧很近,婚姻却如此遥远的时代,却有许许多多真挚的情感在一点一点的发生着,悲伤、痛苦、开心、快乐……
  • 王妃许三贪

    王妃许三贪

    谁是大昭国名号最响的女人?是三岁成诗七岁成章十五岁PK掉所有男人成为第一位女状元的司马皇后?错!是纵横十三省九百八十一家青楼的花魁雪姬?更错!让我们一起来揭晓这个伟大的谜底吧!!!--情节虚构,请勿模仿
  • 凤临天下:绝世倾城

    凤临天下:绝世倾城

    上一刻,她还被人误认作“小三”而遭到追杀。然而,下一秒她却吻上了一个陌生男人的唇。“啊,臭女人,你……你居然敢咬我,我要你好看!”男人誓要报复她,将她当作报仇的工具。她却说:“哼,司马骞允,从你救我的那刻起,就注定了你此生要为我而沉沦,这辈子,你休想逃脱!还不快快拜在我裙下,随我一道凤临天下?”【情节虚构,请勿模仿】
  • 世纪的约会

    世纪的约会

    面对世界,每个人都有不同的生命感悟方式与生存审视态度。可以说,耿朝晖正是以诗歌作为载体,表达出自身主体意识对客观现实的心灵回答。读罢《世纪的约会》,掩卷沉思,感触颇深。凭心而论,近年来,受社会商业化无情冲击,缪斯堡垒坍塌,新诗队伍萎缩,像耿朝晖如此钟情于新诗的探索者越来越少。
  • 孙中山与中国同盟会的建立

    孙中山与中国同盟会的建立

    《孙中山与中国同盟会的建立》旨在传播中华五千年优秀传统文化,提高全民文化修养。该书在深入挖掘和整理中华优秀传统文化成果的同时,结合社会发展,注入了时代精神。书中优美生动的文字、简明通俗的语言、图文并茂的形式,把中国文化中的物态文化、制度文化、行为文化、精神文化等知识要点全面展示给读者。
  • 案例:认识炒股的风险(第22辑)

    案例:认识炒股的风险(第22辑)

    《案例》是蓝狮子(中国)企业研究院,针对中国企业“创新”与“变革”两大主题进行实证研究,推出的电子单行本系列,旨在为中国企业管理者和财经研究者提供鲜活的商业案例。这波股市大型起落,介入者大悲大喜,旁观者超越认识,未介入者照常生活。中国股市某些面相上意味着一个可“自娱自乐”的闭环系统,零和搏杀的上演是在实体泡沫的尴尬场景中展开的,炒或不炒俨然成为了一个涉及人生拐点的重要问题。
  • 心缝

    心缝

    跌宕起伏的世界,这故事为何而起,又该怎样结束?分崩离析的家园,透过指缝看到的,是否只剩下漆黑?人心存在狭缝,世界存在缝隙。他不说愿看到活在绝望里人们的泪,所以他才出现在这里。可他总在掩饰着什么?又在隐藏着什么?他的名字是叫……眯缝眼加柔弱的面庞下,又是怎么样的他?这是一款简单中又带着点曲折的故事,故事的主角是一个总是隐藏自身的有着神秘身份的反叛组织者,和一群充满故事的反叛者们。他善于隐藏又善于蛊惑人心,似乎从来不表露真心。时间给我们的,是人心存缝。世界给我们的,是崩塌重塑。那么他又会给这里带来什么?