The second Dutch war, the most disgraceful war in the whole history of England, was now raging. It was not in that age considered as by any means necessary that a naval officer should receive a professional education. Young men of rank, who were hardly able to keep their feet in a breeze, served on board the King's ships, sometimes with commissions, and sometimes as volunteers. Mulgrave, Dorset, Rochester, and many others, left the playhouses in the Mall for hammocks and salt pork, and, ignorant as they were of the rudiments of naval service, showed, at least, on the day of battle, the courage which is seldom wanting in an English gentleman. All good judges of maritime affairs complained that, under this system, the ships were grossly mismanaged, and that the tarpaulins contracted the vices, without acquiring the graces, of the Court. But on this subject, as on every other where the interests or whims of favourites were concerned, the Government of Charles was deaf to all remonstrances. Wycherley did not choose to be out of the fashion.
He embarked, was present at a battle, and celebrated it, on his return, in a copy of verses too bad for the bellman.
[Mr. Leigh Hunt supposes that the battle at which Wycherley was present was that which the Duke of York gained over Opdam, in 1665. We believe that it was one of the battles between Rupert and De Ruyter, in 1673.
The point is of no importance; and there cannot be said to be much evidence either way. We offer, however, to Mr. Leigh Hunt's consideration three arguments, of no great weight certainly, yet such as ought, we think, to prevail in the absence of better.
First, it is not very likely that a young Templar, quite unknown in the world,--and Wycherley was such in 1665,--should have quitted his chambers to go to sea. On the other hand, it would be in the regular course of things, that, when a courtier and an equerry, he should offer his services. Secondly, his verses appear to have been written after a drawn battle, like those of 1673, and not after a complete victory, like that of 1665.
Thirdly, in the epilogue to the Gentleman Dancing-Master, written in 1673, he says that "all gentlemen must pack to sea"; an expression which makes it probable that he did not himself mean to stay behind.]
About the same time, he brought on the stage his second piece, the Gentleman Dancing-Master. The biographers say nothing, as far as we remember, about the fate of this play. There is, however, reason to believe that, though certainly far superior to Love in a Wood, it was not equally successful. It was first tried at the west end of the town, and, as the poet confessed, "would scarce do there." It was then performed in Salisbury Court, but, as it should seem, with no better event. For, in the prologue to the Country Wife, Wycherley described himself as "the late so baffled scribbler."
In 1675, the Country Wife was performed with brilliant success, which, in a literary point of view, was not wholly unmerited.
For, though one of the most profligate and heartless of human compositions, it is the elaborate production of a mind, not indeed rich, original, or imaginative, but ingenious, observant, quick to seize hints, and patient of the toil of polishing.
The Plain Dealer, equally immoral and equally well written, appeared in 1677. At first this piece pleased the people less than the critics; but after a time its unquestionable merits and the zealous support of Lord Dorset, whose influence in literary and fashionable society was unbounded, established it in the public favour.
The fortune of Wycherley was now in the zenith, and began to decline. A long life was still before him. But it was destined to be filled with nothing but shame and wretchedness, domestic dissensions, literary failures, and pecuniary embarrassments.
The King, who was looking about for an accomplished man to conduct the education of his natural son, the young Duke of Richmond, at length fixed on Wycherley. The poet, exulting in his good luck, went down to amuse himself at Tunbridge Wells, looked into a bookseller's shop on the Pantiles, and, to his great delight, heard a handsome woman ask for the Plain Dealer, which had just been published. He made acquaintance with the lady, who proved to be the Countess of Drogheda, a gay young widow, with an ample jointure. She was charmed with his person and his wit, and, after a short flirtation, agreed to become his wife. Wycherley seems to have been apprehensive that this connection might not suit well with the King's plans respecting the Duke of Richmond.
He accordingly prevailed on the lady to consent to a private marriage. All came out. Charles thought the conduct of Wycherley both disrespectful and disingenuous. Other causes probably assisted to alienate the sovereign from the subject who had lately been so highly favoured. Buckingham was now in opposition, and had been committed to the Tower; not, as Mr. Leigh Hunt supposes, on a charge of treason, but by an order of the House of Lords for some expressions which he had used in debate. Wycherley wrote some bad lines in praise of his imprisoned patron, which, if they came to the knowledge of the King, would certainly have made his majesty very angry. The favour of the Court was completely withdrawn from the poet. An amiable woman with a large fortune might indeed have been an ample compensation for the loss. But Lady Drogheda was ill-tempered, imperious, and extravagantly jealous. She had herself been a maid of honour at Whitehall. She well knew in what estimation conjugal fidelity was held among the fine gentlemen there, and watched her town husband as assiduously as Mr. Pinchwife watched his country wife. The unfortunate wit was, indeed, allowed to meet his friends at a tavern opposite to his own house. But on such occasions the windows were always open, in order that her Ladyship, who was posted on the other side of the street, might be satisfied that no woman was of the party.
