She took her seat at the sumptuous table, whereon gold and silver shone, whereon everything recherche and magnificent was displayed. But she had with her a companion she was never again to lose, a haunting fear, a skeleton that was never more to quit her side, a miserable consciousness of folly that was bringing sore wretchedness upon her. Never again was she to feel free from fear and care.
"Beatrice," said Lady Earle when dinner was over, "you will never learn prudence."
She started, and the beautiful bloom just beginning to return, vanished again.
"Do not look alarmed, my dear," continued Lady Helena; "I am not angry. I fear you were out too long today. Lord Airlie must take more care of you; the sun was very hot, and you look quite ill. I never saw you look as you do tonight."
"We had very little sun," replied Beatrice, with a laugh as she tried to make a gay one; "we rode under the shade in the park. I am tired, but not with my ride."
It was a pleasant evening, and when the gentlemen joined the ladies in the drawing room, the sunbeams still lingered on flower and tree. The long windows were all open, and the soft summer wind that came in was laden with the sweet breath of the flowers.
Lord Airlie asked Beatrice to sing. It was a relief to her; she could not have talked; all the love and sorrow, all the fear and despair that tortured her, could find vent in music. So she sat in the evening gloaming, and Lord Airlie, listening to the superb voice, wondered at the pathos and sadness that seemed to ring in every note.
"What weird music, Beatrice!" he said, at length. "You are singing of love, but the love is all sorrow. Your songs are generally so bright and happy. What has come over you?"
"Nothing," was the reply, but he, bending over her, saw the dark eyes were dim with tears.
"There," cried Lord Airlie, "you see I am right. You have positively sung yourself to tears."
He drew her from the piano, and led her to the large bay window where the roses peeped in. He held her face up to the mellow evening light, and looked gravely into her beautiful eyes.
"Tell me," he said, simply, "what has saddened you, Beatrice you have no secrets from me. What were you thinking of just now when you sang that dreamy 'Lebenwold?' Every note was like a long sigh."
"Shall you laugh if I tell you?" she asked.
"No," he replied; "I can not promise to sigh, but I will not smile."
"I was thinking what I should do if--if anything happened to part us."
"But nothing ever will happen," he said; "nothing can part us but death. I know what would happen to me if I lost you, Beatrice."
"What?" she asked, looking up into the handsome, kindly face.
"I should not kill myself," he said, "for I hold life to be a sacred gift; but I should go where the face of no other woman would smile upon me. Why do you talk so dolefully, Beatrice?
Let us change the subject. Tell me where you would like to go when we are married--shall it be France, Italy, or Spain?"
"Would nothing ever make you love me less, Hubert?" she asked.
"Neither poverty nor sickness?"
"No," he replied; "nothing you can think of or invent."
"Nor disgrace?" she continued; but he interrupted her half angrily.
"Hush!" he said, "I do not like such a word upon your lips; never say it again. What disgrace can touch you? You are too pure, too good."
She turned from him, and he fancied a low moan came from her trembling lips.
"You are tired, and--pray forgive me, Beatrice--nervous too," said Lord Airlie; "I will be your doctor. You shall lie down here upon this couch. I will place it where you can see the sun set in the west, and I will read to you something that will drive all fear away. I thought during dinner that you looked ill and worn."
Gently enough he drew the couch to the window, Lady Earle watching him the while with smiling face. He induced Beatrice to lie down, and then turned her face to the garden where the setting sun was pleasantly gilding the flowers.
"Now, you have something pleasant to look at," said Lord Airlie, "and you shall have something pleasant to listen to. I am going to read some of Schiller's 'Marie Stuart.'"
He sat at her feet, and held her white hands in his. He read the grand, stirring words that at times seemed like the ring of martial music, and again like the dirge of a soul in despair.
His clear, rich voice sounded pleasantly in the evening calm.
Beatrice's eyes lingered on the western sky all aflame, but her thoughts were with Hugh Fernely.
