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第23章

Shall Man, such step within his endeavour, Man's face, have no more play and action Than joy which is crystallized for ever, Or grief, an eternal petrifaction?

XIX.

On which I conclude, that the early painters, To cries of ``Greek Art and what more wish you?''---Replied, ``To become now self-acquainters, ``And paint man man, whatever the issue!

``Make new hopes shine through the flesh they fray, ``New fears aggrandize the rags and tatters:

``To bring the invisible full into play!

``Let the visible go to the dogs---what matters?''

XX.

Give these, I exhort you, their guerdon and glory For daring so much, before they well did it.

The first of the new, in our race's story, Beats the last of the old; 'tis no idle quiddit.

The worthies began a revolution, Which if on earth you intend to acknowledge, Why, honour them now! (ends my allocution)Nor confer your degree when the folk leave college.

XXI.

There's a fancy some lean to and others hate---That, when this life is ended, begins New work for the soul in another state, Where it strives and gets weary, loses and wins:

Where the strong and the weak, this world's congeries, Repeat in large what they practised in small, Through life after life in unlimited series;Only the scale's to be changed, that's all.

XXII.

Yet I hardly know. When a soul has seen By the means of Evil that Good is best, And, through earth and its noise, what is heaven's serene,---When our faith in the same has stood the test---Why, the child grown man, you burn the rod, The uses of labour are surely done;There remaineth a rest for the people of God:

And I have had troubles enough, for one.

XXIII.

But at any rate I have loved the season Of Art's spring-birth so dim and dewy;My sculptor is Nicolo the Pisan, My painter---who but Cimabue?

Nor ever was man of them all indeed, From these to Ghiberti and Ghirlandaio,

Could say that he missed my critic-meed.

So, now to my special grievance---heigh ho!

XXIV.

Their ghosts still stand, as I said before, Watching each fresco flaked and rasped, Blocked up, knocked out, or whitewashed o'er:

---No getting again what the church has grasped!

The works on the wall must take their chance;``Works never conceded to England's thick clime!''

(I hope they prefer their inheritance Of a bucketful of Italian quick-lime.)XXV.

When they go at length, with such a shaking Of heads o'er the old delusion, sadly Each master his way through the black streets taking, Where many a lost work breathes though badly---Why don't they bethink them of who has merited?

Why not reveal, while their pictures dree Such doom, how a captive might be out-ferreted?

Why is it they never remember me?

XXVI.

Not that I expect the great Bigordi, Nor Sandro to hear me, chivalric, bellicose;Nor the wronged Lippino; and not a word ISay of a scrap of Fr

Angelico's:

But are you too fine, Taddeo Gaddi,

To grant me a taste of your intonaco,

Some Jerome that seeks the heaven with a sad eye?

Not a churlish saint, Lorenzo Monaco?

XXVII.

Could not the ghost with the close red cap, My Pollajolo, the twice a craftsman, Save me a sample, give me the hap Of a muscular Christ that shows the draughtsman?

No Virgin by him the somewhat petty, Of finical touch and tempera crumbly---Could not Alesso Baldovinetti Contribute so much, I ask him humbly?

XXVIII.

Margheritone of Arezzo,

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