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第56章

The essays, the fiction, and the poetry of the day have the like municipal limits. Dickens, with preternatural apprehension of the language of manners, and the varieties of street life, with pathos and laughter, with patriotic and still enlarging generosity, writes London tracts. He is a painter of English details, like Hogarth; local and temporary in his tints and style, and local in his aims. Bulwer, an industrious writer, with occasional ability, is distinguished for his reverence of intellect as a temporality, and appeals to the worldly ambition of the student. His romances tend to fan these low flames. Their novelists despair of the heart.

Thackeray finds that God has made no allowance for the poor thing in his universe; -- more's the pity, he thinks; -- but 'tis not for us to be wiser: we must renounce ideals, and accept London.

The brilliant Macaulay, who expresses the tone of the English governing classes of the day, explicitly teaches, that _good_ means good to eat, good to wear, material commodity; that the glory of modern philosophy is its direction on "fruit;" to yield economical inventions; and that its merit is to avoid ideas, and avoid morals.

He thinks it the distinctive merit of the Baconian philosophy, in its triumph over the old Platonic, its disentangling the intellect from theories of the all-Fair and all-Good, and pinning it down to the making a better sick chair and a better wine-whey for an invalid; --this not ironically, but in good faith; -- that, "solid advantage,"as he calls it, meaning always sensual benefit, is the only good.

The eminent benefit of astronomy is the better navigation it creates to enable the fruit-ships to bring home their lemons and wine to the London grocer. It was a curious result, in which the civility and religion of England for a thousand years, ends, in denying morals, and reducing the intellect to a sauce-pan. The critic hides his skepticism under the English cant of practical. To convince the reason, to touch the conscience, is romantic pretension. The fine arts fall to the ground. Beauty, except as luxurious commodity, does not exist. It is very certain, I may say in passing, that if Lord Bacon had been only the sensualist his critic pretends, he would never have acquired the fame which now entitles him to this patronage. It is because he had imagination, the leisures of the spirit, and basked in an element of contemplation out of all modern English atmospheric gauges, that he is impressive to the imaginations of men, and has become a potentate not to be ignored. Sir David Brewster sees the high place of Bacon, without finding Newton indebted to him, and thinks it a mistake. Bacon occupies it by specific gravity or levity, not by any feat he did, or by any tutoring more or less of Newton &c., but an effect of the same cause which showed itself more pronounced afterwards in Hooke, Boyle, and Halley.

Coleridge, a catholic mind, with a hunger for ideas, with eyes looking before and after to the highest bards and sages, and who wrote and spoke the only high criticism in his time, -- is one of those who save England from the reproach of no longer possessing the capacity to appreciate what rarest wit the island has yielded. Yet the misfortune of his life, his vast attempts but most inadequate performings, failing to accomplish any one masterpiece, seems to mark the closing of an era. Even in him, the traditional Englishman was too strong for the philosopher, and he fell into _accommodations_: and, as Burke had striven to idealize the English State, so Coleridge `narrowed his mind' in the attempt to reconcile the gothic rule and dogma of the Anglican Church, with eternal ideas. But for Coleridge, and a lurking taciturn minority, uttering itself in occasional criticism, oftener in private discourse, one would say, that in Germany and in America, is the best mind in England rightly respected. It is the surest sign of national decay, when the Bramins can no longer read or understand the Braminical philosophy.

In the decomposition and asphyxia that followed all this materialism, Carlyle was driven by his disgust at the pettiness and the cant, into the preaching of Fate. In comparison with all this rottenness, any check, any cleansing, though by fire, seemed desirable and beautiful. He saw little difference in the gladiators, or the "causes" for which they combated; the one comfort was, that they were all going speedily into the abyss together: And his imagination, finding no nutriment in any creation, avenged itself by celebrating the majestic beauty of the laws of decay. The necessities of mental structure force all minds into a few categories, and where impatience of the tricks of men makes Nemesis amiable, and builds altars to the negative Deity, the inevitable recoil is to heroism or the gallantry of the private heart, which decks its immolation with glory, in the unequal combat of will against fate.

Wilkinson, the editor of Swedenborg, the annotator of Fourier, and the champion of Hahnemann, has brought to metaphysics and to physiology a native vigor, with a catholic perception of relations, equal to the highest attempts, and a rhetoric like the armory of the invincible knights of old. There is in the action of his mind a long Atlantic roll not known except in deepest waters, and only lacking what ought to accompany such powers, a manifest centrality. If his mind does not rest in immovable biases, perhaps the orbit is larger, and the return is not yet: but a master should inspire a confidence that he will adhere to his convictions, and give his present studies always the same high place.

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