But they kept her after all; and George drew pictures and sent them to her. He drew the Czar's palace; the old Kremlin at Moscow, just as it stood, with towers and cupolas; and these cupolas looked like gigantic green and gold cucumbers, at least in George's drawing. Little Emily was highly pleased, and consequently, when a week had elapsed, George sent her a few more pictures, all with buildings in them; for, you see, she could imagine all sorts of things inside the windows and doors.
He drew a Chinese house, with bells hanging from every one of sixteen stories. He drew two Grecian temples with slender marble pillars, and with steps all round them. He drew a Norwegian church. It was easy to see that this church had been built entirely of wood, hewn out and wonderfully put together; every story looked as if it had rockers, like a cradle. But the most beautiful of all was the castle, drawn on one of the leaves, and which he called "Emily's
Castle." This was the kind of place in which she must live. That is what George had thought, and consequently he had put into this building whatever he thought most beautiful in all the others. It had carved wood-work, like the Norwegian church; marble pillars, like the Grecian temple; bells in every story; and was crowned with cupolas, green and gilded, like those of the Kremlin of the Czar. It was a real child's castle, and under every window was written what the hall or the room inside was intended to be; for instance: "Here
Emily sleeps;" "Here Emily dances;" "Here Emily plays at receiving visitors." It was a real pleasure to look at the castle, and right well was the castle looked at accordingly.
"Charming!" said the General.
But the old Count- for there was an old Count there, who was still grander than the General, and had a castle of his own- said nothing at all; he heard that it had been designed and drawn by the porter's little son. Not that he was so very little, either, for he had already been confirmed. The old Count looked at the pictures, and had his own thoughts as he did so.
One day, when it was very gloomy, gray, wet weather, the brightest of days dawned for George; for the Professor at the Academy called him into his room.
"Listen to me, my friend," said the Professor; "I want to speak to you. The Lord has been good to you in giving you abilities, and He has also been good in placing you among kind people. The old Count at the corner yonder has been speaking to me about you. I have also seen your sketches; but we will not say any more about those, for there is a good deal to correct in them. But from this time forward you may come twice a-week to my drawing-class, and then you will soon learn how to do them better. I think there's more of the architect than of the painter in you. You will have time to think that over; but go across to the old Count this very day, and thank God for having sent you such a friend."
It was a great house- the house of the old Count at the corner.
Round the windows elephants and dromedaries were carved, all from the old times; but the old Count loved the new time best, and what it brought, whether it came from the first floor, or from the cellar, or from the attic.
"I think," said, the porter's wife, "the grander people are, the fewer airs do they give themselves. How kind and straightforward the old count is! and he talks exactly like you and me. Now, the General and his lady can't do that. And George was fairly wild with delight yesterday at the good reception he met with at the Count's, and so am I to-day, after speaking to the great man. Wasn't it a good thing that we didn't bind George apprentice to a handicraftsman? for he has abilities of his own."
"But they must be helped on by others," said the father.
"That help he has got now," rejoined the mother; "for the Count spoke out quite clearly and distinctly."
"But I fancy it began with the General," said the father, "and we must thank them too."
"Let us do so with all my heart," cried the mother, "though I fancy we have not much to thank them for. I will thank the good God; and I will thank Him, too, for letting little Emily get well."
Emily was getting on bravely, and George got on bravely too. In the course of the year he won the little silver prize medal of the
Academy, and afterwards he gained the great one too.
"It would have been better, after all, if he had been apprenticed to a handicraftsman," said the porter's wife, weeping;
"for then we could have kept him with us. What is he to do in Rome?
I shall never get a sight of him again, not even if he comes back; but that he won't do, the dear boy."
"It is fortune and fame for him," said the father.
"Yes, thank you, my friend," said the mother; "you are saying what you do not mean. You are just as sorrowful as I am."
And it was all true about the sorrow and the journey. But everybody said it was a great piece of good fortune for the young fellow. And he had to take leave, and of the General too. The
General's lady did not show herself, for she had her bad headache.
On this occasion the General told his only anecdote, about what he had said to the Prince, and how the Prince had said to him, "You are incomparable." And he held out a languid hand to George.
Emily gave George her hand too, and looked almost sorry; and
George was the most sorry of all.
Time goes by when one has something to do; and it goes by, too, when one has nothing to do. The time is equally long, but not equally useful. It was useful to George, and did not seem long at all, except when he happened to be thinking of his home. How might the good folks be getting on, up stairs and down stairs? Yes, there was writing about that, and many things can be put into a letter- bright sunshine and dark, heavy days. Both of these were in the letter which brought the news that his father was dead, and that his mother was alone now. She wrote that Emily had come down to see her, and had been to her like an angel of comfort; and concerning herself, she added that she had been allowed to keep her situation as porteress.
