The roofs of both houses and piazzas are broken, projected, picturesque, and often ornamented. They shelter, they protect, they brood, they embrace. There are little trellises and cornices and fanciful adornments. The solid homeliness is fringed with elegance. The people and the houses do not own each other, but they are married. There is love between them, and pride, and a hearty understanding. I can think of a country where you see little brown or red clapboarded houses that are neither solid nor elegant, that are both slight and awkward,--angular and shingly and dismal. The roofs are intended just to cover the houses, and are scanty at that. The sides are straight, the windows inexorable; and for flowers you have a hollyhock or two, and perhaps an uncomfortably tall sunflower, sovereign for hens.
There is no home-look and no home-atmosphere. I love that country better than I like this; but, if you kill me for it, this drive is picturesque. These dumpy little smooth, white, flounced and flowered cottages look like wicker-gates to a happy valley,--born, not built. The cottages of the country, in my thoughts, yes, and in my heart, are neither born nor built, but "put up,"--just for convenience, just to lodge in while waiting for something better, or till the corn is grown. Coming man, benefactor of our race, you who shall show us how to be contented without being sluggish,--how to be restful, and yet aspiring,--how to take the goods the gods provide us, without losing out of manly hearts the sweet sense of providing,--how to plant happy feet firmly on the present, and not miss from eager eyes the inspiriting outlook of the future,--how to make a wife of today, and not a mistress of tomorrow,--come quickly to a world that sorely needs you, and bring a fresh evangel.
The current of our thoughts is broken in upon by a new and peculiar institution. Every single child, and every group of children on the road, leaves its play as we pass by, and all dart upon us on both sides of the carriage, almost under the wheels, almost under the horses' feet, with out-stretched blackened hands, and intense bright black eyes, running, panting, shouting, "Un sou! un sou! un sou!" I do not think I am quite in love with this as an institution, but it is very lively as a spectacle; and the little fleet-footed, long-winded beggars show a touching confidence in human nature. There is no servility in their beggary; and when it is glossed over with a thin mercantile veneering, by the brown little paws holding out to you a gorgeous bouquet of one clover-blossom, two dandelions, and a quartette of sorrel-leaves, why, it ceases to be beggarly, and becomes traffic overlaid with grace, the acanthus capital surmounting the fluted shaft. We meet also continual dog-carts, something like the nondescript which "blind Carwell" used to drag. Did you never see it? Well, then, like the cart in which the ark went up to Kirjath-jearim.
Now you must know. Stubborn two-wheeled vehicles, with the whole farm loaded into the body, and the whole family on the seat. Here comes one drawn by a cow, not unnatural. Unnatural!
It is the key-note of the tune. Everything is cow-y,--slow and sure, firm, but not fast, kindly, sunny, ruminant, heavy, lumbering, basking, content. Calashes also we meet,--a cumbrous, old-fashioned "one-hoss shay," with a yellow body, a suspicion of springlessness, wheels with huge spokes and broad rims, and the driver sitting on the dash-board. Now we are at the Falls of Montmorency. If you would know how they look, go and see them.
If you have seen them, you don't need a description; and if you have not seen them, a description would do no good. From the Falls, if you are unsophisticated, you will resume your carriage and return to the city; but if you are au fait, you will cross the high-road, cross the pastures, and wind down a damp, mossy wood-path to the steps of Montmorency,--a natural phenomenon, quite as interesting as, and more remarkable than, the Falls,--especially if you go away without seeing it. Any river can fall when it comes to a dam. In fact, there is nothing for it to do but fall; but it is not every river that can carve out in its rage such wonderful stairways as this,--seething and foaming and roaring and leaping through its narrow and narrowing channel, with all the turbulence of its fiery soul unquelled, though the grasp of Time is on its throat, silent, mighty, irresistible.
Montmorency,--Montmorenci,--sweet and storied name! You, too, have received the awful baptism. Blood has mingled with your sacrifices. The song of your wild waves has been lost in the louder thunders of artillery, and the breezes sweeping through these green woods have soothed the agonies of dying men. Into one heart this ancient name, heavy with a weight of disaster and fancied disgrace, sank down like lead,--a burden which only death could cast off, only victory destroy; and death came hand in hand with victory.
