He was dozing off; the feverish shiver had ceased, when suddenly something seemed to run over his arm and leg under the bedclothes. He started. “Ugh! hang it! I believe it’s a mouse,” he thought, “that’s the veal I left on the table.” He felt fearfully disinclined to pull off the blanket, get up, get cold, but all at once something unpleasant ran over his leg again. He pulled off the blanket and lighted the candle. Shaking with feverish chill he bent down to examine the bed: there was nothing. He shook the blanket and suddenly a mouse jumped out on the sheet. He tried to catch it, but the mouse ran to and fro in zigzags without leaving the bed, slipped between his fingers, ran over his hand and suddenly darted under the pillow. He threw down the pillow, but in one instant felt something leap on his chest and dart over his body and down his back under his shirt. He trembled nervously and woke up.
The room was dark. He was lying on the bed and wrapped up in the blanket as before. The wind was howling under the window. “How disgusting,” he thought with annoyance.
He got up and sat on the edge of the bedstead with his back to the window. “It’s better not to sleep at all,” he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday—Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere—at the windows, the doors on to the balcony, and on the balcony itself—were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigailov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled. …
Svidrigailov came to himself, got up from the bed and went to the window. He felt for the latch and opened it. The wind lashed furiously into the little room and stung his face and his chest, only covered with his shirt, as though with frost. Under the window there must have been something like a garden, and apparently a pleasure garden. There, too, probably there were tea-tables and singing in the daytime. Now drops of rain flew in at the window from the trees and bushes; it was dark as in a cellar, so that he could only just make out some dark blurs of objects. Svidrigailov, bending down with elbows on the window-sill, gazed for five minutes into the darkness; the boom of a cannon, followed by a second one, resounded in the darkness of the night. “Ah, the signal! The river is overflowing,” he thought. “By morning it will be swirling down the street in the lower parts, flooding the basements and cellars. The cellar rats will swim out, and men will curse in the rain and wind as they drag their rubbish to their upper storeys. What time is it now?” And he had hardly thought it when, somewhere near, a clock on the wall, ticking away hurriedly, struck three.
“Aha! It will be light in an hour! Why wait? I’ll go out at once straight to the park. I’ll choose a great bush there drenched with rain, so that as soon as one’s shoulder touches it, millions of drops drip on one’s head.”
He moved away from the window, shut it, lighted the candle, put on his waistcoat, his overcoat and his hat and went out, carrying the candle, into the passage to look for the ragged attendant who would be asleep somewhere in the midst of candle-ends and all sorts of rubbish, to pay him for the room and leave the hotel. “It’s the best minute; I couldn’t choose a better.”
