登陆注册
4811200000067

第67章 MIND READING IN PUBLIC(6)

The manager now stepped to the rear of the stage and took the basket, which was now in place containing the original (?) envelopes behind the flaps; and stepping to the small table he scooped in the dummy envelopes; then taking the basket by the handles, he stepped down the runway andrapidly returned the unopened (?) envelopes to their writers. The assistant had, of course, sealed the questions in duplicate envelopes previously numbered by the manager. He had placed these behind the flaps, and shoved the basket into view on a table at the rear of the stage.

I use a variation of these tricks in my double parlors. I have made a "billet changing basket" as above described, and have also made a similar basket except that it contains no mechanism.

I pass cards and envelopes to the spectators in the front parlor. When the questions are written and sealed in the envelopes, I gather them up in the mechanical basket; I step to a table in the rear parlor and apparently empty them upon it. In reality, I have just raised the handle so that the originals are retained, and the dummy envelopes are emptied on the table instead.

I now step to an adjoining room for an instant, to get a small decorated screen. I secretly leave the basket containing the original envelopes in this room and return with the other basket in my hand in its place. I place the small ornamental screen on the table back of the envelopes, but leave the envelopes in view and request the spectators to notice that I do not go near them until I get ready to give the tests. I now carelessly lay the non- mechanical basket on a table in the room where the spectators are and proceed with some other tricks.

Usually I give the series of experiments described in the chapter entitled "Mediumistic Reading of Sealed Writings." I state to the spectators that I will not give the tests for the sealed envelopes until later in the evening.

Meanwhile, should anyone think of such a thing, he can easily examine the little basket, which he thinks I have just used; as it still lies on the table in the front parlor with other discarded paraphernalia, including slates, etc. I use no assistant; so after a time has elapsed, and when by the performance of other sealed readings, suspicion has been diverted from the tests with the billets, my wife retires on some trifling errand. While out, she opens the envelopes in the basket, prepares the sheet of questions, and places it in the Bible; then she re-seals the questions in envelopes previously marked by me, places them in the sides of the basket,raises the flaps and lowers the handle. She then usually enters with some light refreshments for the spectators, which explains her absence with a word.

I continue with other experiments for ten or fifteen minutes after her return; then I gather up my surplus paraphernalia, including the dummy basket, and carry all to the room adjoining the back parlor, where I leave it. I return instantly with the mechanical basket which I place near my own table; and then I give another experiment of some kind.

I now pick up the basket and announce that I have decided to return to their writers the envelopes on the table in front of the screen before attempting to give the tests. I do this as if it were a later notion. I now scoop in the dummy envelopes, and raise the handle, which action covers them up and releases the originals (now sealed). I now distribute to the writers their envelopes, which I can do, as they are numbered as described earlier in this chapter. I request each sitter to hold his envelope until I shall give his test. Then I usually perform some other little experiment before giving the tests.

I now take up my Bible, which I will stake I brought into the room, unnoticed, when I returned with the last basket. I then seat myself and leisurely turn the leaves through the Bible, reading verses, and giving the tests as before described.

I always first read a question secretly, and then turn by the sheet of paper and begin reading a verse of Scripture. As I do this I permit the front of the Bible to lower enough for the spectators to see the printed pages. This prevents suspicion. Meanwhile, the spectators have forgotten that I ever stepped from the room at all with the basket, and even that my wife retired for some refreshments. Neither did they notice the Bible when I brought it in.

The effect on each person, as I call him by name and describe the "influence" of his "dear one," giving names and most marvelous information, is far superior to what it would be were I merely to read the questions literally, and give the answers.

同类推荐
  • 同治甲戌日兵侵台始末

    同治甲戌日兵侵台始末

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 伊川击壤集

    伊川击壤集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 中山经

    中山经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 全相二十四孝诗选

    全相二十四孝诗选

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 新石头记

    新石头记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • The Patchwork Girl of Oz

    The Patchwork Girl of Oz

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Days with Sir Roger de Coverley

    Days with Sir Roger de Coverley

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 妃上云宵

    妃上云宵

    她的一生是一个传奇。出生时是不详人,一道圣旨却令她麻雀变凤凰成为和亲公主。又因着她的绝世容貌,被太后钦册为美人,成为对付受宠昭仪的棋子。她生性单纯率真,如何能圆滑的在宫中生存?她一点也不想侍伴君侧,可谁来救她出苦海?俊逸太子斗胆向老爹请呈:父皇,赏她给儿臣做太子妃。倾刻间,她从他的女儿变成他的女人,又变成他的儿媳。可为何,高贵的天子,在见到她的那一刻心肝惊痛一下......以为能躲过尔虞我诈的宫斗,却不料皆是命中注定宠绝后宫。一步步血腥谨慎,她能否到达荣极的云宵?
  • 我有一个异世界

    我有一个异世界

    “二十五岁,三流大学毕业,在一家广告公司工作一年半,月薪三千五,没车没房,单身……”陈逸写到这里,突然把纸揉成一团,扔进了垃圾桶里。决然道,“这样的生活,有什么好留恋的?”说完,他启动了戒指,穿越到了一个陌生的世界中,开始了人生中最大的冒险……读者群号:696714917
  • 孽儿修神

    孽儿修神

    他叫姚孽,别人却说他是妖孽,刚出生便被父母所抛弃,一位年迈的老头收养了他。可就连这位他唯一的亲人,老天也不放过,一位富家子弟杖毙他唯一的亲人。他要复仇!他要将那帮万恶的家伙们一一毙命……仇恨让他走上修真之路,修真途中却发现自己神秘的身世,这一切究竟是巧合?还是命中注定?
  • 黄河鬼窟

    黄河鬼窟

    投河而死的傻子,悬梁自尽的瞎子!黄河鬼窟里,浮起了一具又一具面目青肿的腐尸。可是我万万没料到,最后浮起的那一具,居然是我!只是,又有谁知道,最厉的鬼,最冤的魂,永远不在地狱之中!地狱已空,万鬼横行!这厉鬼,就在你我的身边,就在你我的心里!不,这厉鬼,就是我!
  • 哇,历史原来可以这样学3

    哇,历史原来可以这样学3

    平实严谨说历史,轻松幽默神吐槽,一本保证让你爱上“历史”的超级畅销书!本册书用风趣幽默的语言描绘了从晚清鸦片战争到中日甲午战争之间几十年的历史,详细讲述了清朝从“天朝上国”到“东亚病夫”的转变历程,深度剖析转变背后深层次的原因。为什么清朝的皇帝似乎总是活在梦里无法看清局势?晚清时期的清朝与西方列强都在使用怎样的武器?为什么日本和清朝遭受同样的入侵却能够迅速崛起?你想知道的各种问题,在这本书里都能找到答案。
  • 中国媒介:转型与趋势

    中国媒介:转型与趋势

    随着中国改革开放的不断深入,大众媒介也在伴随着社会的变迁不断转型。探索中国媒介的发展趋势亦是理解中国社会发展趋势的重要部分。当前,党和政府面临的重大问题是,各级领导没有认识到新闻执政的重要性,更没有把新闻执政提到执政能力建设议程上来。新闻执政的意义在于,提高党的执政形象、执政的合法性和执政能力。
  • 办公室那些事儿

    办公室那些事儿

    办公室不相信眼泪,办公室只注重结局。如果不明白办公室那些事儿,即使学富五车,也会感到怀才不遇,甚至被“赶出”办公室。在办公室的“激烈斗争”中,我们无需将别人踩在脚下,但一定要学会保护自己。
  • 云里山河

    云里山河

    【正文简介】:当世间有种初见,名为一世邂逅。当世间有种情深,名为一见钟情。她予了他世间仅存的温情,他便护她一世安好。“什么是情?”他不懂。当他懂时。“拿我的命去换她!”··········深情对白:夏云卿:“这前世今生的十七载,只为了让我遇见你。”君若璃:“前世,你我彼此错过,今生我却想拉着你的手,生死同穴。”············生死之间:君若璃:“我后悔了,后悔让你跟他走,纵然是彼此不可交割的宿命,我也不想先放手。”夏云卿:“君若璃,你是我遇见最傻的人,没有之一。”·············宿敌之间:君若璃:“我成了你最不想成为的人,现在,我和你是宿敌了,卿卿。”夏云卿:“那不是你,也不会是我。”···········最终,握手的那一刻。君若璃:“好想不要醒来,我宁愿你我皆停在此刻,就在梦中,不要醒来。”夏云卿:“即使,不在梦里,我的手和你的手,始终握在一起,今生都不会松开。”···········