
同类推荐
男神魅惑:乖乖老婆别休我
他是诧叱风云风度翩翩的商业帝豪;是众女生心中颜值爆表的钻石级男神:而她,是节操无下限的小清新一枚;当钻石级男神遭遇腹黑无节操女帝;“你,去帮我买姨妈巾。”他嗤之一笑,脸如雕塑一般毫无表情。“陆文轩,去还是不去。”他堂堂一BOSS,岂会受威胁。她近前一步,又急又气:“信不信我浸你们家一别墅的血,说,你去还是不去……”宠妻无敌
冷酷霸道而又邪魅无赖的他,年少遇见了还是婴儿的她,不想却被一个笑容所俘获,“既然上天注定你我相遇,那么这辈子你只能是我的。”成年后的他再见狡诈多变,可爱调皮的她,心更是跳动不已,腹黑的他和狡诈的她,在这场名为感情的战场上,到底谁胜了谁,谁又扑倒了谁?片段一某日,墨大佬正在书房处理文件,属下来报说,某属下:少爷,小姐在学校和人打架了。墨大佬:那人是谁,居然敢欺负我的人。某属下:某某高官的千金。墨大佬:哦,是他呀,去。把这几年他所有的犯罪证据送给检查局去。某属下:啊?哦,我马上去。第二日,某某高官因贪污、受贿等原因而被检查厅带走。片段二某日,墨大佬悠闲的坐在沙发上看报,品茗,属下又来报,某属下:少爷,小姐和一个叫简云霖的去吃饭了。墨大佬:恩,是该多结交些朋友。某属下:可是,少爷,那简云霖的是男的,而且听说今晚在餐厅要向小姐求婚。墨大佬:什么?是男的,还要求婚?某属下:是。。。。是的。墨大佬这下可悠闲不起来了,这还了得,自己未来老婆都快要成别人的了,拿起旁边的外套飞快往外冲去,很快就没了影儿。某属下:哎。。少爷,我还没有告诉你是在那家餐厅呢?片段三某日,墨大佬和某萱儿两人平躺在床上,墨大佬:萱儿,你是不是因为我年纪大,嫌弃我了。某萱儿:天啊!你不说,我还不觉得呢,哎,怎么突然觉得自己好可惜哦。墨大佬:哦!萱儿可惜什么呢?某萱儿:可惜我年纪轻轻居然要叫一个大叔老公,你说是不是很可惜。墨大佬:哦,是可惜了,可惜现在后悔也来不及了。墨大佬直接翻身压到某萱儿,好好向她证明自己是不是老了。
热门推荐
大理石的小菩萨(怀旧童书馆·怀旧童年)
《大理石的小菩萨》一书由原来的《大理石的小菩萨》和《玻璃火车》两小书组成。《大理石的小菩萨》以书中其中一篇文章名为书名,也做了新版的(两小书组合版)书名。《大理石的小菩萨》一书分为5个部分,是著名作家李长之为建国初的小朋友们写的一本书,生动描绘了抗日战争时期,在河南洛阳的龙门有很多大大小小的石佛像。Field Work
At the centre of this collection, which includes groups of elegies and love poems, there is a short sonnet sequence which concentrates themes apparent elsewhere in the book: the individual's responsibility for his own choices, the artist's commitment to his vocation, the vulnerability of all in the face of circumstance and death. 'Throughout the volume Heaney's outstanding gifts, his eye, his ear, his understanding of the poetic language are on display - this is a book we cannot do without.' Martin Dodsworth, Guardian绝世独宠之逆天大小姐
传闻陌家大小姐乃是相貌丑陋,废材体质之人。某人嗤笑一声,废材?!那个分分钟完虐一群“熊孩子”的是谁!貌丑?!那个被传的神乎其技的第一美人是谁。哼!任凭外界风吹雨打,我自岿然不动!且看现代顶级杀手魂穿异界,会掀起怎样的血雨腥风。Naondel
Booklist called Maresi "utterly satisfying and completely different from standard YA fantasy." Now, Naondel goes back to establish the world of the trilogy and tells the story of the First Sisters —the founders of the female utopia the Red Abbey. Imprisoned in a harem by a dangerous man with a dark magic that grants him power over life and death, the First Sisters must overcome their mistrust of one another in order to escape. But they can only do so at a great cost, both for those who leave and for those left behind. Told in alternating points of view, this novel is a vivid, riveting look at a world of oppression and exploitation, the mirror opposite of the idyllic Red Abbey.