登陆注册
5149600000053

第53章 THE RIDDLE OF THE BRITISH(2)

But I will not expand further upon the general impression made by the English in France.Philippe Millet's /En Liaison avec les Anglais/ gives in a series of delightful pictures portraits of British types from the French angle.There can be little doubt that the British quality, genial naive, plucky and generous, has won for itself a real affection in France wherever it has had a chance to display itself....

But when it comes to British methods then the polite Frenchman's difficulties begin.Translating hints into statements and guessing at reservations, I would say that the French fall very short of admiration of the way in which our higher officers set about their work, they are disagreeably impressed by a general want of sedulousness and close method in our leading.They think we economise brains and waste blood.They are shocked at the way in which obviously incompetent or inefficient men of the old army class are retained in their positions even after serious failures, and they were profoundly moved by the bad staff work and needlessly heavy losses of our opening attacks in July.They were ready to condone the blunderings and flounderings of the 1915 offensive as the necessary penalties of an "amateur" army, they had had to learn their own lesson in Champagne, but they were surprised to find how much the British had still to learn in July, 1916.The British officers excuse themselves because, they plead, they are still amateurs."That is no reason," says the Frenchman, "why they should be amateurish."No Frenchman said as much as this to me, but their meaning was as plain as daylight.I tackled one of my guides on this matter; Isaid that it was the plain duty of the French military people to criticise British military methods sharply if they thought they were wrong."It is not easy," he said."Many British officers do not think they have anything to learn.And English people do not like being told things.What could we do? We could hardly send a French officer or so to your headquarters in a tutorial capacity.You have to do things in your own way." When I tried to draw General Castelnau into this dangerous question by suggesting that we might borrow a French general or so, he would say only, "There is only one way to learn war, and that is to make war." When it was too late, in the lift, I thought of the answer to that.There is only one way to make war, and that is by the sacrifice of incapables and the rapid promotion of able men.If old and tried types fail now, new types must be sought.

But to do that we want a standard of efficiency.We want a conception of intellectual quality in performance that is still lacking....

M.Joseph Reinach, in whose company I visited the French part of the Somme front, was full of a scheme, which he has since published, for the breaking up and recomposition of the French and British armies into a series of composite armies which would blend the magnificent British manhood and material with French science and military experience.He pointed out the endless advantages of such an arrangement; the stimulus of emulation, the promotion of intimate fraternal feeling between the peoples of the two countries."At present," he said, "no Frenchman ever sees an Englishman except at Amiens or on the Somme.Many of them still have no idea of what the English are doing....""Have I ever told you the story of compulsory Greek at Oxford and Cambridge?" I asked abruptly.

"What has that to do with it?"

"Or how two undistinguished civil service commissioners can hold up the scientific education of our entire administrative class?"M.Reinach protested further.

"Because you are proposing to loosen the grip of a certain narrow and limited class upon British affairs, and you propose it as though it were a job as easy as rearranging railway fares or sending a van to Calais.That is the problem that every decent Englishman is trying to solve to-day, every man of that Greater Britain which has supplied these five million volunteers, these magnificent temporary officers and all this wealth of munitions.

And the oligarchy is so invincibly fortified! Do you think it will let in Frenchmen to share its controls? It will not even let in Englishmen.It holds the class schools; the class universities; the examinations for our public services are its class shibboleths; it is the church, the squirearchy, the permanent army class, permanent officialdom; it makes every appointment, it is the fountain of honour; what it does not know is not knowledge, what it cannot do must not be done.It rules India ignorantly and obstructively; it will wreck the empire rather than relinquish its ascendancy in Ireland.It is densely self-satisfied and instinctively monopolistic.It is on our backs, and with it on our backs we common English must bleed and blunder to victory....And you make this proposal!"3

The antagonistic relations of the Anglican oligarchy with the greater and greater-spirited Britain that thrust behind it in this war are probably paralleled very closely in Germany, probably they are exaggerated in Germany with a bigger military oligarchy and a relatively lesser civil body under it.This antagonism is the oddest outcome of the tremendous /de-militarisation/ of war that has been going on.In France it is probably not so marked because of the greater flexibility and adaptability of the French culture.

同类推荐
  • 唐护法沙门法琳别传

    唐护法沙门法琳别传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • On Horsemanship

    On Horsemanship

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 卫济宝书

    卫济宝书

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 灵药秘方

    灵药秘方

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 新唐书纠谬

    新唐书纠谬

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 赶考

    赶考

    中国目前面临的问题与机遇,与当年西柏坡时期不无相仿之处:都处在危机的漩涡中,又都面临着突破瓶颈之后的大辉煌。生机勃勃的中国共产党,就像一个进京赶考的青衿学子,背负行囊,黎明起身,踏着曙色,向前向前,一路走过南昌、瑞金、遵义、延安、西柏坡……从农村到城市,从在野到执政,从落后到超越,从经济建设到政治建设,面对一个个全新的课题,交出了一张张真诚的答卷……
  • 说话艺术模板

    说话艺术模板

    本书就是为人们在提高说话水平方面提供一种有资可鉴、有章可循、有规可依的基本套路,基本模式和基本方法。一个说话讲究艺术的人,常常是说理切、举事赅、择辞精、喻世明;轻重有度、褒贬有节、进退有余地、游刃有空间;可陶冶他人之情操,也可为济世之良药;可以体现个人的雄才大略,更能提高个人的社会地位。因而。一个人能否把握说话的艺术,对其人生的成败是非常重要的。
  • 回到大明当商人

    回到大明当商人

    二十年前,一场争夺家主的战争,遗祸到下一代人间的恩怨情仇,二十年后,复仇而来,身为家主的许子明是否真的能战胜复仇者?清兵铁骑入主中原,剃发易服抹杀汉人传统,是战是降?主角在张煌言演讲会上怒而发声:“吾等汉儿,永不为奴”
  • 我们也是好孩子

    我们也是好孩子

    本科,专科,就像一道不可逾越的鸿沟。而我们,就像是在沟里苦苦挣扎的孩子。满身汗水,泥泞,最后才知道,各有风景,只要努力了就行。各行各业的人才,都是祖国所需,只要努力,就会幸福。
  • 超级分析力训练

    超级分析力训练

    本书介绍分析力的培养方法,并且附有测试题,使人提高分析能力、掌握分析力,使人提升素质,丰富自己生活。
  • 轮回录与六世情歌

    轮回录与六世情歌

    神魔两域的百年阴谋,陷入漩涡而相爱相离的两人,在轮回转世中追逐渐远的彼此,寻找的真相。我爱的夜莺将心脏扎入玫瑰花的刺,婉转的歌喉能唱过一整个春天。我用鲜血灌溉那一朵花,待她化作那只夜莺的样貌,寻找下一朵玫瑰。可你到底是最初那只夜莺,还是我的玫瑰花?女强男强。虐恋情深。多世界多角色多角度插叙。悬疑破解。在最后一个冬天,男孩抱着他的夜莺,在他的玫瑰花丛里,唱完了那首歌。最后又是谁得到真正的救赎与重生。?【非BE,过程有爽有虐慎入】
  • 千古泪

    千古泪

    临走之时他对诺小苡说的最后一句话便是“等三个花开花败后,不论在外面是成还是败,我都会回来亲手为你披上嫁衣,让你做这个世界上最幸福的女人”而诺小苡就这样年复一年,日复一日的看着四个花开,三个花败,盼了又盼的等着心爱的那个人回来,却想不到等来的却是一纸绝情书。
  • 师父大人求放过

    师父大人求放过

    师父很辛苦的,一把屎一把尿还外加一把香菜把我拉把大。华白凝一直很感激师父的,但如果师父能不逼她吃下任何掺合着香菜的食物,那就更好了么么哒。毕竟从小就挑食的我,真的情愿来上一碗苦汤药也不愿意和香菜打交道啊!师父大人求你放过我吧
  • 爱情买卖

    爱情买卖

    如果结婚只为了找一个长期饭票,那卖笑是零售,是批发……生活富有富的开心,穷有穷的开心,重要的是开心,而不是富穷。
  • 国家力量与艺人再造:吴桥杂技学童群体研究

    国家力量与艺人再造:吴桥杂技学童群体研究

    本书在田野调查和口述史采集的基础上,利用人类学、社会学、历史学和民俗学等相关学科的方法,对杂技之乡河北省吴桥县的杂技学童群体进行系统研究。当今吴桥杂技学艺、从艺行为是当地人对地方文化传统的现代性借用。历史上在生存压力下形成的杂技文化传统,在当代语境中,被国家、地方和个人加以利用,使杂技成为一种极具地方特色的职业选择模式。