THE DEFIANCE.
Two or three times, without being remarked by the guests, one of the waiters had come to whisper to his fellows, and point with expressive gesture to the ceiling.But his comrades had taken small account of his observations or fears, not wishing, doubtless, to disturb the guests, whose mad gayety seemed ever on the increase.
"Who can doubt now of the superiority of our manner of treating this impertinent Cholera? Has he dared even to touch our sacred battalion?"
said a magnificent mountebank-Turk, one of the standard-bearers of the masquerade.
"Here is all the mystery," answered another."It is very simple.Only laugh in the face of the plague, and it will run away from you."
"And right enough too, for very stupid work it does," added a pretty little Columbine, emptying her glass.
"You are right, my darling; it is intolerably stupid work," answered the Clown belonging to the Columbine; "here you are very quiet, enjoying life, and all on a sudden you die with an atrocious grimace.Well! what then? Clever, isn't it? I ask you, what does it prove?"
"It proves," replied an illustrious painter of the romantic school, disguised like a Roman out of one of David's pictures, "it proves that the Cholera is a wretched colorist, for he has nothing but a dirty green on his pallet.Evidently he is a pupil of Jacobus, that king of classical painters, who are another species of plagues."
"And yet, master," added respectfully a pupil of the great painter, "I have seen some cholera patients whose convulsions were rather fine, and their dying looks first-rate!"
"Gentlemen," cried a sculptor of no less celebrity, "the question lies in a nutshell.The Cholera is a detestable colorist, but a good draughtsman.He shows you the skeleton in no time.By heaven! how he strips off the flesh!--Michael Angelo would be nothing to him."
"True," cried they all, with one voice; "the Cholera is a bad colorist, but a good draughtsman."
"Moreover, gentlemen," added Ninny Moulin, with comic gravity, "this plague brings with it a providential lesson, as the great Bossuet would have said."
"The lesson! the lesson!"
"Yes, gentlemen; I seem to hear a voice from above, proclaiming: `Drink of the best, empty your purse, and kiss your neighbor's wife; for your hours are perhaps numbered, unhappy wretch!'"
So saying, the orthodox Silenus took advantage of a momentary absence of mind on the part of Modeste, his neighbor, to imprint on the blooming cheek of LOVE a long, loud kiss.The example was contagious, and a storm of kisses was mingled with bursts of laughter.
"Ha! blood and thunder!" cried the great painter as he gayly threatened Ninny Moulin; "you are very lucky that to-morrow will perhaps be the end of the world, or else I should pick a quarrel with you for having kissed my lovely LOVE."
"Which proves to you, O Rubens! O Raphael! the thousand advantages of the Cholera, whom I declare to be essentially sociable and caressing."
"And philanthropic," said one of the guests; "thanks to him, creditors take care of the health of their debtors.This morning a usurer, who feels a particular interest in my existence, brought me all sorts of anti-choleraic drugs, and begged me to make use of them."
"And I!" said the pupil of the great painter."My tailor wished to force me to wear a flannel band next to the skin, because I owe him a thousand crowns.But I answered `Oh, tailor, give me a receipt in full, and I will wrap myself up in flannel, to preserve you my custom!'"
"O Cholera, I drink to thee!" said Ninny Moulin, by way of grotesque invocation."You are not Despair; on the contrary, you are the emblem of Hope--yes, of hope.How many husbands, how many wives, longed for a number (alas! too uncertain chance) in the lottery of widowhood! You appear, and their hearts are gladdened.Thanks to you, benevolent pest!
their chances of liberty are increased a hundredfold."
And how grateful heirs ought to be! A cold--a heat--a trifle--and there, in an hour, some old uncle becomes a revered benefactor!"
"And those who are always looking out for other people's places--what an ally they must find in the Cholera!"
"And how true it will make many vows of constancy!" said Modeste, sentimentally."How many villains have sworn to a poor, weak woman, to love her all their lives, who never meant (the wretches!) to keep their word so well!"
"Gentlemen," cried Ninny Moulin, "since we are now, perhaps, at the eve of the end of the world, as yonder celebrated painter has expressed it, I propose to play the world topsy-turvy: I beg these ladies to make advances to us, to tease us, to excite us, to steal kisses from us, to take all sorts of liberties with us, and (we shall not die of it) even to insult us.Yes, I declare that I will allow myself to be insulted.So, LOVE, you may offer me the greatest insult that can be offered to a virtuous and modest bachelor," added the religious writer, leaning over towards his neighbor, who repulsed him with peals of laughter; and the proposal of Ninny Moulin being received with general hilarity, a new impulse was given to the mirth and riot.
In the midst of the uproar, the waiter, who had before entered the room several times, to whisper uneasily to his comrades, whilst he pointed to the ceiling, again appeared with a pale and agitated countenance;
approaching the man who performed the office of butler, he said to him, in a low voice, tremulous with emotion: "They are come!"
"Who?"
"You know--up there"; and he pointed to the ceiling.
"Oh!" said the butler, becoming thoughtful; "where are they?"
"They have just gone upstairs; they are there now," answered the waiter, shaking his head with an air of alarm; "yes, they are there!"
"What does master say?"
"He is very vexed, because--" and the waiter glanced round at the guests.
"He does not know what to do; he has sent me to you."
"What the devil have I to do with it?" said the other; wiping his forehead."It was to be expected, and cannot be helped."
"I will not remain here till they begin."
