Charles Gould turned towards the town. Before him jagged peaks of the Sierra came out all black in the clear dawn. Here and there a muffled lepero whisked round the corner of a grass-grown street before the ringing hoofs of his horse. Dogs barked behind the walls of the gardens; and with the colourless light the chill of the snows seemed to fall from the mountains upon the disjointed pavements and the shuttered houses with broken cornices and the plaster peeling in patches between the flat pilasters of the fronts.
The daybreak struggled with the gloom under the arcades on the Plaza, with no signs of country people disposing their goods for the day's market, piles of fruit, bundles of vegetables ornamented with flowers, on low benches under enormous mat umbrellas; with no cheery early-morning bustle of villagers, women, children, and loaded donkeys. Only a few scattered knots of revolutionists stood in the vast space, looking all one way from under their slouched hats for some sign of news from Rincon. The largest of those groups turned about like one man as Charles Gould passed, and shouted, ` Viva la libertad !'
after him in a menacing tone.
Charles Gould rode on, and turned into the archway of his house. In the patio littered with straw, a practicante , one of Dr Monygham's native assistants, sat on the ground with his back against the rim of the fountain, fingering a guitar discreetly, while two girls of the lower class, standing up before him, shuffled their feet a little and waved their arms, humming a popular dance tune. Most of the wounded during the two days of rioting had been taken away already by their friends and relations, but several figures could be seen sitting up balancing their bandaged heads in time to the music. Charles Gould dismounted. A sleepy mozo coming out of the bakery door took hold of the horse's bridle; the practicante endeavoured to conceal his guitar hastily; the girls, unabashed, stepped back smiling; and Charles Gould, on his way to the staircase, glanced into a dark corner of the patio at another group, a mortally wounded cargador with a woman kneeling by his side; she mumbled prayers rapidly, trying at the same time to force a piece of orange between the stiffening lips of the dying man.
The cruel futility of things stood unveiled in the levity and sufferings of that incorrigible people; the cruel futility of lives and of deaths thrown away in the vain endeavour to attain an enduring solution of the problem. Unlike Decoud, Charles Gould could not play lightly a part in a tragic farce. It was tragic enough for him in all conscience, but he could see no farcical element. He suffered too much under a conviction of irremediable folly. He was too severely practical and too idealistic to look upon its terrible humours with amusement, as Martin Decoud, the imaginative materialist, was able to do in the dry light of his scepticism.
To him, as to all of us, the compromises with his conscience appeared uglier than ever in the light of failure. His taciturnity, assumed with a purpose, had prevented him from tampering openly with his thoughts; but the Gould Concession had insidiously corrupted his judgement. He might have known, he said to himself, leaning over the balustrade of the corridor, that Ribierism could never come to anything. The mine had corrupted his judgement by making him sick of bribing and intriguing merely to have his work left alone from day to day. Like his father, he did not like to be robbed. It exasperated him. He had persuaded himself that, apart from higher considerations, the backing up of Don Jose's hopes of reform was good business. He had gone forth into the senseless fray as his poor uncle, whose sword hung on the wall of his study, had gone forth -- in the defence of the commonest decencies of organized society. Only his weapon was the wealth of the mine, more far-reaching and subtle than an honest blade of steel fitted into a simple brass guard.
More dangerous to the wielder, too, this weapon of wealth, doubled-edged with the cupidity and misery of mankind, steeped in all the voices of self-indulgence as in a concoction of poisonous roots, tainting the very cause for which it is drawn, always ready to turn awkwardly in the hand. There was nothing for it now but to go on using it. But he promised himself to see it shattered into small bits before he let it be wrenched from his grasp.
After all, with his English parentage and English upbringing, he perceived that he was an adventurer in Costaguana, the descendant of adventurers enlisted in a foreign legion, of men who had sought fortune in a revolutionary war, who had planned revolutions, who had believed in revolutions. For all the uprightness of his character, he had something of an adventurer's easy morality which takes count of personal risk in the ethical appraising of his action. He was prepared, if need be, to blow up the whole San Tome mountain sky high out of the territory of the Republic. This resolution expressed the tenacity of his character, the remorse of that subtle conjugal infidelity through which his wife was no longer the sole mistress of his thoughts, something of his father's imaginative weakness, and something, too, of the spirit of a buccaneer throwing a lighted match into the magazine rather than surrender his ship.
Down below in the patio the wounded cargador had breathed his last. The woman cried out once, and her cry, unexpected and shrill, made all the wounded sit up. The practicante scrambled up to his feet, and, guitar in hand, gazed steadily in her direction with elevated eyebrows.
The two girls -- sitting now one on each side of their wounded relative, with their knees drawn up and long cigars between their lips -- nodded at each other significantly.
