登陆注册
5216000000027

第27章

Brown and MacShaughnassy came down together on the Saturday afternoon; and, as soon as they had dried themselves, and had had some tea, we settled down to work.

Jephson had written that he would not be able to be with us until late in the evening, and Brown proposed that we should occupy ourselves until his arrival with plots.

"Let each of us," said he, "sketch out a plot. Afterwards we can compare them, and select the best."This we proceeded to do. The plots themselves I forget, but Iremember that at the subsequent judging each man selected his own, and became so indignant at the bitter criticism to which it was subjected by the other two, that he tore it up; and, for the next half-hour, we sat and smoked in silence.

When I was very young I yearned to know other people's opinion of me and all my works; now, my chief aim is to avoid hearing it. In those days, had any one told me there was half a line about myself in a newspaper, I should have tramped London to obtain that publication. Now, when I see a column headed with my name, Ihurriedly fold up the paper and put it away from me, subduing my natural curiosity to read it by saying to myself, "Why should you?

It will only upset you for the day."

In my cubhood I possessed a friend. Other friends have come into my life since--very dear and precious friends--but they have none of them been to me quite what this friend was. Because he was my first friend, and we lived together in a world that was much bigger than this world--more full of joy and of grief; and, in that world, we loved and hated deeper than we love and hate in this smaller world that I have come to dwell in since.

He also had the very young man's craving to be criticised, and we made it our custom to oblige each other. We did not know then that what we meant, when we asked for "criticism," was encouragement. We thought that we were strong--one does at the beginning of the battle, and that we could bear to hear the truth.

Accordingly, each one pointed out to the other one his errors, and this task kept us both so busy that we had never time to say a word of praise to one another. That we each had a high opinion of the other's talents I am convinced, but our heads were full of silly saws. We said to ourselves: "There are many who will praise a man;it is only his friend who will tell him of his faults." Also, we said: "No man sees his own shortcomings, but when these are pointed out to him by another he is grateful, and proceeds to mend them."As we came to know the world better, we learnt the fallacy of these ideas. But then it was too late, for the mischief had been done.

When one of us had written anything, he would read it to the other, and when he had finished he would say, "Now, tell me what you think of it--frankly and as a friend."Those were his words. But his thoughts, though he may not have known them, were:-"Tell me it is clever and good, my friend, even if you do not think so. The world is very cruel to those that have not yet conquered it, and, though we keep a careless face, our young hearts are scored with wrinkles. Often we grow weary and faint-hearted. Is it not so, my friend? No one has faith in us, and in our dark hours we doubt ourselves. You are my comrade. You know what of myself Ihave put into this thing that to others will be but an idle half-hour's reading. Tell me it is good, my friend. Put a little heart into me, I pray you."But the other, full of the lust of criticism, which is civilisation's substitute for cruelty, would answer more in frankness than in friendship. Then he who had written would flush angrily, and scornful words would pass.

One evening, he read me a play he had written. There was much that was good in it, but there were also faults (there are in some plays), and these I seized upon and made merry over. I could hardly have dealt out to the piece more unnecessary bitterness had I been a professional critic.

As soon as I paused from my sport he rose, and, taking his manuscript from the table, tore it in two, and flung it in the fire--he was but a very young man, you must remember--and then, standing before me with a white face, told me, unsolicited, his opinion of me and of my art. After which double event, it is perhaps needless to say that we parted in hot anger.

I did not see him again for years. The streets of life are very crowded, and if we loose each other's hands we are soon hustled far apart. When I did next meet him it was by accident.

I had left the Whitehall Rooms after a public dinner, and, glad of the cool night air, was strolling home by the Embankment. A man, slouching along under the trees, paused as I overtook him.

"You couldn't oblige me with a light, could you, guv'nor?" he said.

The voice sounded strange, coming from the figure that it did.

I struck a match, and held it out to him, shaded by my hands. As the faint light illumined his face, I started back, and let the match fall:-"Harry!"

He answered with a short dry laugh. "I didn't know it was you," he said, "or I shouldn't have stopped you.""How has it come to this, old fellow?" I asked, laying my hand upon his shoulder. His coat was unpleasantly greasy, and I drew my hand away again as quickly as I could, and tried to wipe it covertly upon my handkerchief.

"Oh, it's a long, story," he answered carelessly, "and too conventional to be worth telling. Some of us go up, you know. Some of us go down. You're doing pretty well, I hear.""I suppose so," I replied; "I've climbed a few feet up a greasy pole, and am trying to stick there. But it is of you I want to talk. Can't I do anything for you?"We were passing under a gas-lamp at the moment. He thrust his face forward close to mine, and the light fell full and pitilessly upon it.

"Do I look like a man you could do anything for?" he said.

We walked on in silence side by side, I casting about for words that might seize hold of him.

"You needn't worry about me," he continued after a while, "I'm comfortable enough. We take life easily down here where I am.

We've no disappointments."

同类推荐
  • THE TRAGICAL HISTORY OF DOCTOR FAUSTUS

    THE TRAGICAL HISTORY OF DOCTOR FAUSTUS

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • POEMS

    POEMS

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 五诰解

    五诰解

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 僧宝正续传

    僧宝正续传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • A Mountain Europa

    A Mountain Europa

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 思路决定出路(第四册)

    思路决定出路(第四册)

    留意一下我们平时的工作和生活,总会有碰壁的时候。我们每天要处理的事情很多,你是否可以全身心地投入,有条不紊、高效率、高质量地完成任务,还是整天发牢骚,埋怨事情多了,思维乱了,没头绪做事?以上两者的区别在于有没有清晰的思路,有没有按照思路去做。“成功不是不可能,思路决定出路”。《思路决定出路》这本书让大家知道了任何一件成功的事情背后都有一个正确的过程或方法,更要有一个正确的思路。无论是对于公司内部员工培训还是个人的成长,本书都是最佳的范本与参考书。
  • 萤窗异草

    萤窗异草

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 萧瑟流光

    萧瑟流光

    小说由女主角耕烟和男朋友陆茗骏山洞探险开始,因为触动了奇异的芙蓉石而被卷入不同的时空。耕烟一心找寻失散的恋人,结识了宽厚善良的少年白矜云,于是卷入了一场武林的腥风血雨。当终于重逢昔日的恋人,却发觉各自的心中已有所爱。
  • 性与性格

    性与性格

    本书是一部涉及心理学、伦理学、哲学的西方学术名著。作者对男女不同性别在精神上的差异进行了系统论述,对妇女解放问题有深刻的见解。
  • 刀尖上的舞者

    刀尖上的舞者

    边缘女性犯罪:都市敲响了警钟,大量调查报告和研究文献揭示,当前中国女性犯罪一直呈上升趋势。"文化大革命"以前,我国女性犯罪占犯罪总数的百分之二左右;上个世纪八十年代前后,约占百分之七、八;现在则高达百分之二、三十。我们曾重点调查了北京城乡结合部三个区看守所的在押女犯。
  • 鹿忠节公集

    鹿忠节公集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 思君茶录

    思君茶录

    有你梦的夜终不愿醒我想一直沉睡在梦里如果有一天梦灭了我将赴黄泉在忘川等你如果可以我愿一直在梦里
  • 十万九千里

    十万九千里

    修行路没有尽头?可有前辈说这条路一共十万九千里,但从没有人走完这十万九千里的修行路。很多修行者一辈子都只走出了第一里,甚至是第一步。有人决心要走完这十万九千里,不止要走完,更要走出去。
  • 提高文章写作能力(学生综合素质提高手册)

    提高文章写作能力(学生综合素质提高手册)

    怎样提高学生的文章写作能力呢?这个问题很多年来一直困扰着无数的语文教师同时也困扰着许多学生家长。文章写作能力的培养对学生非常重要,本书为学生讲述了很多写作方面的技巧、方法。如“创新带来陌生化效果”、“写作的主题要创新”、“写作的思路要创新”、“叙述的技巧”、“开头引人入胜,结尾耐人回味”、“语言要富有表现力”等。希望能对学生朋友有一定的帮助!
  • 朋友先生

    朋友先生

    “段洛,给我热杯牛奶” “好” “段洛,给我把衣服熨好” “好” “段洛…” “嗯?”等了很久都没有下文。 “你很喜欢心里的那个人吗?” “不” 章桀笑了,但接下来的话使他掉入万丈深渊。 “我不喜欢他,是爱他” 很爱很爱,爱到痛彻心扉,痛到无法呼吸。她爱他,爱了他十一年,可他却不知道。段洛要走了,走后只留下一封信。唠唠叨叨五页纸,章桀什么都没看进去,只看到最后写着“我走了,你要幸福”他紧紧地攥着信夺门而出,开车到机场。一路跑到机场的广播室说:“小洛,你都走了,我还要怎么幸福?”他的一举一动段洛都看不懂也猜不透,直到他失去她时才明白:原来她在我心里的位置这么深…