BATH,October 19,O.S.1748.
DEAR BOY:Having in my last pointed out what sort of company you should keep,I will now give you some rules for your conduct in it;rules which my own experience and observation enable me to lay down,and communicate to you,with some degree of confidence.I have often given you hints of this kind before,but then it has been by snatches;I will now be more regular and methodical.I shall say nothing with regard to your bodily carriage and address,but leave them to the care of your dancing-master,and to your own attention to the best models;remember,however,that they are of consequence.
Talk often,but never long:in that case,if you do not please,at least you are sure not to tire your hearers.Pay your own reckoning,but do not treat the whole company;this being one of the very few cases in which people do not care to be treated,everyone being fully convinced that he has wherewithal to pay.
Tell stories very seldom,and absolutely never but where they are very apt and very short.Omit every circumstance that is not material,and beware of digressions.To have frequent recourse to narrative betrays great want of imagination.
Never hold anybody by the button or the hand,in order to be heard out;for,if people are not willing to hear you,you had much better hold your tongue than them.
Most long talkers single out some one unfortunate man in company (commonly him whom they observe to be the most silent,or their next neighbor)to whisper,or at least in a half voice,to convey a continuity of words to.This is excessively ill-bred,and in some degree a fraud;conversation-stock being a joint and common property.But,on the other hand,if one of these unmerciful talkers lays hold of you,hear him with patience (and at least seeming attention),if he is worth obliging;for nothing will oblige him more than a patient hearing,as nothing would hurt him more than either to leave him in the midst of his discourse,or to discover your impatience under your affliction.
Take,rather than give,the tone of the company you are in.If you have parts,you will show them,more or less,upon every subject;and if you have not,you had better talk sillily upon a subject of other people's than of your own choosing.
Avoid as much as you can,in mixed companies,argumentative,polemical conversations;which,though they should not,yet certainly do,indispose for a time the contending parties toward each other;and,if the controversy grows warm and noisy,endeavor to put an end to it by some genteel levity or joke.I quieted such a conversation-hubbub once,by representing to them that,though I was persuaded none there present would repeat,out of company,what passed in it,yet I could not answer for the discretion of the passengers in the street,who must necessarily hear all that was said.
Above all things,and upon all occasions,avoid speaking of yourself,if it be possible.Such is the natural pride and vanity of our hearts,that it perpetually breaks out,even in people of the best parts,in all the various modes and figures of the egotism.
Some,abruptly,speak advantageously of themselves,without either pretense or provocation.They are impudent.Others proceed more artfully,as they imagine;and forge accusations against themselves,complain of calumnies which they never heard,in order to justify themselves,by exhibiting a catalogue of their many virtues.They acknowledge it may,indeed,seem odd that they should talk in that manner of themselves;it is what they do not like,and what they never would have done;no;no tortures should ever have forced it from them,if they had,not been thus unjustly and monstrously accused.But,in these cases;justice is surely due to one's self,as well as to others;and when our character is attacked,we may say in our own justification,what otherwise we never would have said.This thin veil of Modesty drawn before Vanity,is much too transparent to conceal it,even from very moderate discernment.
Others go more modestly and more slyly still (as they think)to work;but in my mind still more ridiculously.They confess themselves (not without some degree of shame and confusion)into all the Cardinal Virtues,by first degrading them into weaknesses and then owning their misfortune in being made up of those weaknesses.They cannot see people suffer without sympathizing with,and endeavoring to help them.They cannot see people want,without relieving them,though truly their own circumstances cannot very well afford it.They cannot help speaking truth,though they know all the imprudence of it.In short,they know that,with all these weaknesses,they are not fit to live in the world,much less to thrive in it.But they are now too old to change,and must rub on as well as they can.This sounds too ridiculous and 'outre',almost,for the stage;and yet,take my word for it,you will frequently meet with it upon the common stage of the world.And here I will observe,by the bye,that you will often meet with characters in nature so extravagant,that a discreet dramatist would not venture to set them upon the stage in their true and high coloring.
