IN the warmth of a late June morning the long shaded stretch of raked earth, gravel-walk and rhododendron bush that is known affectionately as the Row was alive with the monotonous movement and alert stagnation appropriate to the time and place. The seekers after health, the seekers after notoriety and recognition, and the lovers of good exercise were all well represented on the galloping ground; the gravel-walk and chairs and long seats held a population whose varied instincts and motives would have baffled a social catalogue-maker. The children, handled or in perambulators, might be excused from instinct or motive; they were brought.
Pleasingly conspicuous among a bunch of indifferent riders pacing along by the rails where the onlookers were thickest was Courtenay Youghal, on his handsome plum-roan gelding Anne de Joyeuse. That delicately stepping animal had taken a prize at Islington and nearly taken the life of a stable-boy of whom he disapproved, but his strongest claims to distinction were his good looks and his high opinion of himself. Youghal evidently believed in thorough accord between horse and rider.
"Please stop and talk to me," said a quiet beckoning voice from the other side of the rails, and Youghal drew rein and greeted Lady Veula Croot. Lady Veula had married into a family of commercial solidity and enterprising political nonentity. She had a devoted husband, some blonde teachable children, and a look of unutterable weariness in her eyes. To see her standing at the top of an expensively horticultured staircase receiving her husband's guests was rather like watching an animal performing on a music-hall stage.
One always tells oneself that the animal likes it, and one always knows that it doesn't.
"Lady Veula is an ardent Free Trader, isn't she?" someone once remarked to Lady Caroline.
"I wonder," said Lady Caroline, in her gently questioning voice; "a woman whose dresses are made in Paris and whose marriage has been made in Heaven might be equally biassed for and against free imports."
Lady Veula looked at Youghal and his mount with slow critical appraisement, and there was a note of blended raillery and wistfulness in her voice.
"You two dear things, I should love to stroke you both, but I'm not sure how Joyeuse would take it. So I'll stroke you down verbally instead. I admired your attack on Sir Edward immensely, though of course I don't agree with a word of it. Your description of him building a hedge round the German cuckoo and hoping he was isolating it was rather sweet. Seriously though, I regard him as one of the pillars of the Administration."
"So do I," said Youghal; "the misfortune is that he is merely propping up a canvas roof. It's just his regrettable solidity and integrity that makes him so expensively dangerous. The average Briton arrives at the same judgment about Roan's handling of foreign affairs as Omar does of the Supreme Being in his dealings with the world: He's a good fellow and 'twill all be well.'"
Lady Veula laughed lightly. "My Party is in power so I may exercise the privilege of being optimistic. Who is that who bowed to you?" she continued, as a dark young man with an inclination to stoutness passed by them on foot; "I've seen him about a good deal lately. He's been to one or two of my dances."
"Andrei Drakoloff," said Youghal; "he's just produced a play that has had a big success in Moscow and is certain to be extremely popular all over Russia. In the first three acts the heroine is supposed to be dying of consumption; in the last act they find she is really dying of cancer."
"Are the Russians really such a gloomy people?"
"Gloom-loving but not in the least gloomy. They merely take their sadness pleasurably, just as we are accused of taking our pleasures sadly. Have you noticed that dreadful Klopstock youth has been pounding past us at shortening intervals. He'll come up and talk if he half catches your eye."
"I only just know him. Isn't he at an agricultural college or something of the sort?"
"Yes, studying to be a gentleman farmer, he told me. I didn't ask if both subjects were compulsory."
"You're really rather dreadful," said Lady Veula, trying to look as if she thought so; "remember, we are all equal in the sight of Heaven."
For a preacher of wholesome truths her voice rather lacked conviction.
"If I and Ernest Klopstock are really equal in the sight of Heaven," said Youghal, with intense complacency, "I should recommend Heaven to consult an eye specialist."
There was a heavy spattering of loose earth, and a squelching of saddle-leather, as the Klopstock youth lumbered up to the rails and delivered himself of loud, cheerful greetings. Joyeuse laid his ears well back as the ungainly bay cob and his appropriately matched rider drew up beside him; his verdict was reflected and endorsed by the cold stare of Youghal's eyes.
"I've been having a nailing fine time," recounted the newcomer with clamorous enthusiasm; "I was over in Paris last month and had lots of strawberries there, then I had a lot more in London, and now I've been having a late crop of them in Herefordshire, so I've had quite a lot this year." And he laughed as one who had deserved well and received well of Fate.
"The charm of that story," said Youghal, "is that it can be told in any drawing-room." And with a sweep of his wide-brimmed hat to Lady Veula he turned the impatient Joyeuse into the moving stream of horse and horsemen.
"That woman reminds me of some verse I've read and liked," thought Youghal, as Joyeuse sprang into a light showy canter that gave full recognition to the existence of observant human beings along the side walk. "Ah, I have it."
And he quoted almost aloud, as one does in the exhilaration of a canter:
"How much I loved that way you had Of smiling most, when very sad, A smile which carried tender hints Of sun and spring, And yet, more than all other thing, Of weariness beyond all words."
