登陆注册
5246100000024

第24章 PART I.(24)

"They do not at all approve of women going to see an execution there. The women who do go are condemned for it afterwards in the newspapers.""That is, by contending that it is not a sight for women they admit that it is a sight for men. I congratulate them on the deduction. I suppose you quite agree with them, prince?""Tell us about the execution," put in Adelaida.

"I would much rather not, just now," said the prince, a little disturbed and frowning slightly;" You don't seem to want to tell us," said Aglaya, with a mocking air.

" No,--the thing is, I was telling all about the execution a little while ago, and--""Whom did you tell about it?"

"The man-servant, while I was waiting to see the general.""Our man-servant?" exclaimed several voices at once.

"Yes, the one who waits in the entrance hall, a greyish, red-faced man--"

"The prince is clearly a democrat," remarked Aglaya.

"Well, if you could tell Aleksey about it, surely you can tell us too.""I do so want to hear about it," repeated Adelaida.

"Just now, I confess," began the prince, with more animation, "when you asked me for a subject for a picture, I confess I had serious thoughts of giving you one. I thought of asking you to draw the face of a criminal, one minute before the fall of the guillotine, while the wretched man is still standing on the scaffold, preparatory to placing his neck on the block.""What, his face? only his face?" asked Adelaida. "That would be a strange subject indeed. And what sort of a picture would that make?""Oh, why not?" the prince insisted, with some warmth. "When I was in Basle I saw a picture very much in that style--I should like to tell you about it; I will some time or other; it struck me very forcibly.""Oh, you shall tell us about the Basle picture another time; now we must have all about the execution," said Adelaida. "Tell us about that face as; it appeared to your imagination-how should it be drawn?--just the face alone, do you mean?""It was just a minute before the execution," began the prince, readily, carried away by the recollection and evidently forgetting everything else in a moment; "just at the instant when he stepped off the ladder on to the scaffold. He happened to look in my direction: I saw his eyes and understood all, at once--but how am I to describe it? I do so wish you or somebody else could draw it, you, if possible. I thought at the time what a picture it would make. You must imagine all that went before, of course, all--all. He had lived in the prison for some time and had not expected that the execution would take place for at least a week yet--he had counted on all the formalities and so on taking time; but it so happened that his papers had been got ready quickly. At five o'clock in the morning he was asleep--it was October, and at five in the morning it was cold and dark. The governor of the prison comes in on tip-toe and touches the sleeping man's shoulder gently. He starts up. 'What is it?' he says. 'The execution is fixed for ten o'clock.' He was only just awake, and would not believe at first, but began to argue that his papers would not be out for a week, and so on. When he was wide awake and realized the truth, he became very silent and argued no more--so they say; but after a bit he said: 'It comes very hard on one so suddenly' and then he was silent again and said nothing.

"The three or four hours went by, of course, in necessary preparations--the priest, breakfast, (coffee, meat, and some wine they gave him; doesn't it seem ridiculous?) And yet Ibelieve these people give them a good breakfast out of pure kindness of heart, and believe that they are doing a good action.

Then he is dressed, and then begins the procession through the town to the scaffold. I think he, too, must feel that he has an age to live still while they cart him along. Probably he thought, on the way, 'Oh, I have a long, long time yet. Three streets of life yet! When we've passed this street there'll be that other one; and then that one where the baker's shop is on the right;and when shall we get there? It's ages, ages!' Around him are crowds shouting, yelling--ten thousand faces, twenty thousand eyes. All this has to be endured, and especially the thought:

'Here are ten thousand men, and not one of them is going to be executed, and yet I am to die.' Well, all that is preparatory.

"At the scaffold there is a ladder, and just there he burst into tears--and this was a strong man, and a terribly wicked one, they say! There was a priest with him the whole time, talking; even in the cart as they drove along, he talked and talked. Probably the other heard nothing; he would begin to listen now and then, and at the third word or so he had forgotten all about it.

"At last he began to mount the steps; his legs were tied, so that he had to take very small steps. The priest, who seemed to be a wise man, had stopped talking now, and only held the cross for the wretched fellow to kiss. At the foot of the ladder he had been pale enough; but when he set foot on the scaffold at the top, his face suddenly became the colour of paper, positively like white notepaper. His legs must have become suddenly feeble and helpless, and he felt a choking in his throat--you know the sudden feeling one has in moments of terrible fear, when one does not lose one's wits, but is absolutely powerless to move? If some dreadful thing were suddenly to happen; if a house were just about to fall on one;--don't you know how one would long to sit down and shut one's eyes and wait, and wait? Well, when this terrible feeling came over him, the priest quickly pressed the cross to his lips, without a word--a little silver cross it was-and he kept on pressing it to the man's lips every second. And whenever the cross touched his lips, the eyes would open for a moment, and the legs moved once, and he kissed the cross greedily, hurriedly--just as though he were anxious to catch hold of something in case of its being useful to him afterwards, though he could hardly have had any connected religious thoughts at the time. And so up to the very block.

同类推荐
  • 至正四明续志

    至正四明续志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • THUVIA

    THUVIA

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 三侠五义

    三侠五义

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 无上赤文洞古真经注

    无上赤文洞古真经注

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说婆罗门子命终爱念不离经

    佛说婆罗门子命终爱念不离经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 我的时空旅舍

    我的时空旅舍

    简而言之——这是一个开小旅馆的时空节点管理员与众多穿越者的故事。要么抵押宝贝,要么打工付房费!书友群:632110522(时空中转站)VIP群:908487825(安居宾馆,全订可入) 新书:《这只妖怪不太冷》
  • 文明科学系统

    文明科学系统

    新书《诸天改革者》已上传,科学流修仙 文明从星球到星际有三大科技壁障,能量、生物寿命、飞行速度,而人类却无一达标。这是一个文明发展的故事,一切从陆毅被系统上身,被绑在十字架上烧鸡开始......
  • 总裁大少爷的未婚小妻子

    总裁大少爷的未婚小妻子

    无意中在大雪救了何氏集团老爷子,却没想到竟然是何氏唯一的女儿,并且认识了同是四大家族的景云,由此开始了一场甜蜜的爱情
  • 龙魂战神

    龙魂战神

    一个从埋龙之地爬出来的少年,意外获得绝世龙魂之体。至此,横行无忌;雄霸天下;败尽英雄;翻掌之间,天地色变。他是一个传说,一个永恒不朽的传说。
  • 记忆感应师·炼金

    记忆感应师·炼金

    时序进入隆冬,第七街的天空也弥漫着冷凛的寒气。哈里森警官穿著深色大衣,开着警车往红砖砌成的小巷驶进,等在巷弄尽头的是一对男女,同样也穿着厚重的冬季大衣。“弗洛斯特!爱蜜莉!快上车!”被唤为弗洛斯特的男子,年约二十多岁,金色短发衬托白晰俊俏的脸庞,一双宝石般蓝眼珠,透出鹫鹰般锐利的眼神,比外面的寒风更冰冷。爱蜜莉则是未成年的少女,一身红毛绒衣,白色妮帽,手套、长靴清一色粉红,十足圣诞节装扮的气息。“哇!下雪啦!好漂亮!”爱蜜莉边搓揉双手边欢呼。
  • 社会卷(文摘小说精品)

    社会卷(文摘小说精品)

    这是读者俱乐部主编的一套书籍,里面包含青春、情感、家庭、校园、情境、师生、社会、父母、智慧等诸多方面,从不同的角度,向我们阐释了它们的意义,是一本伴随人生的书籍,也是一套不可多得的好书系。
  • 木仙记

    木仙记

    一句话简介:这是一个卧底人类修仙界的草妖阴谋推翻人类的邪恶统治的故事! 走出青莽山明心才知道世间有这么多种人,男人、女人、鲛人、羽族、道士、和尚甚至活死人。他们都想吃她。一朵小花的原生态仙旅,呼啸来袭!
  • 布衣武祖

    布衣武祖

    一个异变的世界,一个意外的到来,苏鸣抬头看了看天,泪流满面道:“说好的灵气复苏呢?”
  • 只有青山不改

    只有青山不改

    本书是一部长篇历史小说。明清时期是我国封建制度渐趋衰落和统一的多民族国家巩固时期,在这个时期,社会风起云涌。本书以明清交替时期的重大历史事件为主线,通过对历史人物金声桓、王得仁、李成栋、马士英、朱大典等人的刻画描写,深刻地反映人性善恶的两面性和复杂性。
  • 龙文鞭影(中华国学经典)

    龙文鞭影(中华国学经典)

    《龙文鞭影》形象地反映了该书“逸而功倍”的效果。该书内容主要来自二十四史中的人物典故,同时又从《庄子》和古代神话、小说、笔记如《搜神记》、 《列仙传》、《世说新语》等书中广泛收集故事。辑录了历史上许多著名人物如孔子、诸葛亮、司马迁、李白、杜甫、朱熹等人的轶闻趣事。全书共收辑了包括孟母断机、毛遂自荐、荆轲刺秦、鹬蚌相争、董永卖身、红叶题诗等两千多典故,文字简练扼要,而能阐明故事梗概,可称之为一本典故大全。该书全文都用四言,成一短句,上下对偶,各讲一个典故。 逐联押韵,全书按韵编排,是一本重要的蒙学读物。