Twenty-Four hours had passed. Twenty four hours! Was it no more than that since - Rhoda Gray, in the guise of Gypsy Nan, as she sat on the edge of the disreputable, poverty-stricken cot, grew suddenly tense, holding her breath as she listened. The sound reached the attic so faintly that it might be but the product solely of the imagination. No - it came again! And it even defined itself now - a stealthy footstep on the lower stairs.
A small, leather-bound notebook, in which she had been engrossed, was tucked instantly away under the soiled blanket, and she glanced sharply around the garret. A new candle, which she had bought in the single excursion she had ventured to make from the house during the day, was stuck in the neck of the gin bottle, and burned now on the chair beside her. She had not bought a new lamp - it gave too much light! The old one, the pieces of it, lay over there, brushed into a heap in the corner on the floor.
The footstep became more audible. Her lips tightened a little. The hour was late. It must be already after eleven o'clock. Her eyes grew perturbed. Perhaps it was only one of the unknown tenants of the floor below going to his or her room; but, on the other hand, no one had come near the garret since last night, when that strange and, yes, sinister trick of fate had thrust upon her the personality of Gypsy Nan, and it was hoping for too much to expect such seclusion to obtain much longer. There were too many who must be interested, vitally interested, in Gypsy Nan! There was Rough Rorke, of headquarters; he had given no sign, but that did not mean he had lost interest in Gypsy Nan. There was the death of the real Gypsy Nan, which was pregnant with possibilities; and though the newspapers, that she, Rhoda Gray, had bought and scanned with such tragic eagerness, had said nothing about the death of one Charlotte Green in the hospital, much less had given any hint that the identity Gypsy Nan had risked so much to hide had been discovered, it did not mean that the police, with their own ends in view, might not be fully informed, and were but keeping their own counsel while they baited a trap.
Also, and even more to be feared, there were those of this criminal organization to which Gypsy Nan had belonged, and to which she, Rhoda Gray, through a sort of hideous proxy, now belonged herself!
Sooner or later, they must show their hands, and the test of her identity would come. And here her danger was the greater because she did not know who any of them were, unless the man who had stepped in between Rough Rorke and herself last night was one of them - which was a question that had harassed her all day. The man had been no more drunk than she had been, and he had obviously only played the part to get her out of the clutches of Rough Rorke; but, against this, he had seen her simply as herself then, the White Moll, and what could the criminal associates of Gypsy Nan have cared as to what became of the White Moll?
A newspaper, to procure which had been the prime motive that had lured her out of her retreat that afternoon, caught her eye now, and she shivered a little as, from where it lay on the floor, the headlines seemed to leer up at her, and mock, and menace her.
"The White Moll....The Saint of the East Side Exposed....Vicious Hypocrisy....Lowly Charity for Years Cloaks a Consummate Thief..."
They had not spared her!
Her lips firmed suddenly, as she listened. The stealthy footfall had not paused in the hall below. It was on the short, ladder-like steps now, leading up here to the garret - and now it had halted outside her door, and there came a low, insistent knocking on the panels.
"Who's dere?" demanded Rhoda Gray, alias Gypsy Nan, in a grumbling tone, as, getting up from the bed, she moved the chair noiselessly a few feet farther away, so that the bed would be beyond the immediate radius of the candle light. Then she shuffled across the floor to the door. "Who's dere?" she demanded again, and her hand, deep in the voluminous pocket of Gypsy Nan's greasy skirt, closed tightly around the stock of Gypsy Nan's revolver.
The voice that answered her expostulated in a plaintive whisper:
"My dear lady! And after all the trouble I have taken to reach here without being either seen or heard!"
For an instant Rhoda Gray hesitated - there seemed something familiar about the voice - then she unlocked the door, and retreated toward the bed.
The door opened and closed softly. Rhoda Gray, reaching the edge of the bed, sat down. It was the fashionably-attired, immaculate young man, who had saved her from Rough Rorke last night. She stared at him in the faint light without a word. Her mind was racing in a mad turmoil of doubt, uncertainty, fear. Was he one of the gang, or not? Was she, in the role of Gypsy Nan, supposed to know him, or not? Did he know that the real Gypsy Nan, too, had but played a part, and, therefore, when she spoke must it be in the vernacular of the East Side - or not? And then sudden enlightenment, with its incident relief, came to her.
"My dear lady" - the young man's soft felt hat was under his arm, and he was plucking daintily at the fingers of his yellow gloves as he removed them - "I beg you to pardon the intrusion of a perfect stranger. I offer you my very genuine apologies. My excuse is that I come from a - I hope I am not overstepping the bounds in using the term - mutual friend." Rhoda Gray snorted disdainfully.
"Aw, cut out de boudoir talk, an' get down to cases!" she croaked.
"Who are youse, anyway?"
The young man had gray eyes - and they lighted up now humorously.
"Boudoir? Ah - yes! Of course! Awfully neat!" His eyes, from the chair that held the candle, strayed around the scantily furnished, murky garret as though in search of a seat, and finally rested inquiringly on Rhoda Gray.
"Youse can put de candle on de floor, if youse like," she said grudgingly. "Dat's de only chair dere is."
"Thank you!" he said.
Rhoda Gray watched him with puckered brow, as he placed the gin bottle with its candle on the floor, and appropriated the chair.
