There was a large tin box, the cover off, containing some black, pastelike substance - the "stuff," presumably, that Gypsy Nan used on her face and hands. There was a bunch of curiously formed keys, several boxes of revolver cartridges, an electric flashlight, and a great quantity of the choicest brands of tinned and bottled fruits and provisions - and a little to one side, evidently kept ready for instant use, a suit of excellent material, underclothing, silk stockings shoes and hat were neatly piled together.
Rhoda Gray took the clothing, and went back to the bedside. Gypsy Nan had made little progress in disrobing. It seemed about all the woman could do to cling to the edge of the cot and sit upright.
"What does all this mean, Nan," she asked tensely; "all those things up there - that money?"
Gypsy Nan forced a twisted smile.
"It means I know how bad I am, or I wouldn't have let you see what you have," she answered heavily. "It means that there isn't any other way. Hurry! Get these things off! Get me dressed!"
But it took a long time. Gypsy Nan seemed with every moment to grow weaker. The lamp on the chair went out for want of oil. There was only the guttering candle in the gin bottle to give light. It threw weird, flickering shadows around the garret; it seemed to enhance the already deathlike pallor of the woman, as, using the pitcher of water and the basin from the washstand now, Rhoda Gray removed the grime from Gypsy Nan's face and hands.
It was done at last - and where there had once been Gypsy Nan, haglike and repulsive, there was now a stylishly, even elegantly, dressed woman of well under middle age. The transformation seemed to have acted as a stimulant upon Gypsy Nan. She laughed with nervous hilarity she even tried valiantly to put on a pair of new black kid gloves, but, failing in this, pushed them unsteadily into the pocket of her coat.
"I'm - I'm all right," she asserted fiercely, as Rhoda Gray, pausing in the act of gathering up the discarded garments, regarded her anxiously. "Bring me a package of that money after you've put those things away - yes, and you'll find a flashlight there. We'll need it going down the stairs."
Rhoda Gray made no answer. There was no hesitation now in her actions, as, to the pile of clothing in her arms, she added the revolver that lay on the blanket, and, returning to the little trap-door in the ceiling, hid them away; but her brain was whirling again in a turmoil of doubt. This was madness, utter, stark, blind madness, this thing that she was doing! It was suicide, literally that, nothing less than suicide for one in Gypsy Nan's condition to attempt this thing. But the woman would certainly die here, too, with out medical assistance - only there was the police! Rhoda Gray's face, as she stood upright in the little aperture again, throwing the wavering candle-rays around her, seemed suddenly to have grown pinched and wan. The police! The police! It was her conscience, then, that was gnawing at her - because of the police!
Was that it? Well, there was also, then, another side. Could she turn informer, traitor, become a female Judas to a dying woman, who had sobbed and thanked her Maker because she had found some one whom she believed she could trust? That was a hideous and an abominable thing to do! "You swore it! You swore you'd see me through!" - the words came and rang insistently in her ears. The sweet, piquant little face set in hard, determined lines. Mechanically she picked up the flashlight and a package of the banknotes, lowered the board in the ceiling into place, and returned to Gypsy Nan.
"I'm ready, if there is no other way," she said soberly, as she watched the other tuck the money away inside her waist. "I said I would see you through, and I will. But I doubt if you are strong enough, even with what help I can give you, to get down the stairs, and even if you can, I am afraid with all my soul of the consequences to you, and -"
Gypsy Nan blew out the candle, and staggered to her feet.
"There isn't any other way." She leaned heavily on Rhoda Gray's arm. "Can't you see that? Don't you think I know? Haven't you seen enough here to convince you of that? I - I'm just spilling the dice for - for perhaps the last time - but it's the only chance - the only chance. Go on!" she urged tremulously. "Shoot the glim, and get me to the door. And - and for the love of God, don't make a sound! It's all up if we're seen going out!"
The flashlight's ray danced in crazy gyrations as the two figures swayed and crept across the garret. Rhoda Gray unlocked the door, and, as they passed out, locked it again on the outside.
"Hide the key!" whispered Gypsy Nan. "See - that crack in the floor under the partition! Slip it in there!"
The flashlight guiding her, Rhoda Gray stooped down to where, between the rough attic flooring and the equally rough boarding of the garret partition, there was a narrow space. She pushed the key in out of sight; and then, with her arm around Gypsy Nan's waist, and with the flashlight at cautious intervals winking ahead of her through the darkness, she began to descend the stairs.
It was slow work, desperately slow, both because they dared not make the slightest noise, and because, too, as far as strength was concerned, Gypsy Nan was close to the end of her endurance. Down one flight, and then the other, they went, resting at every few steps, leaning back against the wall, black shadows that merged with the blackness around them, the flashlight used only when necessity compelled it, lest its gleam might attract the attention of some other occupant of the house. And at times Gypsy Nan's head lay cheek to Rhoda Gray's, and the other's body grew limp and became a great weight, so heavy that it seemed she could no longer support it.
They gained the street door, hung there tensely for a moment to make sure they were not observed by any chance passer-by, then stepped out on the sidewalk. Gypsy Nan spoke then:
