He has stolen three byes in the first ten minutes, and Jack Raggles is furious, and begins throwing over savagely to the farther wicket, until he is sternly stopped by the captain. It is all that young gentlemen can do to keep his team steady, but he knows that everything depends on it, and faces his work bravely. The score creeps up to fifty; the boys begin to look blank; and the spectators, who are now mustering strong, are very silent. The ball flies off his bat to all parts of the field, and he gives no rest and no catches to any one. But cricket is full of glorious chances, and the goddess who presides over it loves to bring down the most skilful players.
Johnson, the young bowler, is getting wild, and bowls a ball almost wide to the off; the batter steps out and cuts it beautifully to where cover-point is standing very deep--in fact almost off the ground. The ball comes skimming and twisting along about three feet from the ground; he rushes at it, and it sticks somehow or other in the fingers of his left hand, to the utter astonishment of himself and the whole field. Such a catch hasn't been made in the close for years, and the cheering is maddening. "Pretty cricket," says the captain, throwing himself on the ground by the deserted wicket with a long breath. He feels that a crisis has passed.
I wish I had space to describe the match--how the captain stumped the next man off a leg-shooter, and bowled small cobs to old Mr. Aislabie, who came in for the last wicket; how the Lord's men were out by half-past twelve o'clock for ninety-eight runs; how the captain of the School eleven went in first to give his men pluck, and scored twenty-five in beautiful style; how Rugby was only four behind in the first innings; what a glorious dinner they had in the fourth-form school; and how the cover-point hitter sang the most topping comic songs, and old Mr. Aislabie made the best speeches that ever were heard, afterwards. But I haven't space--that's the fact; and so you must fancy it all, and carry yourselves on to half-past seven o'clock, when the School are again in, with five wickets down, and only thirty-two runs to make to win. The Marylebone men played carelessly in their second innings, but they are working like horses now to save the match.
There is much healthy, hearty, happy life scattered up and down the close; but the group to which I beg to call your especial attention is there, on the slope of the island, which looks towards the cricket-ground. It consists of three figures; two are seated on a bench, and one on the ground at their feet. The first, a tall, slight and rather gaunt man, with a bushy eyebrow and a dry, humorous smile, is evidently a clergyman. He is carelessly dressed, and looks rather used up, which isn't much to be wondered at, seeing that he has just finished six weeks of examination work; but there he basks, and spreads himself out in the evening sun, bent on enjoying life, though he doesn't quite know what to do with his arms and legs. Surely it is our friend the young master, whom we have had glimpses of before, but his face has gained a great deal since we last came across him.
And by his side, in white flannel shirt and trousers, straw hat, the captain's belt, and the untanned yellow cricket shoes which all the eleven wear, sits a strapping figure, near six feet high, with ruddy, tanned face and whiskers, curly brown hair, and a laughing, dancing eye. He is leaning forward with his elbows resting on his knees, and dandling his favourite bat, with which he has made thirty or forty runs to-day, in his strong brown hands. It is Tom Brown, grown into a young man nineteen years old, a prepostor and captain of the eleven, spending his last day as a Rugby boy, and, let us hope, as much wiser as he is bigger, since we last had the pleasure of coming across him.
And at their feet on the warm, dry ground, similarly dressed, sits Arthur, Turkish fashion, with his bat across his knees. He too is no longer a boy--less of a boy, in fact, than Tom, if one may judge from the thoughtfulness of his face, which is somewhat paler, too, than one could wish; but his figure, though slight, is well knit and active, and all his old timidity has disappeared, and is replaced by silent, quaint fun, with which his face twinkles all over, as he listens to the broken talk between the other two, in which he joins every now and then.
All three are watching the game eagerly, and joining in the cheering which follows every good hit. It is pleasing to see the easy, friendly footing which the pupils are on with their master, perfectly respectful, yet with no reserve and nothing forced in their intercourse. Tom has clearly abandoned the old theory of "natural enemies" in this case at any rate.
But it is time to listen to what they are saying, and see what we can gather out of it.
"I don't object to your theory," says the master, "and I allow you have made a fair case for yourself. But now, in such books as Aristophanes, for instance, you've been reading a play this half with the Doctor, haven't you?"
"Yes, the Knights," answered Tom.
"Well, I'm sure you would have enjoyed the wonderful humour of it twice as much if you had taken more pains with your scholarship."
"Well, sir, I don't believe any boy in the form enjoyed the sets-to between Cleon and the Sausage-seller more than I did--eh, Arthur?" said Tom, giving him a stir with his foot.
"Yes, I must say he did," said Arthur. "I think, sir, you've hit upon the wrong book there."
"Not a bit of it," said the master. "Why, in those very passages of arms, how can you thoroughly appreciate them unless you are master of the weapons? and the weapons are the language, which you, Brown, have never half worked at; and so, as I say, you must have lost all the delicate shades of meaning which make the best part of the fun."
"Oh, well played! bravo, Johnson!" shouted Arthur, dropping his bat and clapping furiously, and Tom joined in with a "Bravo, Johnson!" which might have been heard at the chapel.
