The first thing Martin did next morning was to go counter both to Brissenden's advice and command. "The Shame of the Sun" he wrapped and mailed to THE ACROPOLIS. He believed he could find magazine publication for it, and he felt that recognition by the magazines would commend him to the book-publishing houses. "Ephemera" he likewise wrapped and mailed to a magazine. Despite Brissenden's prejudice against the magazines, which was a pronounced mania with him, Martin decided that the great poem should see print. He did not intend, however, to publish it without the other's permission.
His plan was to get it accepted by one of the high magazines, and, thus armed, again to wrestle with Brissenden for consent.
Martin began, that morning, a story which he had sketched out a number of weeks before and which ever since had been worrying him with its insistent clamor to be created. Apparently it was to be a rattling sea story, a tale of twentieth-century adventure and romance, handling real characters, in a real world, under real conditions. But beneath the swing and go of the story was to be something else - something that the superficial reader would never discern and which, on the other hand, would not diminish in any way the interest and enjoyment for such a reader. It was this, and not the mere story, that impelled Martin to write it. For that matter, it was always the great, universal motif that suggested plots to him. After having found such a motif, he cast about for the particular persons and particular location in time and space wherewith and wherein to utter the universal thing. "Overdue" was the title he had decided for it, and its length he believed would not be more than sixty thousand words - a bagatelle for him with his splendid vigor of production. On this first day he took hold of it with conscious delight in the mastery of his tools. He no longer worried for fear that the sharp, cutting edges should slip and mar his work. The long months of intense application and study had brought their reward. He could now devote himself with sure hand to the larger phases of the thing he shaped; and as he worked, hour after hour, he felt, as never before, the sure and cosmic grasp with which he held life and the affairs of life. "Overdue" would tell a story that would be true of its particular characters and its particular events; but it would tell, too, he was confident, great vital things that would be true of all time, and all sea, and all life - thanks to Herbert Spencer, he thought, leaning back for a moment from the table. Ay, thanks to Herbert Spencer and to the master-key of life, evolution, which Spencer had placed in his hands.
He was conscious that it was great stuff he was writing. "It will go! It will go!" was the refrain that kept, sounding in his ears.
Of course it would go. At last he was turning out the thing at which the magazines would jump. The whole story worked out before him in lightning flashes. He broke off from it long enough to write a paragraph in his note-book. This would be the last paragraph in "Overdue"; but so thoroughly was the whole book already composed in his brain that he could write, weeks before he had arrived at the end, the end itself. He compared the tale, as yet unwritten, with the tales of the sea-writers, and he felt it to be immeasurably superior. "There's only one man who could touch it," he murmured aloud, "and that's Conrad. And it ought to make even him sit up and shake hands with me, and say, 'Well done, Martin, my boy.'"
He toiled on all day, recollecting, at the last moment, that he was to have dinner at the Morses'. Thanks to Brissenden, his black suit was out of pawn and he was again eligible for dinner parties.
Down town he stopped off long enough to run into the library and search for Saleeby's books. He drew out 'The Cycle of Life," and on the car turned to the essay Norton had mentioned on Spencer. As Martin read, he grew angry. His face flushed, his jaw set, and unconsciously his hand clenched, unclenched, and clenched again as if he were taking fresh grips upon some hateful thing out of which he was squeezing the life. When he left the car, he strode along the sidewalk as a wrathful man will stride, and he rang the Morse bell with such viciousness that it roused him to consciousness of his condition, so that he entered in good nature, smiling with amusement at himself. No sooner, however, was he inside than a great depression descended upon him. He fell from the height where he had been up-borne all day on the wings of inspiration.
"Bourgeois," "trader's den" - Brissenden's epithets repeated themselves in his mind. But what of that? he demanded angrily. He was marrying Ruth, not her family.
It seemed to him that he had never seen Ruth more beautiful, more spiritual and ethereal and at the same time more healthy. There was color in her cheeks, and her eyes drew him again and again - the eyes in which he had first read immortality. He had forgotten immortality of late, and the trend of his scientific reading had been away from it; but here, in Ruth's eyes, he read an argument without words that transcended all worded arguments. He saw that in her eyes before which all discussion fled away, for he saw love there. And in his own eyes was love; and love was unanswerable.
Such was his passionate doctrine.
The half hour he had with her, before they went in to dinner, left him supremely happy and supremely satisfied with life.
