Came a beautiful fall day, warm and languid, palpitant with the hush of the changing season, a California Indian summer day, with hazy sun and wandering wisps of breeze that did not stir the slumber of the air. Filmy purple mists, that were not vapors but fabrics woven of color, hid in the recesses of the hills. San Francisco lay like a blur of smoke upon her heights. The intervening bay was a dull sheen of molten metal, whereon sailing craft lay motionless or drifted with the lazy tide. Far Tamalpais, barely seen in the silver haze, bulked hugely by the Golden Gate, the latter a pale gold pathway under the westering sun. Beyond, the Pacific, dim and vast, was raising on its sky-line tumbled cloud-masses that swept landward, giving warning of the first blustering breath of winter.
The erasure of summer was at hand. Yet summer lingered, fading and fainting among her hills, deepening the purple of her valleys, spinning a shroud of haze from waning powers and sated raptures, dying with the calm content of having lived and lived well. And among the hills, on their favorite knoll, Martin and Ruth sat side by side, their heads bent over the same pages, he reading aloud from the love-sonnets of the woman who had loved Browning as it is given to few men to be loved.
But the reading languished. The spell of passing beauty all about them was too strong. The golden year was dying as it had lived, a beautiful and unrepentant voluptuary, and reminiscent rapture and content freighted heavily the air. It entered into them, dreamy and languorous, weakening the fibres of resolution, suffusing the face of morality, or of judgment, with haze and purple mist.
Martin felt tender and melting, and from time to time warm glows passed over him. His head was very near to hers, and when wandering phantoms of breeze stirred her hair so that it touched his face, the printed pages swam before his eyes.
"I don't believe you know a word of what you are reading," she said once when he had lost his place.
He looked at her with burning eyes, and was on the verge of becoming awkward, when a retort came to his lips.
"I don't believe you know either. What was the last sonnet about?"
"I don't know," she laughed frankly. "I've already forgotten.
Don't let us read any more. The day is too beautiful."
"It will be our last in the hills for some time," he announced gravely. "There's a storm gathering out there on the sea-rim."
The book slipped from his hands to the ground, and they sat idly and silently, gazing out over the dreamy bay with eyes that dreamed and did not see. Ruth glanced sidewise at his neck. She did not lean toward him. She was drawn by some force outside of herself and stronger than gravitation, strong as destiny. It was only an inch to lean, and it was accomplished without volition on her part.
Her shoulder touched his as lightly as a butterfly touches a flower, and just as lightly was the counter-pressure. She felt his shoulder press hers, and a tremor run through him. Then was the time for her to draw back. But she had become an automaton. Her actions had passed beyond the control of her will - she never thought of control or will in the delicious madness that was upon her. His arm began to steal behind her and around her. She waited its slow progress in a torment of delight. She waited, she knew not for what, panting, with dry, burning lips, a leaping pulse, and a fever of expectancy in all her blood. The girdling arm lifted higher and drew her toward him, drew her slowly and caressingly.
She could wait no longer. With a tired sigh, and with an impulsive movement all her own, unpremeditated, spasmodic, she rested her head upon his breast. His head bent over swiftly, and, as his lips approached, hers flew to meet them.
This must be love, she thought, in the one rational moment that was vouchsafed her. If it was not love, it was too shameful. It could be nothing else than love. She loved the man whose arms were around her and whose lips were pressed to hers. She pressed more, tightly to him, with a snuggling movement of her body. And a moment later, tearing herself half out of his embrace, suddenly and exultantly she reached up and placed both hands upon Martin Eden's sunburnt neck. So exquisite was the pang of love and desire fulfilled that she uttered a low moan, relaxed her hands, and lay half-swooning in his arms.
Not a word had been spoken, and not a word was spoken for a long time. Twice he bent and kissed her, and each time her lips met his shyly and her body made its happy, nestling movement. She clung to him, unable to release herself, and he sat, half supporting her in his arms, as he gazed with unseeing eyes at the blur of the great city across the bay. For once there were no visions in his brain.
Only colors and lights and glows pulsed there, warm as the day and warm as his love. He bent over her. She was speaking.
"When did you love me?" she whispered.
"From the first, the very first, the first moment I laid eye on you. I was mad for love of you then, and in all the time that has passed since then I have only grown the madder. I am maddest, now, dear. I am almost a lunatic, my head is so turned with joy."
"I am glad I am a woman, Martin - dear," she said, after a long sigh.
He crushed her in his arms again and again, and then asked:-
"And you? When did you first know?"
"Oh, I knew it all the time, almost, from the first."
"And I have been as blind as a bat!" he cried, a ring of vexation in his voice. "I never dreamed it until just how, when I - when I kissed you."
"I didn't mean that." She drew herself partly away and looked at him. "I meant I knew you loved almost from the first."
"And you?" he demanded.
"It came to me suddenly." She was speaking very slowly, her eyes warm and fluttery and melting, a soft flush on her cheeks that did not go away. "I never knew until just now when - you put your arms around me. And I never expected to marry you, Martin, not until just now. How did you make me love you?"
