"That night we make camp at Windy Arm. Woman sit by fire and eat supper. I look at her. She is pretty. She fix hair. There is much hair, and it is brown, also sometimes it is like gold in the firelight, when she turn her head, so, and flashes come from it like golden fire. The eyes are large and brown, sometimes warm like a candle behind a curtain, sometimes very hard and bright like broken ice when sun shines upon it. When she smile - how can I say? - when she smile I know white man like to kiss her, just like that, when she smile. She never do hard work. Her hands are soft, like baby's hand. She is soft all over, like baby. She is not thin, but round like baby; her arm, her leg, her muscles, all soft and round like baby. Her waist is small, and when she stand up, when she walk, or move her head or arm, it is - I do not know the word - but it is nice to look at, like - maybe I say she is built on lines like the lines of a good canoe, just like that, and when she move she is like the movement of the good canoe sliding through still water or leaping through water when it is white and fast and angry. It is very good to see.
"Why does she come into Klondike, all alone, with plenty of money?
I do not know. Next day I ask her. She laugh and says: 'Sitka Charley, that is none of your business. I give you one thousand dollars take me to Dawson. That only is your business.' Next day after that I ask her what is her name. She laugh, then she says, 'Mary Jones, that is my name.' I do not know her name, but I know all the time that Mary Jones is not her name.
"It is very cold in canoe, and because of cold sometimes she not feel good. Sometimes she feel good and she sing. Her voice is like a silver bell, and I feel good all over like when I go into church at Holy Cross Mission, and when she sing I feel strong and paddle like hell. Then she laugh and says, 'You think we get to Dawson before freeze-up, Charley?' Sometimes she sit in canoe and is thinking far away, her eyes like that, all empty. She does not see Sitka Charley, nor the ice, nor the snow. She is far away.
Very often she is like that, thinking far away. Sometimes, when she is thinking far away, her face is not good to see. It looks like a face that is angry, like the face of one man when he want to kill another man.
"Last day to Dawson very bad. Shore-ice in all the eddies, mush- ice in the stream. I cannot paddle. The canoe freeze to ice. I cannot get to shore. There is much danger. All the time we go down Yukon in the ice. That night there is much noise of ice.
Then ice stop, canoe stop, everything stop. 'Let us go to shore,' the woman says. I say no, better wait. By and by, everything start down-stream again. There is much snow. I cannot see. At eleven o'clock at night, everything stop. At one o'clock everything start again. At three o'clock everything stop. Canoe is smashed like eggshell, but is on top of ice and cannot sink. I hear dogs howling. We wait. We sleep. By and by morning come.
There is no more snow. It is the freeze-up, and there is Dawson.
Canoe smash and stop right at Dawson. Sitka Charley has come in with two thousand letters on very last water.
"The woman rent a cabin on the hill, and for one week I see her no more. Then, one day, she come to me. 'Charley,' she says, 'how do you like to work for me? You drive dogs, make camp, travel with me.' I say that I make too much money carrying letters. She says, 'Charley, I will pay you more money.' I tell her that pick-and- shovel man get fifteen dollars a day in the mines. She says, 'That is four hundred and fifty dollars a month.' And I say, 'Sitka Charley is no pick-and-shovel man.' Then she says, 'I understand, Charley. I will give you seven hundred and fifty dollars each month.' It is a good price, and I go to work for her. I buy for her dogs and sled. We travel up Klondike, up Bonanza and Eldorado, over to Indian River, to Sulphur Creek, to Dominion, back across divide to Gold Bottom and to Too Much Gold, and back to Dawson.
All the time she look for something, I do not know what. I am puzzled. 'What thing you look for?' I ask. She laugh. 'You look for gold?' I ask. She laugh. Then she says, 'That is none of your business, Charley.' And after that I never ask any more.
"She has a small revolver which she carries in her belt.
Sometimes, on trail, she makes practice with revolver. I laugh.
'What for you laugh, Charley?' she ask. 'What for you play with that?' I say. 'It is no good. It is too small. It is for a child, a little plaything.' When we get back to Dawson she ask me to buy good revolver for her. I buy a Colt's 44. It is very heavy, but she carry it in her belt all the time.
"At Dawson comes the man. Which way he come I do not know. Only do I know he is CHECHA-QUO - what you call tenderfoot. His hands are soft, just like hers. He never do hard work. He is soft all over. At first I think maybe he is her husband. But he is too young. Also, they make two beds at night. He is maybe twenty years old. His eyes blue, his hair yellow, he has a little mustache which is yellow. His name is John Jones. Maybe he is her brother. I do not know. I ask questions no more. Only I think his name not John Jones. Other people call him Mr. Girvan. I do not think that is his name. I do not think her name is Miss Girvan, which other people call her. I think nobody know their names.
"One night I am asleep at Dawson. He wake me up. He says, 'Get the dogs ready; we start.' No more do I ask questions, so I get the dogs ready and we start. We go down the Yukon. It is night- time, it is November, and it is very cold - sixty-five below. She is soft. He is soft. The cold bites. They get tired. They cry under their breaths to themselves. By and by I say better we stop and make camp. But they say that they will go on. Three times I say better to make camp and rest, but each time they say they will go on. After that I say nothing. All the time, day after day, is it that way. They are very soft. They get stiff and sore. They do not understand moccasins, and their feet hurt very much. They limp, they stagger like drunken people, they cry under their breaths; and all the time they say, 'On! on! We will go on!'
