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第16章

No town 'ouse for four seasons--rustygettin' in the shires, not a soul but two boys under me. Lord William at the front, Lady William at the back. And all for this! [He points sadly at the cooler] It comes of meddlin' on the Continent. I had my prognostications at the time. [To JAMES] You remember my sayin' to you just before you joined up: "Mark my words--we shall see eight per cent. for our money before this is over!"

JAMES. [Sepulchrally] I see the eight per cent., but not the money.

POULDER. Hark at that!

[The sounds of the Marseillaise grow louder. He shakes his head.]

I'd read the Riot Act. They'll be lootin' this house next!

JAMES. We'll put up a fight over your body: "Bartholomew Poulder, faithful unto death!" Have you insured your life?

POULDER. Against a revolution?

JAMES. Act o' God! Why not?

POULDER. It's not an act o' God.

JAMES. It is; and I sympathise with it.

POULDER. You--what?

JAMES. I do--only--hands off the gov'nor.

POULDER. Oh! Really! Well, that's something. I'm glad to see you stand behind him, at all events.

JAMES. I stand in front of 'im when the scrap begins!

POULDER. Do you insinuate that my heart's not in the right place?

JAMES. Well, look at it! It's been creepin' down ever since I knew you. Talk of your sacrifices in the war--they put you on your honour, and you got stout on it. Rations--not 'arf.

POULDER. [Staring at him] For independence, I've never seen your equal, James. You might be an Australian.

JAMES. [Suavely] Keep a civil tongue, or I'll throw you to the crowd! [He comes forward to the table] Shall I tell you why I favour the gov'nor? Because, with all his pomp, he's a gentleman, as much as I am. Never asks you to do what he wouldn't do himself.

What's more, he never comes it over you. If you get drunk, or--well, you understand me, Poulder--he'll just say: "Yes, yes; I know, James!" till he makes you feel he's done it himself. [Sinking his voice mysteriously) I've had experience with him, in the war and out.

Why he didn't even hate the Huns, not as he ought. I tell you he's no Christian.

POULDER. Well, for irreverence----!

JAMES. [Obstinately] And he'll never be. He's got too soft a heart.

L. ANNE. [Beneath the table-shrilly] Hurrah!

POULDER. [Jumping] Come out, Miss Anne!

JAMES. Let 'er alone!

POULDER. In there, under the bomb?

JAMES. [Contemptuously] Silly ass! You should take 'em lying down!

POULDER. Look here, James! I can't go on in this revolutionary spirit; either you or I resign.

JAMES. Crisis in the Cabinet!

POULDER. I give you your marchin' orders.

JAMES. [Ineffably) What's that you give me?

POULDER. Thomas, remove James!

[THOMAS grins.]

L. ANNE. [Who, with open mouth, has crept out to see the fun] Oh!

Do remove James, Thomas!

POULDER. Go on, Thomas.

[THOMAS takes one step towards JAMES, who lays a hand on the Chinese mat covering the bomb.]

JAMES. [Grimly] If I lose control of meself.

L. ANNE. [Clapping her hands] Oh! James! Do lose control! Then I shall see it go off!

JAMES. [To POULDER] Well, I'll merely empty the pail over you!

POULDER. This is not becomin'!

[He walks out into the hall.]

JAMES. Another strategic victory! What a Boche he'd have made. As you were, Tommy!

[THOMAS returns to the door. The sound of prolonged applause cornea from within.]

That's a bishop.

L. ANNE. Why?

JAMES. By the way he's drawin'. It's the fine fightin' spirit in 'em. They were the backbone o' the war. I see there's a bit o' the old stuff left in you, Tommy.

L. ANNE. [Scrutinizing the widely--grinning THOM"] Where? Is it in his mouth?

JAMES. You've still got a sense of your superiors. Didn't you notice how you moved to Poulder's orders, me boy; an' when he was gone, to mine?

L. ANNE. [To THOMAS] March!

[The grinning THOMAS remains immovable.]

He doesn't, James!

JAMES. Look here, Miss Anne--your lights ought to be out before ten.

Close in, Tommy!

[He and THOMAS move towards her.]

L. ANNE. [Dodging] Oh, no! Oh, no! Look!

[The footmen stop and turn. There between the pillars, stands LITTLE AIDA with the trousers, her face brilliant With surprise.]

JAMES. Good Lord! What's this?

[Seeing L. ANNE, LITTLE AIDA approaches, fascinated, and the two children sniff at each other as it were like two little dogs walking round and round.]

L. ANNE. [Suddenly] My name's Anne; what's yours?

L. AIDA. Aida.

L. ANNE. Are you lost?

L. AIDA. Nao.

L. ANNE. Are those trousers?

L. AIDA. Yus.

L. Arms. Whose?

L. AIDA. Mrs. Lemmy's.

L. ANNE. Does she wear them?

[LITTLE AIDA smiles brilliantly.]

L. AIDA. Nao. She sews 'em.

L. ANNE. [Touching the trousers] They are hard. James's are much softer; aren't they, James? [JAMES deigns no reply] What shall we do? Would you like to see my bedroom?

L. AIDA. [With a hop] Aoh, yus!

JAMES. No.

L. ANNE. Why not?

JAMES. Have some sense of what's fittin'.

L. ANNE. Why isn't it fittin'? [To LITTLE AIDA] Do you like me?

L. AIDA. Yus-s.

L. ANNE. So do I. Come on!

[She takes LITTLE AIDA'S hand.]

JAMES. [Between the pillars] Tommy, ketch 'em!

[THOMAS retains them by the skirts.]

L. ANNE. [Feigning indifference] All right, then! [To LITTLE AIDA]

Have you ever seen a bomb?

L. AIDA. Nao.

L. ANNE. [Going to the table and lifting a corner of the cover]

Look!

L. AIDA. [Looking] What's it for?

L. ANNE. To blow up this house.

L. AIDA. I daon't fink!

L. ANNE. Why not?

L. AIDA. It's a beautiful big 'Ouse.

L. ANNE. That's why. Isn't it, James?

L. AIDA. You give the fing to me; I'll blow up our 'ouse--it's an ugly little 'ouse.

L. ANNE [Struck] Let's all blow up our own; then we can start fair.

Daddy would like that.

L. AIDA. Yus. [Suddenly brilliant] I've 'ad a ride in a taxi, an' we're goin' 'ome in it agyne!

L. ANNE. Were you sick?

LITTLE AIDA. [Brilliant] Nao.

L. ANNE I was; when I first went in one, but I was quite young then.

James, could you get her a Peche Melba? There was one.

JAMES. No.

L. ANNE. Have you seen the revolution?

L. AIDA. Wot's that?

L. ANNE;. It's made of people.

L. AIDA. I've seen the corfin, it's myde o' wood.

L. ANNE. Do you hate the rich?

L. AIDA. [Ineffably] Nao. I hates the poor.

L. ANNE. Why?

L. AIDA. 'Cos they 'yn't got nuffin'.

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