As a male he is appealed to by the ultra-feminine, and has given small thought to effects on the race. He was not designed to do the selecting. Under his fostering care we have bred a race of women who are physically weak enough to be handed about like invalids; or mentally weak enough to pretend they are--and to like it. We have made women who respond so perfectly to the force which made them, that they attach all their idea of beauty to those characteristics which attract men; sometimes humanly ugly without even knowing it.
For instance, our long restriction to house-limits, the heavy limitations of our clothing, and the heavier ones of traditional decorum, have made women disproportionately short-legged. This is a particularly undignified and injurious characteristic, bred in women and inherited by men, most seen among those races which keep their women most closely. Yet when one woman escapes the tendency and appears with a normal length of femur and tibia, a normal height of hip and shoulder, she is criticized and called awkward by her squatty sisters!
The most convenient proof of the inferiority of women in human beauty is shown by those composite statues prepared by Mr. Sargent for the World's Fair of '93. These were made from gymnasium measurements of thousands of young collegians of both sexes all over America. The statue of the girl has a pretty face, small hands and feet, rather nice arms, though weak; but the legs are too thick and short; the chest and shoulders poor; and the trunk is quite pitiful in its weakness. The figure of the man is much better proportioned.
Thus the effect on human beauty of masculine selection.
Beyond this positive deteriorative effect on women through man's arbitrary choice comes the negative effect of woman's lack of choice.
Bought or stolen or given by her father, she was deprived of the innately feminine right and duty of choosing. "Who giveth this woman?" we still inquire in our archaic marriage service, and one man steps forward and gives her to another man.
Free, the female chose the victor, and the vanquished went unmated--and without progeny. Dependent, having to be fed and cared for by some man, the victors take their pick perhaps, but the vanquished take what is left; and the poor women, "marrying for a home," take anything. As a consequence the inferior male is as free to transmit his inferiority as the superior to give better qualities, and does so--beyond computation.
In modern days, women are freer, in some countries freer than in others; here in modern America freest of all; and the result is seen in our improving standards of health and beauty.
Still there remains the field of inter-masculine competition, does there not? Do not the males still struggle together? Is not that as of old, a source of race advantage?
To some degree it is. When life was simple and our activities consisted mainly in fighting and hard work; the male who could vanquish the others was bigger and stronger. But inter-masculine competition ceases to be of such advantage when we enter the field of social service. What is required in organized society is the specialization of the individual, the development of special talents, not always of immediate benefit to the man himself, but of ultimate benefit to society. The best social servant, progressive, meeting future needs, is almost always at a disadvantage besides the well-established lower types. We need, for social service, qualities quite different from the simple masculine characteristics--desire, combat, self-expression.
By keeping what we call "the outside world" so wholly male, we keep up masculine standards at the expense of human ones. This may be broadly seen in the slow and painful development of industry and science as compared to the easy dominance of warfare throughout all history until our own times.
The effect of all this ultra masculine competition upon health and beauty is but too plainly to be seen. Among men the male idea of what is good looking is accentuated beyond reason. Read about any "hero" you please; or study the products of the illustrator and note the broad shoulders, the rugged features, the strong, square, determined jaw.
