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第32章 THE WOOD.(2)

Here she comes galloping, the beauty!'--(Ellen is almost as fond of May as I am.)--'What has she got in her mouth? that rough, round, brown substance which she touches so tenderly? What can it be? A bird's nest? Naughty May!'

'No! as I live, a hedgehog! Look, Ellen, how it has coiled itself into a thorny ball! Off with it, May! Don't bring it to me!'--And May, somewhat reluctant to part with her prickly prize, however troublesome of carriage, whose change of shape seemed to me to have puzzled her sagacity more than any event I ever witnessed, for in general she has perfectly the air of understanding all that is going forward--May at last dropt the hedgehog; continuing, however, to pat it with her delicate cat-like paw, cautiously and daintily applied, and caught back suddenly and rapidly after every touch, as if her poor captive had been a red-hot coal. Finding that these pats entirely failed in solving the riddle (for the hedgehog shammed dead, like the lamb the other day, and appeared entirely motionless), she gave him so spirited a nudge with her pretty black nose, that she not only turned him over, but sent him rolling some little way along the turfy path,--an operation which that sagacious quadruped endured with the most perfect passiveness, the most admirable non-resistance. No wonder that May's discernment was at fault, I myself, if I had not been aware of the trick, should have said that the ugly rough thing which she was trundling along, like a bowl or a cricket-ball, was an inanimate substance, something devoid of sensation and of will. At last my poor pet, thoroughly perplexed and tired out, fairly relinquished the contest, and came slowly away, turning back once or twice to look at the object of her curiosity, as if half inclined to return and try the event of another shove. The sudden flight of a wood-pigeon effectually diverted her attention; and Ellen amused herself by fancying how the hedgehog was scuttling away, till our notice was also attracted by a very different object.

We had nearly threaded the wood, and were approaching an open grove of magnificent oaks on the other side, when sounds other than of nightingales burst on our ear, the deep and frequent strokes of the woodman's axe, and emerging from the Pinge we discovered the havoc which that axe had committed. Above twenty of the finest trees lay stretched on the velvet turf. There they lay in every shape and form of devastation: some, bare trunks stripped ready for the timber carriage, with the bark built up in long piles at the side; some with the spoilers busy about them, stripping, hacking, hewing; others with their noble branches, their brown and fragrant shoots all fresh as if they were alive--majestic corses, the slain of to-day! The grove was like a field of battle. The young lads who were stripping the bark, the very children who were picking up the chips, seemed awed and silent, as if conscious that death was around them. The nightingales sang faintly and interruptedly--a few low frightened notes like a requiem.

Ah! here we are at the very scene of murder, the very tree that they are felling; they have just hewn round the trunk with those slaughtering axes, and are about to saw it asunder. After all, it is a fine and thrilling operation, as the work of death usually is.

Into how grand an attitude was that young man thrown as he gave the final strokes round the root; and how wonderful is the effect of that supple and apparently powerless saw, bending like a riband, and yet overmastering that giant of the woods, conquering and overthrowing that thing of life! Now it has passed half through the trunk, and the woodman has begun to calculate which way the tree will fall; he drives a wedge to direct its course;--now a few more movements of the noiseless saw; and then a larger wedge. See how the branches tremble! Hark how the trunk begins to crack! Another stroke of the huge hammer on the wedge, and the tree quivers, as with a mortal agony, shakes, reels, and falls. How slow, and solemn, and awful it is! How like to death, to human death in its grandest form! Caesar in the Capitol, Seneca in the bath, could not fall more sublimely than that oak.

Even the heavens seem to sympathise with the devastation. The clouds have gathered into one thick low canopy, dark and vapoury as the smoke which overhangs London; the setting sun is just gleaming underneath with a dim and bloody glare, and the crimson rays spreading upward with a lurid and portentous grandeur, a subdued and dusky glow, like the light reflected on the sky from some vast conflagration. The deep flush fades away, and the rain begins to descend; and we hurry homeward rapidly, yet sadly, forgetful alike of the flowers, the hedgehog, and the wetting, thinking and talking only of the fallen tree.

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