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第8章 CHAPTER III(1)

El Tovar And Its Equipments Location of El Tovar. The West has several unique and picturesque hotels, but I question whether it possesses one more so than that bearing the name of the gallant Spanish cavalier, Coronado's lieutenant, the Ensign Tovar.

Built upon the very edge of the Canyon, in latitude 35 degrees 55 minutes 30 seconds, it is the arc of a rude curve of an amphitheatre, the walls of which are slightly higher than the elevation of the hotel. Its location affords the most intimate views of the great gorge, attracting spectators from all over the civilized world. Indeed, were it not for these visitors, El Tovar would never have been built. Its existence came out of a crying necessity. It was built by the Santa Fe Railway, and furnished and equipped by Fred Harvey, whose hotel and dining service for over a quarter of a century has made the Santa Fe noted as giving the best food service of any railway system in the world.

The Building. And what of the building itself? Stand away a little distance --say half a mile or more, for it is large enough to be seen and well described that far away--and it presents the appearance of a three-storied bungalow, though later you find that in some points it is four stories high. Its base is of solid, native limestone rock, well built up and continued in the massive outside chimneys, one of which stands at each end of the dining-room. The first story is of solid logs, brought from faraway Oregon, and the upper stories are of heavy planking and shingles, all stained to a rich brown or weather-beaten color; that harmonizes perfectly with the gray-green of its unique surroundings. It is pleasant to the eye, artistic in effect, and satisfactory to the most exacting critic. Its width, north and south, is three hundred and twenty-seven feet, and from east to west, two hundred and eighteen feet. The main building and entrance face the east.

Architecture. Its lines are in harmony with the simplicity of the surroundings. The architect has followed, in admirable proportions, the Swiss chalet and the Norway villa. Here are expressed a quiet dignity, an unassuming luxury, and an appreciation of outing needs. Not a Waldorf-Astoria--admirable as that type is for the city but a big, country clubhouse, where the traveler seeking high-class accommodations also finds freedom from ultrafashionable restrictions. You may wear a dress suit at dinner or not. You may mix with the jolly crowd, or sit alone in a quiet nook. You may lunch at almost any hour of the day or night. You may dine with other guests, or enjoy the seclusion of a private dining-room. Good fellowship perhaps best expresses the motto of El Tovar.

The hotel contains more than a hundred bedrooms. Ample accommodations are provided for two hundred and fifty guests, and more can be comfortably housed in the annex, at Bright Angel Camp. Outside are porches and roof gardens, from which one has wide views in every direction. The inside finish is mainly of peeled slabs, wood in the rough, and tinted plaster, interspersed with huge wooden beams. Triple casement windows and generous fireplaces abound. Indian curios and trophies of the chase are used in the decorations. The furniture is of special pattern.

El Tovar is more than a hotel; it is a village devoted to the entertainment of travelers. Far from the accustomed home of luxury, money has here summoned the beneficent genii who minister to our bodily comfort. Merely that you may have pure water to drink, it is brought from a mountain spring ninety miles away! And that is only one of the many provisions for unquestioned excellence of shelter and food. The hotel is conducted on the American plan. The rates are four dollars a day and upwards.

The Rendezvous. Leaving the train at the station, a short distance from the hotel, you proceed up a winding road to the main entrance, a hasty glimpse through low cedars revealing the far canyon wall.

Above the wide steps, and in front of the Norway gable, hospitably swings the Tovar coat-of-arms. On the broad porch are numerous rocking-chairs and small tables, with a push-button handy for ordering light refreshments. The porch corners are of solid rough masonry, built in old mission style, the arches wide and low. The first impression is one of good cheer. Once inside, the traveler will willingly linger a few moments in the Rendezvous or Nimrod's Cabin. This is a large room, forty-one by thirty-seven feet, notable for uneven walls of dark stained fogs and bulky rafters. In a huge corner fireplace, pine knots burn cheerily when the air is chilly. Electric lights are placed in log squares, swinging from the low roof at the end of long chains. Gray Navaho rugs cover the brown floor. There are cosy tete-a-tetes and easy chairs. On an upper shelf repose heads of the deer, elk, moose, mountain sheep, and buffalo, mingling with curiously shaped and gaudily tinted Indian jars from the southwest pueblos. An old-fashioned clock ticks off the hours. Several small escritoires remind you of letters to be written to the home people. Recessed window-seats, partly hidden by red curtains, complete the picture.

What wonder that every morning and evening most of the guests gather in this room--the ladies to read and gossip; the gentlemen to smoke and tell of their latest adventures. Few country clubs have as pleasant a meeting place; yet it is only one of El Tovar's many allurements.

The Office and Ladies' Lounging Room. Cross the western edge of the Rendezvous, and you are in the rotunda, the centre of the hotel's many activities and its very necessary hub. Whether bound for dining-room or parlors, for guest chamber or amusement room; whether attracted by the click of billiards below, or the brightness of the roof-garden above,--all paths here intersect.

On the first floor is the office. A story above, reached by an easily ascended stairway, is the ladies' lounging room, nestled around an octagonal open space that extends from the office to the roof.

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